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Am i the only one who thinks........Average?

A Masterpiece!

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

"Machete Maidens Unleashed" turned out to be a rather entertaining documentary about the golden days of exploitation cinema. And this is definitely a documentary that is worth your time and effort to watch if you have any interest in the history of cinema.This documentary offers a great insight into the history and evolution of the exploitation genre, and also offers some great details on the main players both in front and behind the camera. And that wide array of aspects really spiced up the documentary and kept it interesting. And it was further spiced up with lots of footage and clips from the movies, as well as good interviews with numerous people from the genre.I learned a great many things about the exploitation genre, and many of those things really put a new perspective on the genre for me.I especially enjoyed the in-depth interviews with the various cast, directors and production crew, as they offered some interesting views and insights into the movies, the genre and how the movies were made and what conditions people worked under back in the day."Machete Maidens Unleashed" proved to be a nice documentary, and it is one that I can recommend if you have any interest in the exploitation genre.

A fast moving odyssey into the subterranean world of the rarely explored province of Filipino genre filmmaking.I love horror films and exploitation films and consider myself both a critic and historian (having now reviewed over 2000 films and written numerous articles). Yet, I must confess, I was not aware of the hundreds -- perhaps thousands -- of films that were made in the Philippines. I knew about some of them, of course, but did not know just how huge the output was. Wow! This is one of the best documentaries I have ever seen on exploitation films (and I have seen my share). John Landis never disappoints, and some unusual suspects show up, too. R. Lee Ermey? Who knew?

I watched a couple of women-in-prison movies the other day. Both were made in the Philippines. This documentary goes behind the scenes to show why and how Roger Corman type films were made there. Cheap actors and lax safety rules made for an ideal situation for making low budget films.Blood, breasts, and beasts were the staples of films like Mad Doctor of Blood Island, Beast of Blood, The Big Doll House, Women in Cages, Black mama, White Mama,The Big Bird Cage, and the classic Vampire Hookers.We see stars like Pam Grier learning the craft in these cheap films. Part of a new wave of women as action heroes, which was new to moviegoers.The documentary was invaluable in understanding the background of filmmaking.

This documentary with it's (deliberately?) misleading title, gives viewers a brief overview of the Filipino cult cinema of the sixties, seventies and eighties. In a seemingly endless string of fragmented interviews (some of the edits so short that the subject's title is flashed for a fleeting moment), the film tries to draw an overview of this period of American/Filipino co-productions. Archival footage is interspersed here and there, and occasionally we are given context.Is it interesting? Yes, but as much as it is frustrating. For you will certainly find that the film never settles down from its opening moments. The pace of the film is that of one tempo, as if the editor was worried that we might lose interest, or as if the visual information was paramount and the factual information (something I'm more interested in than anecdotal) was a mere triviality. You will be bombarded with cuts and clips and cues for the duration of the film - it's an editing style borne from the free-to-air TV realm that transposes to the cinema with a terrible effect.Also, the relentless funk soundtrack (the staple to the C-Grade Grindhouse films) undermined the interviewees' comments, robbing them of any memorable moment and washing them altogether with the same colour. I can't help but relate the style of this documentary with American style 20-to-1 type shows, where the interviewees are there to provide colour to a proposed topic, not to provide any real insight. This is the films worst crime, for Filipino film-makers we are shown are outnumbered five-to-one by the Americans, yet the tiny grabs we are given with these eccentric characters were far more interesting and exotic.This film belongs on a commercial or pay TV network, but the limited audience and scope of the film will probably condemn it to the Australian Broadcasting Corporation's schedule sometime in the near future. Wait for it then, for the cinema gives little to this difficult documentary.