Watch Dick Barton Strikes Back For Free

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The best films of this genre always show a path and provide a takeaway for being a better person.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

this was the second film in the Dick Barton boxed set.It is better than Dick Barton secret Agent because it would be virtually impossible for it to be worse.The location shots are a big plus but the silly plot is almost terminal boredom.What is worse the noise emitted by the machine at the climax sounds like a police siren and goes on and on.It gave me a headache so i had to double the disc speed so i could not its incessant wailing on the soundtrack.the fight scenes are not very well orchestrated.It is rather strange that apart from the 3 leads no other actors names are shown with the front credits.Perhaps they asked that this be done to spare their blushes.I have one more to view.I hope it gets better.

Easily the best film in the Dick Barton trilogy, showing a cinematic professionalism the first two lacked. This was the last to be filmed but released second, sad to lose Don Stannard so young and promising in 1949. Apart from the Boys Own adventure storyline, and Barton speaking in capital letters, this was a good attempt at cheapo-noir, nice camera work and high production values being a constant source of surprise.Gang of evil musical gypsies (can I put that nowadays?) led by ruthlessly evil Englishman (that always OK nowadays) have developed an evil sonic beam that will eventually be used to wipe Britain out and put it out of its misery. They experiment first by destroying thousands of people in two quaint English towns, the beam "instantaneously shrivelling their brains" - the carnage and the bodies seemed to have been cleared away by the authorities in less than a day. Sebastian Cabot as Fouracada the evil second in command who was marvellously over the top, is warned by Barton that "The Indemnity For Murder Is Not A Slight One" to no avail - I wish the film would have run another 3 hours just for their melodramatic battle of wills. The location shots of the stricken emptied town and later Blackpool and its Tower were very good and used efficiently. All I could remember of the film after last seeing it on TV in 1981 were the scenes in and up the Tower, I think that idea was a winner! During the climax the boss appeared to be using his suitcase in much the same way as a laptop would be - but he couldn't be - could he?There are the usual silent stretches with background music for company as a reminder this was a cheaply made film, but Hammer did brilliantly well in disguising it.

Dick Barton arrives at the airport to meet another special agent. The man avoids Barton, but later tells him that he's being followed by a man named Fourcada and tells him the place they should meet in an hour. Barton arrives at the place but does not see the agent, however he does see Fourcada. Barton and his aide "Snowy" White are captured and left to die in a manner that will look like an accident. Barton and Snowy escape just in the nick of time. That night, in the north of England an entire town dies suddenly and with out any sign of cause. Could the deaths be linked to Fourcada and his men? Can Barton and Snowy find out whats going on before more people die? This is a rip roaring "boys own adventure" type story. It plays at times like a precursor to the Jon Pertwee Dr Whos or to the Quatermass serials and movies. Its hands down the best of the three films made with the characters from the the legendary British radio serial. Everything that the previous films lacked is here in spades. There is real danger, a great villain (Sebastian Cabot plays Fourcada in such a way as to lift him into the pantheon of great movie villains), a real mystery and a very real sense of place.That last bit is very important. This was filmed on location across England and it helps the movie a great deal. When Barton wanders into the town where everyone has died mysteriously we feel its a real town because its a real town. When Barton fights to stop the villains from using their weapon to destroy yet another town we get a sense that there is something at stake because we see people on holiday in the background going about their lives unaware of the danger they are in (or the film crew playing make believe). The fact that we have real places, not just one or two but pretty much every location, instantly pushes this film up a couple of notches because Barton no longer is acting in a fictional vacuum.The film is not perfect. There is little doubt that a couple of the twists and turns aren't that twisty. Its not fatal but it is slightly disappointing because most of this is so good. The "major" flaw, and its really me just quibbling, is the Barton character himself, who is much too good to be believed. Its a flaw that is in all the films, but is most readily apparent in this the one film that is most firmly rooted in the real world. The trouble is that Barton is too perfect. He always gets out of trouble and always looks damn near perfect doing it. He is damn near perfect in everything he does and so seems at times completely unreal. He is "the prefect British gentleman" always looking and acting exactly right. Its a the type of thing that satirists and comedians would rip to shreds. I mean look at the way Barton looks all the way through the climatic battle with the villains, he's perfect, even at the final fade out.Still this is a really good movie. Its a wonderful mystery of the sort they don't make any more. Absolutely worth seeing if you get the chance.(Weird bit of trivia- Don Stannard, the actor playing Barton died, not long after filming ended, in a car crash while riding with Sebastian Cabot the actor playing Fourcada, the villain of the piece.)

I was finally able to see this in a VERY nice three-film boxed DVD set of Dick Barton Hammer films from the late 40s. The first two (D.B. Special Agent, and D. B. At Bay) were both pretty bleak. So, I went into the final film with no great expectations. I was REALLY shocked by how good it was. The film is greatly strengthened by some incredible location filming, especially the extended scenes atop the Blackpool tower. My personal favorite moment was the bandleader directing a real packed dance hall full of revelers. It gave the "Dick must save the world!" storyline a bit of added significance to see a bit of documentary Humphrey Jennings-like texture thrown in. The story itself, about a new "sonic" weapon that can kill whole towns with pure sound, was clever too...Four stars! Oh, yes, and the villain has a harpsichord; this is always a nice touch!