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The Confessional
Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrigue where the answer to the mystery lies.
Release : | 1995 |
Rating : | 7.4 |
Studio : | Cinémaginaire, Téléfilm Canada, Cinéa, |
Crew : | Production Design, Set Decoration, |
Cast : | Lothaire Bluteau Patrick Goyette Jean-Louis Millette Kristin Scott Thomas Richard Fréchette |
Genre : | Drama Thriller Mystery |
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Reviews
Such a frustrating disappointment
If you don't like this, we can't be friends.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
A clunky actioner with a handful of cool moments.
Strange, gray and power. Chain of stories. Puzzle in cruel colors. A mother. Twoo priests. A movie. A great director. A taxi driver. Twoo brothers. A hotel. And a sick boy. Slices of universes and feeling of a rain circle. A museum with very old objects. A labyrinth with a lot of mirrors. A flavor of lost carnations. A piano song in a very deep room. The story is not very important. The point are emotions. Searches. Slices of hope. And the warm expectation. A film in which the spectator is part. Not another actor but a small bone of show. A show who exists in himself. So, it is not possible to be the outsider. Beautiful in a form without words,"Le confessional" is a interesting lesson about appearances and masks. About the cruelty of past and the red of present. About run and the Japanese refuge. About the death like huge shadow and the truth as oil drop.
I caught this film on a movie channel on television today. Although I didn't know anything about it I was drawn into the story and couldn't stop watching it. The film has very pretty scenes with outstanding cinematography and framing of the characters. Great angles and editing. Wonderful symbolism. The pieces of the puzzle keep appearing but the puzzle isn't solved until the final moments. The movie kept me in suspense the entire 2 hours. Bravo! Oustanding acting and use of colors. The acting was very good and although I hadn't heard about this film previously I expect to pass it on. If you life foreign films and movies that make you think you'll enjoy this movie tremendously.
Visually, this is one of the best films ever made. There are 3 elements, one in 1952 Quebec, one in 1989 Quebec and one actually from Alfred Hitchcocks "I Confess", of which this movie seems to be a realy loose remake of.The way the film moves seamlessly between 1952 and 1989, and the odd dreamlike sequences that occur a couple of times, and the continous sequence of brilliant images is the best things of the film. The plot, however, does take a bit of a back seat,although the ending is excellent, and the Kristen Scott Thomas character is unneccesary.
I work in a video store, and when people ask me if I know a great movie, I am inclined to recommend Le Confessional. This film has got it all: drama, comedy, sex and mystery. Lepage has written an amazing screenplay, which is greatly compelling for the viewer. As a film student, I was also very appealed by the visual aesthetics of Le Confessional. Lepage has used a lot of color symbolism, which is truly eye candy. On the downside, the story is at times confusing, namely because of the two different time frames, but hey, it's Canadian. Overall, I highly appreciated this film and I think you should see it.