Watch Hell Train For Free

A different way of telling a story

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

It really made me laugh, but for some moments I was tearing up because I could relate so much.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Based on a true story which sadly may happen again today.There were harsh words said of this plea against racism at the time of issue ,and I can see little fault with the opinions expressed ,including that of the precedent user;it proves,one more time,that good intentions do not walk hand in hand with good results.Roger Hanin stepped into two of his predecessors' shoes:André Cayatte and Yves Boisset ,whose "Dupont-Lajoie" he probably had in mind .But these two directors,often unfairly despised by the "true" connoisseurs of the French cinema ,the likes of the N.V. clique,had ,by and large,firm and strong screenplays and they knew how to direct their actors (remember Jean Carmet and Jean-Pierre Marielle in "Dupont -Lajoie".) In Hanin' s flick ,they are left to their own devices,and even good thespians such as Robin Renucci and the late Christine Pascal are bad.The dialog is abysmal ,every line you hear is a cliché ;so heavy-handed ,as the precedent user aptly wrote ,it's sometimes involuntarily comic.One can save ,at a pinch ,the last sequence ,told in the third conditional ,which shows some emotion .NB:not to be confused with Gilles Grangier's eponymous movie (1965).

I was about eleven when this movie was released and it was annouced as a great piece of "educational" cinema. After seeing it again on TV, I must say that it shows its age. The story is very manichean and flat, the characters one-dimensional at best. All french people are ugly, stupid racists, except the jewish police inspector, played by director Roger Hanin himself. All the arabs are nice, racism is just born from the sheer evil of the french. Hanin was never a very subtle actor -nor director- but here he really surpasses himself. Instead of delivering an enlightening sociological piece, he just turns up with a mediocre, preachy politically correct (in the worse sense) comic book. Bleah !