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Lady Scarface
A Chicago gang led by Slade carries out an audacious brokerage robbery. Lieutenant Bill Mason takes the case, continuing his friendly-enemy relationship with crime reporter Ann Rogers. One gang member is caught; eventually, others follow. But Mason hasn't a clue to Slade, principally because he's unaware she's a woman.
Release : | 1941 |
Rating : | 5.7 |
Studio : | RKO Radio Pictures, |
Crew : | Art Direction, Art Direction, |
Cast : | Dennis O'Keefe Judith Anderson Frances E. Neal Mildred Coles Eric Blore |
Genre : | Crime |
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best movie i've ever seen.
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Exactly the movie you think it is, but not the movie you want it to be.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Although she only has perhaps half of the film's running time, the future Dame Judith Anderson really shines in this bottom of the bill crime drama which mixes some uncomfortable domestic comedy that seems somewhat out of place with some really violent action sequences. Looking like an outtake from a Leon Errol or Edgar Kennedy RKO short, this sequence is amusing, but it distracts from the really exciting stuff. Fresh from her movie success as the evil Mrs. Danvers in "Rebecca", Judith is truly scary as the mysterious Slade whom the FBI is aware of, but what they don't know is that she is a she. While it's obvious that Judith is aware that this movie is beneath her massive talents, she plays it with gusto and steals every moment she is on.When first seen, Judith is her shadowy profile, holding a gun on a victim while dressed as a scrubwoman. She has no remorse of doing what she needs to do to get away with the loot she forces the frightened man at gunpoint to open up his safe. Only 42 when this was made, Judith had already taken Broadway by storm in the 1930's, winning raves in such Broadway hits as "As You Desire Me", "The Old Maid" and "Family Portrait". She had also achieved great acclaim as Gertrude (Hamlet's mother) and later in 1941 would become one of the most praised actresses to portray Lady MacBeth. Like Tallulah Bankhead, she was "too big" for film, but unlike Tallulah, she achieved great acclaim in the movies in supporting roles while Tallulah attempted only leads. Their similar voices and strong features lacked vulnerability on camera, but Judith used that to her advantage by playing some of the most wonderfully domineering evil women on film.The remainder of the screen time is devoted to detective Dennis O'Keefe's attempts to find her and newspaper photographer Frances Neal's assistance in helping him discover who Slade really is. Comic moments featuring Eric Blore as a dog salesman who answers an add meant as a contact for Slade's pick-up person leads to the revelation of two people named Mary Jordan, one of whom gets an envelope filled with money by mistake. That fantastic hard-boiled blonde bombshell Marion Martin plays the Mary Jordan meant to receive the package, and she is involved in a fantastic car chase sequence. Mildred Coles, the innocent trained by Kay Francis to be a proper "Play Girl", plays the innocent young bride who gets the money by mistake, leading to all sorts of confusion. In spite of the distraction by these entertaining but unnecessary subplots, "Lady Scarface" is a fun low budget crime drama that truly shines with Judith in the spotlight.
Police lieutenant (Dennis O'Keefe) and a nosey reporter (Frances Neal) pursue bank robbers led by a scar-faced lady gangster (Judith Anderson) named Slade. Disappointing because it's less about Anderson's character than O'Keefe's. It's a nice change of pace for Judith Anderson, who is more well-known for her serious parts in films like Rebecca. She gets to sling some snappy gangster lingo, which I'm sure was fun for her. I just wish there was more of her. For their part, O'Keefe and Neal are okay if a little bland. The grumpy cop/lady reporter dynamic had become a cliché by this point, done best perhaps by the Torchy Blane series. The supporting cast is good, featuring the likes of Arthur Shields, Marc Lawrence, Eric Blore, and pretty blonde Marion Martin. Short runtime helps but focus on the boring cop/reporter plot rather than the gangster stuff is a major flaw.
The Film is Highlighted by Every Scene with the Dame known as Lady Scarface (Judith Anderson). There is Early Noir Inspiration in the Choice of Showing the Dark Character's Entrance in Striking Shadow. When the "Lady" is in Person the Flesh Crawls. Her Voice is a Siren from Hell.But when She is Off Screen the Movie Sinks to Comedy Relief and Cartoonish Romantic Boredom. It is Gut-Wrenchingly Awful at Times and comes off as Less a Crime Thriller and more like Nancy Drew. Talk about a Misfire.Worth a Watch for the Lady Scarface Scenes and Little Else. A Curiosity at Best and is Burdened Beyond Belief by All of the Rest of the Sickly, Smarmy, Sappiness.
Judith Anderson is lots of fun as the gangster of the title. She's a bad woman, all right. Something is rotten in the state of Denmark: Anderson. (References and allusions to "Hamlet," in which she played the Melancholy Dane on stage, abound here.) She is beautifully shot in shows by Nick Musaraca. But alas! The movie is for the most part a routine romantic faux thriller. It's kind of a riff on the Torchy Blane series: A police detective investigates a case. A female reporter is after the same story. Which of them will get it? Will they get each other? These concerns (never mysterious in any incarnation) are the primary concerns.Alas poor Judith! She did so well.