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The Arnelo Affair
A neglected wife gets mixed up with an hypnotic charmer and murder.
Release : | 1947 |
Rating : | 5.7 |
Studio : | Metro-Goldwyn-Mayer, |
Crew : | Art Direction, Art Direction, |
Cast : | John Hodiak George Murphy Frances Gifford Dean Stockwell Eve Arden |
Genre : | Drama Crime |
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I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
I have just caught this Movie on TCM, and can understand why George Murphy went into Politics if this was the best MGM could serve up to him. It is so slow-moving that the attempt to make it a real film-noir effort does not come off. It featured two of my favouriteplayers in Eve Arden (completely wasted) and Dean Stockwell(the best actor in the Film), but what really hit me was that the leading lady Frances Gifford went through some 90 minutes (it seemed longer!) without changing the expression on her face--her fainting scene was comical. John Hodiak played his role OK, but the script let him, and the rest of the cast, down very badly. I gave it 4 stars mainly because of the photography. It would have been on the first half of the Program when double features were the go.
This was in my opinion an excellent classic... Pretty suspenseful and definitely entertaining.... Of course, what they considered an "affair" was definitely not an affair in the sense these days... I hope this classic appears on Video or DVD in the future
This movie is unsuccessful as a noir, a crime drama -- as anything, really.John Hodiak is always compelling, though he isn't a convincing villain here. George Murphy is barely adequate.Frances Gifford -- whose bio I just read here, and who had a tragic life -- is very beautiful but directed to act as if in a coma.Even Eve Arden's quips fall uneasily flat in this context.The best performance is given by Dean Stockwell, as the strangely troubled child Murphy and Gifford profess to adore but who seems to be ignored by his father and to have an extreme affection for his mother.
In The Arnelo Affair, the letter `A' keeps cropping up again and again - as a monogram on a dressing gown, a compact, a key. Ostensibly it signifies one of the two main characters: Tony Arnelo (John Hodiak ), a predatory nightclub owner, or Ann Parkson (Frances Gifford), wife of Arnelo's square-rigger of an attorney (George Murphy). But really the `A' serves to remind us that the story is chiefly about the Scarlet Letter of Adultery - the Affair of the title.The movie's sinister, noirish elements are not quite an afterthought, but almost. During the first half of the movie, ignored and restive, Gifford sulks nobly in the household she shares with Murphy, forever working late on his legal briefs, and her nine-year-old son (Dean Stockwell) who thinks he could benefit from psychoanalysis. (She, however, may be a riper candidate for the couch, given as she is to swoons and passive-aggressive feigned headaches.)When smooth-talking Hodiak flatters her and hires her as decorator, she obliges and soon finds herself with the key to his apartment and an inclination to use it for naughtier purposes than updating the chintz. But she soon finds out that Hodiak has many another slip in which to dock his dinghy; and when one of his stable of lady friends is found murdered, Gifford's initialed compact is found with the body. With the prompting of police detective Warner Anderson, Murphy is jolted out of his complacency and sets out to find the truth....Like The Unfaithful of the same year (a sweetened-up remake of The Letter), The Arnelo Affair seems geared to the women in its audience, more a weeper than a noir. Even the redoubtable Eve Arden, as a dress-designing upstairs neighbor, gets paraded out as much for her eye-popping post-war get-ups as for her trademark mordant lines (and she's a welcome foil to all Gifford's suffering saintliness). The Arnelo Affair holds interest, if slackly; its director, Arch Oboler, hadn't much of a feel for the possibilities inherent in the script or the knack for bringing them out. It's telling that the most memorable characters in the movie are not the principals but Anderson, Arden and the nine-year-old Stockwell.