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Confessions of a Serial Killer
After being arrested, a Texas man begins confessing to the brutal murder of over 200 women. He recounts his random selection of victims and his traveling companions, his friend and friend's sister. But the police can't be sure whether to believe him or not until he locates a body and shows them some polaroids. Based on the true story of Henry Lee Lucas.
Release : | 1985 |
Rating : | 5.7 |
Studio : | Cedarwood Productions, |
Crew : | Art Direction, Production Design, |
Cast : | Robert A. Burns Dennis Hill Brady Coleman Julius Tennon |
Genre : | Horror Crime |
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Reviews
Yawn. Poorly Filmed Snooze Fest.
Simple and well acted, it has tension enough to knot the stomach.
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
This is a gorgeous movie made by a gorgeous spirit.
The best but now censored.This movie was originally X rated in '85. The re-releases have the sex and murder scenes cut out entirely.There are children and an underage wife in this. I.e it might have gotten caught up in the late '90s internet child porn scare dragnet on a technicality (eg 'children and sex in same movie').So for those saying 'no gore' there it is, or was.It has become just a psychological thriller now, after the omission of the sex and murder. But the original had even more impact contributing to this movies' 'stick with you' realism. Specifically Henry's mother's threesome (acting-humping ?!) right in front of little children crying and rape and necrophilia by Henry (eg the homeowner woman having her air-conditioner repaired). Chilling.Like chainsaw but far, far more plausible.
Please note: I wrote the following comment after watching the R2 UK DVD release, which I have since learnt is heavily edited, with the complete removal of graphic violence (including rape scenes), a heavily cropped nude shower scene, and even lowered volume whenever swearing occurs. Since I abhor such censorship, I refuse to give a rating until I have had a chance to see the whole thing as originally intended by the film-makers, and remind you that all remarks I have made apply only to the butchered UK version.Rule number one according to 'BA_Harrison's Indispensible Guide to Blind-Buying Horror Films': beware of DVDs bearing glowing quotes from IMDb users (unless you know for a fact that they were written by me): chances are the film isn't the masterpiece it purports to be.Confessions of a Serial Killer has two such enthusiastic quotes on its cover (plus a rather cheesy picture of a loony in a Hannibal Lector style mask that never actually appears in the film), and although it's definitely not the worst film I've ever seen (which would be a mighty achievement in itself), I wouldn't describe it as 'an excellent, shocking movie' or 'gruesome and compelling' either.Shooting on grainy 16mm film, first time (and only time) director Mark Blair effectively captures that grimy vibe synonymous with the nastier, grittier serial killer flicks; he also commands some credible performances from his cast of unknowns, and displays a certain amount of know-how behind the camera. However, despite these admirable qualities, Confessions of a Serial Killer fails to satisfy thanks to a somewhat leaden pacing, a tendency by Blair to be rather careless with his narrative (some silly moves are made by both victims and assailants), but most noticeably, a refusal to get really down and dirty when necessary.Presented as a series of flashbacks, the murderous activities of psycho Daniel Ray Hawkins (Robert A. Burns) and evil siblings Moon and Molly Lewton (Dennis Hill and Sidney Brammer) are frustratingly bland, never entering the truly shocking territory inhabited by similarly themed classics such as Henry Portrait of a Serial Killer and Maniac: the film shies away from depicting the actual murders, preferring instead to let the audience to use their imagination—which is fine some of the time, but not for every bloody (or rather, unbloody) scene.A shame, because with some in your face brutality, this could have been the exception that proves my IMDb rule.
Mark Blair's 'Confessions of a Serial Killer' is a rather good film but whether you like it or not you automatically compare it to John McNaughton's 'Henry: Portrait of a Serial Killer' and then it definitely loses the battle. Reviewing this movie actually states all the more how powerful and unequaled McNaughton's effort really is. 'Confessions...' is very grim, but 'Henry' is at least a dozen times more grim! Rober A. Burns is truly eerie in his role, but Michael Rooker is at least a dozen times eerier in his! 'Confessions...' is disturbing, but... You get the picture! Based on the testimonies of the real Henry Lee Lucas, Burns plays a forty-something Texan hillbilly who quietly and without showing any form of emotions unravels his life as a serial killer to a patient copper. How he picked up multiple hitch-hikers and later dumped their cadavers in peaceful meadows. How he managed to stay out of the police's reach by being on the road all the time, etc... There's very few explicit material featuring in this film and that rather disappointed me. Not that I'm a sick puppy but a documentary about a serial killer is much more realistic when you're exposed to raw, shocking or even downright repulsive footage. Like it was the case in (sorry for bringing it up again) 'Henry: Portrait of a Serial Killer". . The film is suspenseful, however, and the extended sequences of Daniel Ray chasing terrified victims though corn fields are truly unsettling The character drawings of Moon Lewton (Daniel Ray's homosexual accomplice) and his sister Molly are weak and the giant anti-climax is sorely disappointing. It's pretty much like the title says: confessions! You sit and listen to a man clarifying his vile acts, but you never really get inside his twisted mind or guess for the motivations of his insane behavior. Worth seeing but certainly not a must.
This is a perfect little movie in its way, succeeding as a voyeuristic experience from start to finish with just the right balance of banality, surprise, horror, disgust and curiosity-arousal & satisfaction. Like watching the seamier part of life through a perpetual keyhole. The art is in the actors & director never giving the appearance of "artfulness". Bravo!!!