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Thanks for the memories!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Ho-hum. This is my least favorite of the series so far. Except for Neil and Bruce (doing a teaching stint in Bangladesh), there's not much going on with these people that's surprising or interesting (I do still like Nick for some reason, but his life isn't all that thrilling). A couple of divorces, a few dead parents, but nothing that special and nothing that revealing. John is back, slightly less douchey for his humanitarian work in Bulgaria, but still obviously a twit underneath. In a rather odd turn, Symon -- the one ethnic minority of the group -- doesn't even get a mention, his existence has been completely erased from the series. Hopefully this is by his own request. The larger problem here is that the recaps are starting to overwhelm the new material. Roughly half of the film, possibly more, consists of previous clips. And it's almost always the same clips, meaning there are many parts of Seven Up that I've now seen five times. Again, this is probably best for people watching one of these every seven years, but as an at-home DVD experience it's a drag. It feels like all you really need to do is watch the most recent installment and to hell with the others. And yet, I'm moving on to the next one anyway. Despite my griping, there is an addictive quality to these films.

The 'Up Series' represents one of the most fascinating and unusual uses of film in cinema history - a documentary life-long chronicle of the lives of 14 people starting at 7 years old, revisiting them every seven years through age 49 (so far). While I could quibble, wishing for a bit more depth here and there (especially with the women, where there's a bit too much emphasis on love and marriage at the expense of all else), it's really an astounding, moving, frightening and uplifting document. There's no way to watch this remarkable series of films without reflecting deeply on one's own life, and how you have changed (and stayed the same) over your own lifetime. While Michael Aped deserves every bit of credit he's received for this amazing piece of cultural anthropology, it's important to note this first film, 7 Up,was actually directed by Paul Almond, and Apted was a that point a researcher for the project.

The fifth chapter in the ongoing seven-year cycle of documentaries catches up with all but two of the original kids, after following their development from childhood through repressed adolescence to (mostly) hopeful young adulthood, and here to a more or less stable maturity. The changes in the past seven years are less dramatic than those revealed in '28 Up', but with each new installment the series grows more rich and provocative, and seeing the latest episode is like visiting old friends.Some of the stories have taken surprising turns: the upper class snobbery of Andrew and John (who refused to appear in the previous film) has mellowed with age. Destitute Neil is doing community theater in the Shetland Islands. And the trio of friends (Jackie, Lynn and Sue), whose lives were the least interesting seven years earlier now each deserve their own separate film (one of them is suffering, with bitterness, from an obscure neurological disorder). Director Michael Apted's socio-political assumptions have long since fallen by the wayside; the series might have started as an experiment in social upbringing with an eye on class distinctions, but if anything the films prove that time is the great equalizer.

Fascinating longitudinal study of the changes in people over time. My college students were so engrossed several asked to borrow my copy to watch again at home. Can't wait for "42 Up" to come out in video. I recommend this film for anyone who likes to think about what they've viewed, and anyone interested in the power of class differences.