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Nice effects though.

Just perfect...

In truth, there is barely enough story here to make a film.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

There's a certain time in the late 1930s when, in my view, movies come of age. This film does have some substance, although it is not quite of that very slightly later Hollywood when films became "modern". And, the same can be said of Spencer Tracy (one of my two favorite actors; the other being Cary Grant). This was the film just before his breakout role in "Fury" and a series of truly impressive starring roles. This is the Tracy that seemed to feel he had to yell to make a point (or was that the direction he was receiving?). He hadn't quite learned what I'll refer to as simmering-subtlety. Nevertheless, Tracy has his moments in this film.Jean Harlow is impressive, even without her platinum blond hair. You'll recognize quite a few of the supporting actors (including Una Merkel and a young Mickey Rooney). I was interested to see Joseph Calleia as the bad guy here...a common role for him at the time, although I remember him best as the papa from the Martin & Lewis film "The Caddy" more than a dozen years later. Although not a large role, there's a strong performance by supporting actor J. Farrell MacDonald (if you watch old movies, you'll recognize him, although you probably never knew his name).The portion of the film that is most interesting is about midway through. After we learn that the major characters are sort of low class yellers, and after Tracy and Harlow split, it's the scene at the hobo camp that brought real substance to the movie...quite touching. And speaking of the hobo camp, it's a reminder that this film was made right in the middle of the Great Depression, and its depiction of labor unions is quite impressive. But then the film once again sinks into that pre-GWTW immaturity that I spoke of earlier. Harlow steals money from the bad guy to help Tracy, gets caught, goes to womens' prison, escapes through a drain pipe in the middle of a thunderstorm, at about the same time that the poor night watchman at a dock (Tracy) saves the union workers' jobs by foiling a sabotage attempt (why was there such an attempt by hobos???). Yes, it gets kinda dumb, and oh, I forgot to mention that while in prison, Harlow has a baby which nobody tells Tracy about. And believe it or not, despite Harlow breaking out of prison, they all live happily ever after. Dumb, dumb, dumb...but somewhat entertaining!

I enjoyed this 1935 movie. I like Jean Harlow and she gives a splendid realistic portrayal of a girl in love with a man who seems to ignore her. She looks wonderful in this movie. The story is rather far fetched about a tuna fisherman who wants better conditions and better pay for himself and his fellow workers but is rather immature and bull headed about everything and everyone. He is always getting in arguments or fights at the drop of a hat. Una Merkel as the sister is fine and the young Mickey Rooney is also in this movie. It is a pleasant story, if rather dated and old fashioned, but I did enjoy it and recommend it, and especially for us Jean Harlow fans, of whom, there are many.

"Riffraff" stars Spencer Tracy in an odd role for him and the lovely Jean Harlow as his wife in a story involving the tuna fishermen set, unions, prison, hobos and the like. It's a true potboiler with Harriet (Harlow) sacrificing everything for her man, an egotistical, bombastic fellow named Rudolph Muller. He's determined to make good but his stubbornness and big mouth get in the way.Tracy is ill-suited for this role, though at the time, he was mainly playing character roles, and this certainly is one. But the actor comes off as too smart to be playing such a dumb lug. A year later, his stock at MGM would begin to rise, and he would transition out of this type of role into leading man parts as Bogart did. Tracy is much better in the second part of the film, where he's called upon to show his emotive range, than in the first part where his character is established.Though Harlow plays a cannery worker turned wife, she still gets to be glamorous in a couple of scenes where the big boss, Nick (Joseph Calleia) takes her out. Harlow comes off tough and streetwise enough to be right for the role, and she does it well. Actually, she seems more comfortable than Tracy. MGM at that point was trying to expand the range of this incredibly popular actress. The film was made in 1935, and of course, by 1937 she would be dead, but not before doing another -- and far superior - film with Tracy, "Libeled Lady." All in all, there's nothing special about "Riffraff" except the two stars, but Tracy and Harlow were always special, so it's worth a look.

The main problem i had with the film is the screenplay. It was just badly written and you didn't believe a lot of the things the characters did. The plot really doesn't come together like it should and the movie is just pretty bad. It stars out with Spencer Tracy talking some workers out of a strike that would of hurt them and he also p***es off his boss. Both Tracy and the boss are interested in Jean Harlow but Harlow only goes with the boss because, i just forget and who really cares anyway. Mickey Rooney is also in here and Spencer Tracy is a great actor but he's only OK in here. Jean Harlow does a pretty good job and you should watch Libeled Lady instead.