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Constance aux enfers
Rear Window meets Estate violenta. The middle-aged Constance watches a young couple that lives across the courtyard; the girl plays loud pop music and goes out of her way to be unpleasant to the classically educated and piano-playing Constance. Then one day Constance sees the boyfriend strangle the little tart in a fit of jealousy. He sees her, too, and has nobody else to turn to for help. Constance keeps silent about the murder and offers the young Hugo a place in her bed. Then the blackmail notes start to arrive...
Release : | 1964 |
Rating : | 6.1 |
Studio : | Balcázar, Capitole Films, |
Crew : | Art Direction, Set Decoration, |
Cast : | Michèle Morgan Dany Saval Simón Andreu Maria Pacôme Claude Rich |
Genre : | Crime |
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Reviews
A Surprisingly Unforgettable Movie!
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Like Clouzot at the end of "Les Diaboliques" ,the director warns the audience: please,don't tell your friends the ending of my story!don't spoil their pleasure!What pleasure ?The beginning is a pale imitation of "rear window" and the movie continues as a "Diaboliques " rip off ;only the last third shows some originality,so to speak:the average viewer can guess the ending at least twenty minutes before the "unexpected " end .Why on earth did Michele Morgan get involved in that business?Her character of a lonely widow longing for love verges on ridicule;and anyway how could the young lovers be sure she would be so naive?The supporting cast is either almost unbearable (Dany Saval,Maria Pacome) or bland (the young gigolo).Even the last "trick" is borrowed from Maurice Cam's "Metropolitain" (1938).The score includes Vivaldi's "four seasons" and Sidney Bechet's "Petite Fleur"