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The Beat Generation
A group of beatniks unwittingly harbor a serial rapist. A cop goes after him after his wife is attacked.
Release : | 1959 |
Rating : | 5.5 |
Studio : | Metro-Goldwyn-Mayer, Albert Zugsmith Productions, |
Crew : | Director of Photography, Director, |
Cast : | Steve Cochran Mamie Van Doren Ray Danton Fay Spain Louis Armstrong |
Genre : | Crime |
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Rating: 2.3
Reviews
Very Cool!!!
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
There are better movies of two hours length. I loved the actress'performance.
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
I watched this movie with some hesitation, because it really received awful reviews; however, because I like Ray Danton and Steve Cochran, I decided to give it a chance. Ray Danton and Steve Cochran both gave very good performances, as did Mamie Van Doren, Fay Spain, Jackie Coogan, and Jim Mitchum, and the plot, though trashy, was interesting, and as pointed out by Martin Teller, this movie was weirdly compelling, mainly due, I think, to Ray Danton's very menacing and interesting performance as a killer, and Steve Cochran's performance as a complex cop. I am, therefore, recommending this movie, but only if you like any of the actors in it, since they all gave good performances, and, I think, one can bear with the worst movie if one is a fan of an actor!
Interesting late 1950's pseudo-exploitation flick that covers all kinds of topics. Steve Cochran is sturdy as the tough cop who needs to make up his mind. Ray Danton is sleazy and demented as The Aspirin Kid, Fay Spain is touching as Cochran's wife, and Mamie Van Doren is wonderful and beautiful and needs a bigger role in this one.A 6 out of 10. Best performance = Mamie Van Doren. Jackie Coogan, who was in many of these "exploitation" flicks is creepy. Great opening with Louis Armstrong to set the pace in a cool club. I got this because of Ms. Van Doren, but was surprised by all the overlapping topics that are covered in this cop tale.
Set in the late fifties, this is a tale of misguided youths, music, sex, crime, beer and police. There's a crafty script with modern dialogue and social statements. The beatniks make for a easy frame and alibi for a psychotic rapist hell bent on revenge to all women and square father-like men.Behind the facade of crime there is a real police story and the inner-conflict between the cops, criminals, and victims are portrayed. Beautiful women both submissive and dominant mask the ugliness of both male characters cop and criminal. At the end we are not sure which side wins out. Beat Generation?
Mamie Van Doren is deliciously "pneumatic" as always, a rougher version of Marilyn Monroe and Jayne Mansfield.This film is one of my favorite bad films - and from me that's a compliment!Juvenile delinquency films were Mamie's forte - check her out in Girls Town and High School Confidential - they have cool casts like this film, bad racy scripts, and Miss Van Doren herself "The Queen of Teen".In this film we have everything - the lovely Mamie Van Doren, a serial rapist "The Aspirin Kid"(played by Ray Danton), one of my favorite B movie hunks (namely Steve Cochran) in a bathing suit no less, a hula-hooping suburban housewife, and even a very blonde Vampira (!) in a speaking role, reciting some hip Beatnik poetry about parents being a "drag". And the children of (much more talented) famous parents: Charles Chaplin Jr, Jim Mitchum, etc. What more could you ask for in a camp trash late '50s flick?This film is definitely a must-see for any trash, B movie lover . . . as are most of Mamie Van Doren's late "50's films.