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They Drive by Night
“Shorty” Matthews having recently been released from prison visits his girlfriend in London only to discover her murdered. Fearing he will be wrongly accused of being the culprit he disappears amongst the long-distance lorry driving community. Meanwhile, the real killer, unassuming ex-schoolteacher Walter Hoover, continues to prey on London women. As Shorty had feared he has become the main suspect. He returns to London with old flame Molly to prove his innocence.
Release : | 1938 |
Rating : | 7 |
Studio : | First National Film Distributors, |
Crew : | Art Direction, Art Direction, |
Cast : | Emlyn Williams Ernest Thesiger Anna Konstam Allan Jeayes Ronald Shiner |
Genre : | Thriller Crime |
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Very very predictable, including the post credit scene !!!
Good start, but then it gets ruined
Good movie but grossly overrated
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
They Drive by Night is directed by Arthur Woods and collectively written by Paul Gangelin, Derek Twist and from his own novel; James Curtis. It stars Emlyn Williams, Ernest Thesiger and Anna Konstam. Music is by Bretton Byrd and cinematography by Basil Emmott.Just released from Pentonville Prison, Shorty Matthews (Williams) visits a lady friend and finds her murdered in her own bed. Pannicking and believing the police will have him marked for the crime, Shortie goes on the run in the hope that the real killer will be caught...It's still something of a lost British treasure is Arthur Woods' They Drive By Night, it's a film that has gained justifiable high regard by those who have managed to track it down for viewing. Essentially a innocent man on the run picture at its plot core, it's the surrounding meat on the bones that lift it to classic suspense noir status.The Thrill Of Evil.It's a picture of persistent rain that lashes the streets and highways, the wind an aural accomplice of some magnitude. A tale infused with grim snack bars, gambling dens, abandoned buildings or artisan abodes that are inhabited by either crafty cockney's, spivs, macho truckers or camp fetishist maniacs! And of course our protagonist is up against it from the off, wherever he turns he seems destined to be the victim of fate and circumstance.Sex In Relation To Society.As a portrait of pre Second World War British society it's gloomy and unrelentingly bleak, with Woods (sadly to die in the War) and Emmott achieving a stunning sense of time and place by way of dim lights and contrasts that ensures moody atmospherics go hand in hand with the machinations of the story. This can very much be seen as a forerunner (influence) to some of the great British noirs that followed a decade later.Studies In Murder.Some scenes get under the skin and stay there, while others surprisingly enchant the soul; such is their beauty. Lead cast performances are mightily strong, with Thesiger the star as he enters the tale late in the day and turns in a creepy show that startles in the way that calmness of evil is portrayed. While Thesiger's facial features are used to maximum potential by the astute director.Only real problem here is the musical score by Bretton Byrd. Too often the music is ill fittingly jolly, it immediately conjures up images (to those familiar with 1930s British comedy movies) of the films made by the great Will Hay. Sure enough on examination we find that Byrd did indeed provide the music for four Hay movies in the 30s, and it sadly shows in a film that doesn't deserve such jollification.Musical problem aside, this is a ripper of a movie, worthy of better exposure and definitely of major interest to anyone interested in the early steps of British film noir. 8.5/10
I saw this movie for the first time a few days ago and I was glued to my seat for the entire period by its pace and photography which though low-key is extremely moody and effective. The pace is electric but due to low budgeting as all British movies of the period dampens the viewing a little. What the film lacks in production value it makes up amply in its narrativeEmlyn Williams captures all the emotions of a Wrong Man syndrome a la Hitchcock.The psychopathic Professor chills with his menacing looks. The only flaw is that the film starts with something to talk about the lorry drivers (which is incidentally the title) but strays away.Quite surely WB had this pictorial gem cleared from their lists to provide better promotional value to their film of the same name made in the US with George Raft.
"They Drive By Night" (not to be confused with the Bogart) had a rare showing in a New York theater in 2009, as part of a series on British film noir. The only reason the theater screening matters is because of crowd reaction. And the reaction to this film, especially the final sequences, was absolutely joyous.The movie is at least 2/3rds over before one of the main characters appears, the former schoolmaster Walter Hoover, played by the unbelievably urbane, stick-figure-thin Ernest Thesiger. The camera starts on his hands, so you only see what he's doing-- pasting newspaper clippings about lurid murders into a scrapbook-- but when his face is finally revealed, the whole audience seemed to sit a bit straighter, and we stayed that way through the end, reacting with open delight to this character's every movement, his every phrase.I mean to take nothing away from the star of the film, Emlyn Williams (who wrote almost as many films as he starred in), but Ernest Thesiger was capable of turning a lousy movie into a watchable one, and a good movie into an unforgettable one. This is definitely the latter.
They Drive By Night is an amazing British classic. It has to be one of the most sombre British films of the thirties.It is also extremely interesting as as a timepieceThe truck drivers and their local pit stops are all captured well in this slice of early British cinema. Shorty , played by Emlyn Williams in a superb performance is released from prison and sets off to see his girlfriend, he discovers her dead body in an amazingly powerful sequence. Terrified he will get the blame he goes on the run hitching a ride from a sympathetic truck driver.On the way he encounters an assortment of various characters , all diverse and entertaining. This film is wonderfully acted by all the cast. If you don't blink you will see William Hartnell who played TV's very first Dr. Who as a bus conductor.Much later as the tone of the film completely changes from gripping thriller to downright terror he meets Ernest Thesiger who in a remarkable performance completely dominates the last 25 minutes of the film as a very eccentric chap indeed.It is a tragedy that the director Arthur B. Woods died so young, he displayed a unique talent. If you can search this film out you will be highly rewarded with a film that you will never forget.