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Powerful

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Dona Herlinda wants one thing from her son--a grandchild. Problem is he's gay and in love with another man. Dona invites the man into her house...as long as her son gets married and gives her a child. She doesn't know he's gay...or does she? This was quietly released in the US in the 1985. It played only at one small art house cinema in Boston. I saw it back then and found it amusing. The sexual content is very subtle--aside from a few kisses and some casual full frontal male nudity we don't see anything. Also all out sexual activities are off camera. The acting is good, the complications are interesting and the final shot on Dona tells you everything you need to know. Hard to find but pleasant.

Overlook the technical amateurism (sound especially) and some wooden acting. The storyline is original and well thought out. The enigmatic duplicity of Dona Herlinda is constant throughout the film, and a joy to watch. We're pretty sure we know that she knows what she's doing, but there's always a doubt in our mind. That doubt keeps us watching and waiting. American gay guys of today, particularly younger guys, may find some scenes bizarre if not unbelievable. The dancing scenes at Lake Chalapa, for example. Trust me, it's the way things were. Having lived in Mexico some twenty years before this film was made, I can say with confidence that it depicts a slice of Mexican society in true-to-life fashion. I enjoyed this movie quite a lot, and not just because the setting was somewhat nostalgic for me. I wasn't entirely sure where the movie was heading at any point, and to me, that's a sure mark of a good movie.

What I found most intriguing about this film was the beautiful camera-work. Several scenes were shot as one long take, with the camera tracking back and forth to follow the actors. The representation of space this created was spectacular. The characters' relationships to each other were literally fleshed out by their positions within the frame.

I really like this movie because it has a feeling of being open and sincere. The first time I saw it I was shocked for two reasons: because it had been filmed in the city I was born in (and this was shown in the very opening scene which shows the Plaza de la Liberacion with its fountains and the famous cathedral of Guadalajara in the background) and because of the straightforward approach to such a "delicate" subject, such as the sincere love between two adult males, by the director Jaime Humberto Hermosillo. What I found most endearing in the whole movie is the fact that Doña Herlinda, the mother of one of the two men in love, knows about her son's sexual orientation but she's willing to accept it as long as she gets her only wish: a grandson. The acting is very good, the characters very much alive, and the many twists and turns on the story make this movie funny and poignant at the same time. I gave it only 9 stars because the choice of music used in the movie is old and outdated, even for the time the movie was originally filmed. This is a great love story for both gay and straight movie lovers.