Watch The Cinema Snob Movie For Free

Very Cool!!!

The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

I would like to start off by saying I am a fan of Brad Jones and The Cinema Snob. I love his movies Freak Out, Cheap, and Midnight Heat. I think Game Boys is fine, I'm not the biggest fan of Paranoia or Hooker with a Heart of Gold, but we'll get to that later. With that said, I was expecting to love The Cinema Snob Movie, so I bought the DVD, popped it in and was blown away at how bad it was. I feel terrible for saying that because I see the love and the effort put into the making of the movie from the director, actors, writers, etc. but I just felt so let down by this movie. Before I talk about the bad, I'll talk about the things I like: 1) The cast...for the most part. Brad, Orlando, Jillian, Noah, and the array of side actors in the film club all do a great job, there are weak links, but I'll get to that. 2) The writing. While I have some problems, I felt the story was well enough written that I was watching to see what happened next, I may have gotten bored, but I couldn't turn it off. 3)The directing. On the one hand, the point-and-shoot style of filming is a little too bland for my taste, it works for a comedy, and it works as a joke in itself after the characters talk about how their style of filming is such. I felt the movements were naturalistic, the cuts during the murders do well in concealing the effects while letting you see enough to leave an impact.Now for the bad: 1) Jake and Ryan. I'll be the bad guy and say I hate Jake as an actor and personality. I don't find him funny, I find his delivery stilted and awkward, and I can't stand his voice. I know that last one is an unfair criticism, but it really is a distraction for me in any of Jone's work even Midnight Heat. His delivery is awkward here too and I dreaded anytime he was on screen. As for Ryan, I am a huge fan of him as an actor and personality. He was a stand out in Freak Out despite such a small part and was one of my favorite parts of Cheap. Oddly enough, he lacks the personality he showed in those films, and I know that was intended, but just because it was intended doesn't mean it works. 2) The pacing. This movie is over two hours long. The murder plot doesn't come until the second half. Most of that first half is just telling jokes, which, fair enough it's a comedy, but if you want to have a murder mystery too, shouldn't that be introduced a little sooner? It's just a personal preference. 3) The look and sound. I do not like Paranoia, Hooker with a Heart of Gold, and The Cinema Snob Movie for similar reasons, but the one that connects them all is their look. I'm not talking about how their shot, but how their shots look. It's too clean, but not clean enough. On the one hand I feel this is an unfair statement as it shows Team Snob is growing as filmmakers, but on the other hand I miss the look of his old movies. For some reason, it's easier for me to accept bad audio and bad lighting than it is for me to accept sort of good lighting and OK audio.

I first saw this movie back in December of 2012. My main reason for getting this film is because I am a huge Cinema Snob fan. I'm not going to give the movie a 10 out of 10 just because of that. The movie was great, but not a masterpiece. After viewing it numerous times, I noticed some editing and continuity goofs such as placement of characters and reaction shots, but they are few and far between. Also, some of the actors are definitely stronger in substance than others to the point where I just don't enjoy seeing them on screen, but they are small roles and they aren't that bad. This can also come from me just wanted to see the characters I enjoy more (Craig, Neal, Dan, Gene and Nancy). They just feel more natural and real to me. Some could have used more takes as they delivered their lines, but that's why I'm bring my rating to a 7 making it a good movie.Speaking of the good, the story and style was very much like I would expect from Mr. Jones himself. A story of murder, sex scandals and film taboos is something that can really stick out. The film has its fair share of funny moments with its quick cuts, responses from the characters, such as Neal offering Craig and Nancy a cookie after some grim news. I absolutely love Craig's deadpan reactions to certain actions that take place as if he just dropped his mug of coffee. These parts just had me laugh out loud. Another favorite of mine has to be the presence of Noah Antwiller from The Spoony Experiment. He has such a natural look when on camera and I enjoyed every moment he made an appearance as the eccentric rich man of Springfield.Before I continue to gush, I just want to get to the point, which is I appreciate this film. I'm not going to put it on a pedestal or anything. It's simply an enjoyable, solid movie. The plot was simple but fun. I feel comfortable sharing this with friends who do not know of Brad Jones because we can all appreciate the low-budget films filling in two hours of enjoyment. It does a good job overall leaving my final rating at 7.

I finally received my copy in the mail, it was a sort of Christmas present to myself I guess.Based off the character of the same name from the internet show, Brad Jones delivers a solid film that his fans would appreciate. Though it is a problem if you are not familiar with the type of movies he reviews or the humour you might find yourself a little lost. Having some knowledge of exploitation movies really is a must when it comes to anything the Cinema Snob related, not like other "ThatGuyWithTheGlasses" critics who review more mainstream bad movies.What I like about The Cinema Snob show is that I learn about movies I would have never known existed and could see that when a film was mocked there was some level of passion for the film even when it was being riffed (Though not all movies, ones of the Nukie variety). The movie is set up as an origin story for the Snob who is really an exploitation filmmaker posing as a pretentious critic in order to secure permits to film "Black Angus", an exploitation flick set in the 70's. I could relate to dealing with the struggles of making an independent film and having to deal with a lot of red tape.I did find the performances funny, they worked for a film of this size. Without giving too much away there is a murder plot that happens almost an hour in that is darkly funny and works well with the film's subject matter, it begins to turn into an exploitation movie (One character gets stabbed with a cellphone but the killer gets a little carried away and doesn't stop there). Brad's friends make appearances of course including Noah Antwiler better known as Spoony, Jake Norvell plays Neil the director, this movie's answer to Brad Pitt from True Romance but with an arc. Also there is Mr.Jones' wife and an actor from the the movie Parenthood which I was convinced wasn't true because it was listed on IMDb but you'll have to see for yourself.If you are expecting it to be like his other movies that were more run and shoot like Midnight Heat or Hooker With a Heart of Gold you might be disappointed (You do get things like good lighting and cinematography though). It's too bad Black Angus isn't a real film because when I go see Django Unchained and it ends up sucking I can't say, "Well, it was no Black Angus"

When I received the DVD, my older brother looked at the box and read the back, and his response was "Wow, there is nothing I would rather watch less". To this, my reaction was simply "First, no one is asking you to. And second, it's not for you". Little did I know that this is actually one of the major themes of the CS's cinematic debut.Firstly, Nostalgia Critic may have been the gateway drug to TGWTG, but the Cinema Snob is the reason I keep coming back, especially after the tremendous loss of theSpoonyOne from the site (he is a close second to CS as my favorite), and to see these two still working together just made me so glad to see them not deprive the internet community of their amazing chemistry. I hope their collaborations continue for years to come. Brad Jones is one of the most charismatic and witty personalities on the internet, and this is simply a showcase of his immense talent, brought to us by the talented folks he has managed to surround himself with. That said, while the film does lose momentum a bit in the third act, it never feels rush or poorly paced. TeamSnob has something important to say about the state of culture, and uses their time on film wisely. Also, Springfield has never looked prettier during the day or more sinister at night.Brad carries the show, no question about it. Craig Golightly's alter ego is clearly a manifestation of the conflict within him, the desire to make something important but only being able to make trash. But trash this ain't. This theme was also sort of looked at with the CS's subplot in the TGWTG film 'To Boldly Flee'. What lives on, integrity or infamy? Beauty or shock?Special mention has to be made of Noah Antwiler aka Spoony. He absolutely steals every scene he is in. I've always thought Spoony was naturally talented and effortlessly sharp, and he really hits a stride here. Orlando as well really gets it and owns his Vladmir character, spewing out one of the best lines in the whole movie near the end. They both play it just wacky enough that the jokes work, and they seem to exist just outside the real world. The rest of the actors who make up the film club are excellent mock-ups of the various reasons why people get into art films - to be pretentious, because they were shamed into it by being told their taste was wrong, because they have voyeuristic fantasies, etc. Each is like a little call-out to the Eberts of the world.The film making and direction are top notch, and really display their growth as a production crew. Ryan and co. are clearly learning from their past works like 'Hooker' and 'Paranoia'. The pacing and editing are tighter, and the timing of the jokes really hit 80-90% of the time. It sometimes even rivals a lot of major independent works. TCSM is in a world of it's own, and it allows itself to really indulge in it, very much like It's Always Sunny in Philadelphia, even going so far in one bar scene to use what could be called a trademark Sunny gag ("Yeah, I'm still here"). Alas, there are always a few shortcomings, and they had to do with casting. I think Jake was fine as Neil, but I don't think he really quite fit the role, especially opposite someone with the personality of the CS. Not that he was terrible, but something about the mixing made him sound like he had a lisp, which I know from the CS site he certainly doesn't. It was a little distracting. Brian Lewis's Scott Bakula was a complete throwaway. I really dig the guy, but he was wasted here. AND WHERE WAS JERRID? But nothing spoiled the overall film, and these are minor squabbles from a devoted fan. I was laughing out loud too much to really be dragged down by them.From the worst modern independent films (Birdemic) to the best, this should rank up there as one of the top from the Internet 2.0 era. With most independent films of this kind, you usually find yourself forgiving the shortcomings and looking the other way when a glaring flub occurs because you are constantly reminded of the limits of the film makers. Any message or emotions are lost because the audience is too distracted by the miracle that a completed film was even made. But there was rarely a moment that took me out of the story here. I got their point, and it came across with style and quality.The message, as others have pointed out, is great: don't apologize for your taste. Do what you love, and love what you want to. The CS is the perfect vehicle to make this point - he himself is the contradiction in most creative people. His reach exceeds his grasp. You watch his series, and the humor comes from the fact that his intellect and his taste are completely opposite and always fighting within him. And who wins? The viewing public.Bless them for trying to make a film that reached beyond the fanbase. People who get the CS and the generation of internet reviewers born from the MST3k era will love this film, and people who don't get it, that's okay. They're not supposed to.ps - props to Big Box Model Jillian for giving up the goods.