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Too much of everything

Best movie ever!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

A pretty good and disturbing look at the drug traffic 'culture' in Juarez, Mexico and the music that represents it, literally.Big time drug bosses pay these musicians to write theme-songs for them to enjoy for themselves and to send a message out to the police and rival gangs that you should not mess with them.If you don't speak the language the folk songs sounds like happy fiesta music perhaps about wooing a girl or something like that but the happy music has some rather disturbing lyrics about the life of various criminals.It is bizarre to see big crowds of people in their concerts singing joyfully about kidnapping and decapitating people, when you know that all these songs represents real people and real events.They also follow one police around who's trying to do the best job he can but is unable to because the criminals have more power than the police does.So yeah worth seeing.

A sobering look at the narco crime culture – and in particular how it has impacted the city of Jaurez near the U.S. border.There is a lot of very disturbing film footage so be prepared. The drug gangs use extreme violence to enforce their codes. It is symptomatic of a decaying society when law enforcement officers are the targets of drug gangs. Another symptom illustrated towards the end of the documentary is when law enforcement refuses to investigate crimes – and then conversely investigates police officers reporting the crime. There are obviously strong connections between the police and narco gangs. One book I read (El Narco by Ioan Grillo) discusses how parts of Mexico, more so in the north, are becoming warlord states – run by different cartels – who compete violently with each other in cities like Juarez. There is a distinct sense of this societal breakdown in this film.Another aspect of the film is the portrayal of an American, of Mexican origins, who makes his living singing songs in Spanish of narco culture and violence. How far does one go to endorse the dark side? I found this guy disturbing from a moral point of view. I was wondering, during his visit to Mexico, what he would have done, if the drug dealers he met, had asked him to be a mule and transport drugs to the U.S.He is in stark contrast to the woman who literally screams at her fellow countrymen to do something and stop the violence after her son was killed.Definitely not a neutral film about the escalating events in Mexico.

Every American should see this film, even though I think the 'values' it expresses are downright evil. People should see it just to be warned about this disease of violence and murder that is metastasizing on our southern border. As documentary cinema it's pretty good; it follows certain characters who have an intimate involvement of the drug culture and drug trade. There is no narration, just interviews with essentially two main players: one a Mexican CSI investigator, and the other a morally ambiguous songwriter who specializes in 'narcocorridos', songs about the Mexican drug trade and the carnage that goes with it. Narcocorridos exploit sensational stories of murder and violence, naming real events, real drug lords and real victims, and generally casting them in a heroic aura which is far better than these criminal scumbags deserve. Corridos, songs which tell stories, are a venerable tradition in Mexican folk music. Traditionally they have a sweet, lyrical quality, telling tales of Pancho Villa or the revenge of jilted lovers and the exploits of famous bandits. Of late the corrido has taken a darker turn, celebrating the nihilistic deeds and deaths of narcotraficantes and in general glorifying and promoting the culture of trafficking and murder. For this reason narcocorridos have been banned in Mexico as an incitement to violence. And, unavoidably, since the songs often name players, dates and locations the bands themselves become partisans in the drug wars and have become too often the victims of the mayhem they celebrate. The songwriter interviewed in this documentary lives in California and makes his money off the public's fascination with the horrors of the drug trade. His band features, along with the traditional instruments like tuba and accordion, a bazooka, which is shown but not, we must hope, played on stage. Gone are the bittersweet sounds of Los Alegres de Teran or even Los Cadetes de Linares and instead we have musicians with attitude. They seem to be really good musicians but their music is drowned out by the attitude. On the other hand, we also follow a young policeman whose job is to collect forensic evidence from crime scenes after the shootouts between rival gangs. This often involves severed body parts strewn conspicuously about the neighborhood as a message to the other guys. It's an awful, thankless, job because few of the murders are solved and the corruption of the Mexican authorities is epic. He is careful, dedicated and in danger. Policemen in the northern states are killed on a regular basis. This fellow represents the best of Mexican manhood, unlike the locos you see posing with their pistols and their AKs. You get to see what he's up against. He is the real hero, but is anybody going to write a corrido about him? The problem with the drug culture is that is isn't actually a culture, with its traditional values. It is instead the absence of values, the absence of culture, a black hole that threatens to swallow light itself. Santa Muerte is not a real saint. She is the anti-saint. Near the end we see an entire cemetery where the rich drug dealers go when they die (seldom of natural causes). Each mausoleum is like a big ornate church with domes and cupolas and there looks to be a whole city of them. And the windows are glazed with bulletproof glass. The drug culture becomes a parody of itself.

This music has become very popular and accepted by a lot of Spanish speaking Americans. Not everyone who speaks Spanish is an illegal immigrant. How bout a review from a non-racist person...I'm am American in South Texas. There is a popular dance club in my area, a very affluent side of town, which my wife and I still visit for the occasional birthday. Recently at midnight, they randomly switched the music to one of these "Corridos" and from a projector played the video on the wall. Everyone sang along and I was totally lost as to what was going on. My wife translated the lyrics and explained to me the origins of the song. Here, hundreds of American's were chanting to the glory of drug kings? It reminded me of growing up in the early nighties when gangsta rap went mainstream. People were eating up the gangsta life and feeding off the passion behind the lyrics. An outlet to voice the emotions for the black youth in inner city neighborhoods was found. Many people nowhere near a ghetto were drawn by this culture and wanted to be apart of the lifestyle. Not realizing there was an actual world of violence and struggle attached to the music, they glorified the drug dealing lifestyle as in the movie "Scarface". Here we are a couple of decades later and we kinda grew up past that lifestyle. Rap music has become more about sustained wealth and mainstream rap (looking at you Jayz)has provided a higher level of status for American youth to bump their heads to. It's I rather be a CEO than push drugs on street corners now. Mexicans and Mexican-American youths didn't have that voice. This documentary shows us the alternate sides of this new outlet. On one side you watch an American singer who is rising in popularity on the heels of drug dealers. On the other side you see a Mexican investigator trying to find meaning in his work..actually living the life. Mixed in you see actual cartel members living "the life" and the suffering of civilians looking for a way out. I especially enjoyed the directors emphasis on the contrast between Mexico and the US. I was born here and my wife was born in Mexico. It truly is hard to grasp the way it must feel to live in absolute fear but yet be able to see with your own eyes "safety" just a few hundred yards away. This was a moving, yet scary unmasking of a neighboring war. This is not only a problem for Mexico and this music isn't only popular with Mexicans. The drug cartels are on a whole other level right now. They are sick, violent people all trying to outdo each other with more and more violent killings. Civilians are being massacred and for the most part they are untouchable. I wonder if the American who is exploiting this lifestyle in the documentary to make money from his songs realizes the repercussions? Or if he even cares...it is the American dream isn't it.