Watch The Boys: The Sherman Brothers' Story For Free

Fresh and Exciting

A Masterpiece!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

This film is the perfect companion to the two CD set "The Sherman Brothers Songbook," which I listened to before I watched the DVD of this film.Let's start with what I already knew. I knew that the Sharman's had written the vast majority of the songs used in Disney's films of the 60s and early 70s. I likewise knew that they had written some of the songs used at the theme parks. But they wrote so much more.They wrote songs for albums by former Mouseketeer Annette, such as "Tall Paul," which topped the pop charts, and "Pineapple Princess." They wrote "Sweet Sixteen," which became a number one hit for Ringo Starr. They wrote songs for the film musical "Chitty Chitty Bang Bang." I knew that they had written "It's a Small World." But they contributed even more that I hadn't even remotely been aware of.If you've ever been to a Disney theme park, their footprints are everywhere. "The Tiki, Tiki, Tiki Room." "Magic Journeys" at Epcot. "Meet the World," used at Tokyo Disneyland. "There's a Great Big Beautiful Tomorrow," the song used at The Magic Kingdom's Carousel of Progress." The real treat of the CD is "Makin' Memories," at "Journey Into Imagination" at Epcot. Disney edited a slew of photos ranging from touching to cute to funny to this song. It's was replaced years ago, but I've always loved that song.What shocked me is that they had written several songs for "Winnie the Pooh," and the Charlie Brown animated films.Their are some people that they interviewed for the film that were complete surprises, such as Turner Classic Movies host Robert Osborn, and director John Landis. It was also cool to see Pink Floyd covering one of the Sherman's classics.Some other nice touches include one of the Sherman's singing and playing the piano for "Feed the Birds." During this song they inter-cut Walt Disney feeding birds on the Disney lot.Highly recommended.

"The Boys: The Sherman Brothers' Story" is a documentary about Robert and Richard Sherman, the legendary songwriting brothers who composed the music for such films as "The Jungle Book," "Chitty Chitty Bang Bang," "Bednobs and Broomsticks" and their indisputable masterpiece "Mary Poppins," which features one of the finest scores ever written for an original movie musical.Though "The Boys" was produced and distributed by The Disney Studios - for whom the duo worked for many years – and was written and directed by their sons, Gregory V. and Jeff Sherman, this is no hagiography designed to provide a whitewashed account of its subject. On the contrary, it provides us with a warts-and-all look at the siblings who, while they could make great music together on a professional level, found it virtually impossible to harmonize on a personal one. In fact, their relationship was so strained that they essentially raised their families in isolation from one another (they even attended separate funeral receptions when their parents passed away) - and still today, the two men, even in the twilight of their lives, have yet to heal the breach that separates them.What's interesting – and, frankly a little maddening - about the film is that we're never quite sure what it is that caused this rupture, mainly because the boys themselves seem unable to account for it (half the time they seem to be unaware it even exists). All we know is that, for decades in public, they were able to put on a happy face and maintain the fiction that they were every bit as close as brothers as they were as songwriters, while out of the limelight and to the awareness of those who knew them, they had drifted irrevocably apart.Through interviews with their children, co-workers and admirers over the years, as well as with Bob and Dick themselves, the movie chronicles their childhood growing up in New York City, then Beverly Hills; their devotion and indebtedness to their songwriting father, Al Sherman; Robert's injury in World War II and the trauma of helping to liberate Dachau; their early years writing pop songs together and with others; their entry into composing for the movies with a song for "The Parent Trap." Then it's on to their years as the only songwriters lucky enough to be under contract to Disney; their close personal relationship with Walt himself; their Oscar-winning triumph with "Mary Poppins;" their eventual split with the studio after the death of Walt; their later work through the '70s and beyond; and their reunion at the London premiere of the stage version of "Poppins" in 2006.Despite the fact that the rift between the two is never adequately explained, the movie provides a treasure-trove of information, clips and snippets from that period in which they produced their work. There are moments of ribald humor and wistful nostalgia as we relive the memories the Sherman boys have provided for those of us fortunate enough to have grown up on their songs (they were even responsible for that most maddeningly memorable of ditties, "It's a Small World"). Indeed, in the face of all the personal animosity between the two men, it's the music and the memories that ultimately "help the medicine go down" while watching "The Boys: The Sherman Brothers' Story."

I don't know about the previous reviewer, but what possibly could have been done better than this superb documentary? Lifeless it isn't, clumsy it isn't. It's touching, and filled with many fascinating insights. The use of seeing parallel home movies by the brothers during their estrangement was an inspired one. It's very well done, people. It does exactly what it sets out to do, and then some. I hope people will seek out this film and see for themselves just how good it is.For a Disney release, it's also interesting to see non-Disney films incorporated to give a more balanced look at the brothers' film scores. For baby boomers, this film will be an added pleasure, since so much of this music here most likely was a strong presence during their growing years. Don't miss this one!

We were fortunate to see this film here in Toronto last night in advance of its (I think only) theatrical release. Even more fortunate was the fact that the two directors/sons and Dick Sherman were in attendance and did Q&A afterwards. Dick even had a piano and played some of the brothers' songs, explaining, among other things, how the music of "Spoonful of Sugar" was written as a reflection of the character of Mary Poppins. I'm a bit of a curmudgeon and attended with my 18-year old daughter. We both had tears in our eyes on several occasions during the film and afterwards. How two brothers who are so different can work so successfully together for so many decades and yet never see one another outside their working hours is a remarkable story, simply and lovingly told. The film also provides some interesting insights into the Disney studio during its heyday.