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Dust Be My Destiny
Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading to the older man's death due to a weak heart. Joe and Mabel go on the run as he thinks no-one would believe a nobody like him.
Release : | 1939 |
Rating : | 6.8 |
Studio : | Warner Bros. Pictures, First National Pictures, |
Crew : | Art Direction, Director of Photography, |
Cast : | John Garfield Priscilla Lane Alan Hale Frank McHugh Billy Halop |
Genre : | Drama Crime |
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Best movie of this year hands down!
That was an excellent one.
It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
The film may be flawed, but its message is not.
John Garfield and Priscilla Lane always made a good team and this is one of their best pictures. Being a Warners film the subject of a young couple in love and on the run is given the gritty treatment that suits the story and the pair do very well in conveying the hardships faced. The wedding scene is particularly well played by both. As with most of the studios films at the time it looks at the problem through the lens of current events and society's ills. Not a timeless classic like Priscilla's Saboteur or Garfield's The Postman Always Rings Twice but a solid film with excellent work by the stars as well as the supporting cast.
The film begins with John Garfield in prison. It turns out, however, after serving a year and a half, the REAL culprit confesses and Garfield is released. Considering everything, it's very understandable that he's bitter.Oddly, the authorities appeared to have done NOTHING to help Garfield after his release. Now he's a hobo riding the rails. And, when he and a couple teens (Billy Halop and Bobby Jordan) are picked up for vagrancy, they are sent to a work farm! Talk about adding insult to injury! The farm has a sadistic drunk as a foreman and he makes life tough for Garfield. Along the way, he meets up with the drunk's step-daughter (Priscilla Lane) and they fall in love. Later, when her drunk father attacks Garfield, John defends himself and strikes the old guy--and the man dies. In desperation, the pair fun from the farm and eventually get married. Along the way, they meet up with a lot of people who inexplicably like the couple and treat them with kindness. And, in the end, when Garfield is caught and tried for the killing, these people come from all over the country to speak on his behalf.Although I'll admit that the film is preachy (especially during the defense's closing arguments), it is highly effective and entertaining. There are also a lot of excellent performances that all make it well worth seeing. An excellent film--the sort of Depression-era crime drama and social commentary that Warner Brothers did best.
Poor Joe Bell, the typical anti-establishment loser stereotype role that John Garfield made famous. With the beautiful Priscilla Lane as he girl and the fabuous Warner contract players including the great Allan Hale Sr, the film although predictable, is still a classic of the torn, raw emotions of young love and fighting for vindication against being wrongfully accused of a crime he didn't commit. I have always liked Garfield, especially during the 1948 Senate whitchunt for communists. Garfield wouldn't talk and was blacklisted. This same attitude personified his conviction for the roles he played in most of his films except Humerques. The film contains a haunting melody that is sung on a phonograph record " Dust Be My Destiny" It really sets the theme for the emmotions of both Garfield and Lane that if they can't get a break in their life they might as well be dead! The melody for the tune plays throughout the picture and is aranged and directed by the great Max Steiner. The next time it plays on TCM, do yourself a favor and watch it with a friend!!
Garfield is excellent as falsely-accused Joe Bell escaping to try to prove his innocence. Priscilla Lane is excellent in a character type she repeated three years later, virtually word-for-word, in Saboteur with Robert Cummings. But, this film stands on its own merits, even without the Hitchcockian camera angles or the Statue of Liberty. It is soulful, well-scripted, and tense.I highly recommend it.