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The Day of the Wolves
A group of six thieves selected from different areas are sent a letter that promises them a minimum of $50,000 and includes a plane ticket. The letter instructs them to grow a beard. After being given a blindfolded ride from the airport, they arrive at a ghost town and meet with the boss (Number #1, Jan Murray). All of the "Wolves" are assigned a number, wear identical overalls and instructed never to take off the gloves that they are given. They are only to address eachother by their numbers; in that way, if one is caught, he can't rat-out the others. Number #1 reveals to them that they will take over a town, and clean it out. Using the ghost town for training, they develop their tactics to fleece the town.
Release : | 1971 |
Rating : | 5.7 |
Studio : | |
Crew : | Cinematography, Director, |
Cast : | Richard Egan Martha Hyer Rick Jason Jan Murray Zaldy Zshornack |
Genre : | Drama Crime |
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Excellent, Without a doubt!!
It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
"The Day of the Wolves" has attracted a small cult among die-hard aficionados of the crime syndicate genre, yet the central concept of a large-scale robbery pulled off by an anonymous boss (and his specifically-invited cohorts, who don't know their leader nor each other) isn't too original--it reminds one right away of "The Thomas Crown Affair", and probably a few other titles besides. The low-budget yarn begins with one man killing a restaurant manager, another robbing a bank while disguised as a postman (!), and still another robbing a hilltop residence; these three crooks, as well as three other men, are then brought to a secret hideout where their new leader (Jan Murray, playing "No.1") lays out his plan: to overtake a small town after knocking out the phones and electricity, each man standing to gain $50,000 G's. Richard Egan plays the chief of police--recently dismissed by his own city council!--who is the only town resident brave enough to take on the bad guys. "Wolves" must have been more fun to make than it is to watch. Apparently, the population of Lake Havasu City got involved in the production, and the results have that stilted, tentative feel of an amateur project wherein everybody pitches in without actually possessing noticeable film-making talent. Egan, though looking weathered, does his best without embarrassing himself; as his child-hugging spouse, Martha Hyer isn't as fortunate. Surprisingly, Murray really delivers the goods as the brains of the outfit, and there's a nifty ending with him on TV. Sean Bonniwell's score, which sounds like stoned-out jazz, dates the picture more than anything else, though the opening theme song is a gone gasser. "Nameless men have heard the cry of silent, pounding hoofs," we're told, "While nameless men like you and I will never hear the wolves!" Huh?? ** from ****
I couldn't help thinking that with a better script, bigger budget and a celebrity cast, the story in "The Day of the Wolves" has some potential as a modern day blockbuster. You know, somewhere on the order of the 'Ocean' films (they used numbers too). Instead, you have a quickie flick from Balut Productions made on the cheap, as in less than two hundred grand. So with all that, it's not a bad little programmer that surprisingly holds your interest even as Jan Murray puts together a gang of criminals with the worst set of fake beards in movie history.You know, I remember Jan Murray from watching TV as a kid and recall seeing him many times, yet when I check his credits here on the IMDb, most of his appearances in the Fifties and Sixties were as TV guest spots, so something doesn't compute. As a comedian he seemed to have been all over the place, so maybe it was on a bunch of game shows and variety hours. I don't think I ever saw him as a clown.In an earlier time, I think a group of criminals using this modus operandi might have actually gotten away with it. A few of them in the picture actually did, which kind of surprised me, but this was after the Production Code lost influence. When it clicked with Number #4 (Rick Jason) in his hospital bed that Uncle Willie was Number #1, I almost thought the picture would smoke out the rest of the outlaws. However the picture was already hitting the ninety minute mark and I knew this shoestring budget could only go so far.Here's a suggestion for the folks at Mill Creek Entertainment - take this one out of your Westerns box set and trade it out for "Drums in the Deep South" that's found in the Mystery/Crime compilation. Both moves would make a lot more sense.
Just re-saw this "B" heist film. The plot was interesting, the acting was decent, and there are a host of washed-up former stars throughout. For fans of such films as Ocean's Eleven (both versions), The Anderson Tapes, The Killing, Assault on the Queenm,Heat, and Dayton's Devils, this is an enjoyable little film. Made on a shoe string budget; the texture of the film is fair, and the camera work makes it look like a high school production, but the over all look and feel of the movie is entertaining. There is even a surprise ending which is comical. Richard Egan does a professional job, as does Jan Murray. However, Martha Hyer has aged badly and has lost her sexy looks from her role in the Carpetbaggers. So, if you're a fan of caper and heist films, this is the movie for you.
Low-budget doesn't begin to describe the cheesy production values of this independent heist movie. The piped-in music, limited camera angles, and production glitches remind me of a porno movie. But, the plot is ingenious -- as gripping as I've seen in a crime movie in 30 years. And, although some of the dialogue is ridiculous in the scenes between townspeople in the first third of the film, all of the dialogue, amongst the criminals and among the law officers once the crime is on, is gritty and realistic. A few story twists help the proceedings along to a most satisfactory conclusion.