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I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

A clunky actioner with a handful of cool moments.

Fantastic interviews, freaking amazing people being interviewed and an excellent focus on the subject matter.I knew a lot of those names going in to this, but there were more that I didn't know. I thought that was great, getting to "meet" new people. I found out a lot about some people I had heard of, too, for instance: I knew who Jason Hook was because I've been listening to 5FDP since they started; but I didn't know his history, so it was cool seeing how he's a regular blue-collar guy at heart.In fact, that was the coolest takeaway for me, I think, was seeing how all these guys, despite their incredible and somewhat arcane skills, really are blue-collar-"working for a living" folks just like me.My favorite takeaway tho, is that Liberty Devitto is clearly one of the coolest mofoss on the planet in addition to being a kick-ass drummer. I wanna hang out with him, buy him a beer or something. If I thought he'd get any money from it, I'd go buy Billy Joel's entire catalog right now (relax; I know he wouldn't).Truly worthwhile, IMO, if you are a musician or just love music. Again, 10/10 rating from me.

I was excited to see this documentary after a friend told me about it. I've followed music pretty heavily for the last 30+ years and have appreciated its history and the 'behind the scenes' stories. A similar documentary, The Wrecking Crew, is a must see!I enjoyed Hired Guns but was left wanting more. I felt they could've spent more time showing how a 'hired gun'/A-List player is different, or better, than the guy who is just not making it versus only talking about it.I would've liked to have seen how an A-List player can quickly learn a tune. Show a couple examples of them knowing nothing about a song and picking it up quickly, a Randy Rhoads solo for example, and tell how that compares to a non A-Lister. Show what makes them different. (Seeing Jay Graydon play the Steely Dan solo was pretty cool. )I found it a little ironic for Phil X to talk about not selling out for $200-300 but then this documentary has them all playing a couple of rather bland tunes together for a reason that I didn't really understand.Maybe I missed it but also seeing some guys who were originally in successful bands and then went on to be session musicians would've been interesting too. Jeff Pilson for example.

Really enjoyed watching this and learned a lot about the lives these guys had.What struck me in the end was nobody was overly bitter (at least in this film) or resentful other than the lack of communication when their time was up.They seemed to know the precarious edge that chose to live on and what that meant in job security.But happy to have been part of something big and creative.

I wanted to watch this documentary after I read that Steve Vai was in the credited cast because I'm a huge fan of his unique style and of his work throughout the years. In my opinion, he is the ultimate hired gun ever, being "used" by "gunslingers" like Frank Zappa (who used to call him "Stunt Guitarist" and "Little Italian Virtuoso"), Graham Bonnet, David Lee Roth and David Coverdale. And guess what? He barely talks in this documentary. I think that in total he has less than thirty seconds on screen saying a few thoughts of his about the business. It' so disappointing watching all the other musicians in this video talking about their adventures and misadventures in their lives while waiting for something that never takes place: Steve Vai's stories of his amazing career. Not to mention that exceptional hired guns like Joe Satriani and Steve Morse in Deep Purple or Yngwie Malmsteen in Alcatrazz are not even mentioned. The documentary is okay, but gets boring after a while. They aimed too low and missed a lots of great "shots".