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The Dream Machine
A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )
Release : | 1986 |
Rating : | 5.7 |
Studio : | Arts Council of England, BFI, |
Crew : | Cinematography, Director, |
Cast : | |
Genre : | Documentary |
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Reviews
Great Film overall
If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
In theory: a short non-narrative film made to commemorate the visit of Burroughs and Gysin to the UK. In practice: four shorts (directed by Jarman, Kostiff, Maybury and Wyn Evans) broken up by footage of Gysin gazing at said machine.In general, all of the shorts follow a similar template - homo-erotic images (cute boys dressed as angels etc) cut together with all manner of unpleasant ones in the name of 'hallucinogenic experience'. Maybe like the effect of using the machine itself, the glimpses of poetry or associational insight are fleeting. Unless repetitive student-film nihilism and gay porn are your bag, that is.Though it's not without some interest, and is undeniably haunting in places, The Dream Machine's far from a major work.