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The Ninth Day
A drama loosely based on Jean Bernard's Nazi-era prison diary.
Release : | 2004 |
Rating : | 7 |
Studio : | Provobis Film, |
Crew : | Director of Photography, Director, |
Cast : | Ulrich Matthes August Diehl Hilmar Thate Bibiana Beglau Germain Wagner |
Genre : | Drama |
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I love this movie so much
Best movie of this year hands down!
While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
**** may contain spoilers ******I am not surprised nor offended that some reviewers find the Ninth Day a Catholic propaganda and Ullrich Matthes' silences a witness to his lack of Thespian credentials. Quite the contrary, such comments confirm that the movie, and the basis of morality which it examines, is not intellectually available or esthetically pleasing to simple-minded people. That in itself marks its quality.There are some absolutely gripping moments in the Schloendorff's masterpiece: the mocking of the Polish priest before he is hoisted on the cross (he was not "crucified" - that just would not capture the horrific sadism in the act - the movie makes a point in altering the method of using the cross by a Dachau commandant), the reading by Gebhardt of Kremer's human weakness and sense of inferiority (the offering of the chocolates after Kremer contemptuously refuses a cigarette was a devilish coup - Kremer tries to justify his defeat by offering the sweet to an unknown little girl), Gebhardt's theory of "Judas" as the most pious Christian, his cool reception of Kremer's volcanic "noli venire inter Domine et me", Gebhardt's contempt for the cowardice of Kremer's brother ("you were right, the eggs are excellent")...no, this is no Catholic propaganda, on the contrary, the body of Christ failed Kremer by signing the Concordat with the Antichrist, in his search for the vindication of his faith he is alone, ...this has all the markings of a great classic: ingenious, complex, haunting, obsessional, true.
In World War II, after a period living hell on earth in the concentration camp of Dachau with other catholic priests, Father Abbé Henri Kremer (Ulrich Matthes) gets a nine days leave to return to his home town for his mother's funeral. Along this period, the SS Gestapo lieutenant Gebhardt (August Diehl) tries to persuade Henri, who was born in silver-spoon and member of an influent Luxembourgian family, to convince the local bishop to give-up resisting to the Germans and write a letter to the Vatican in the name of the Catholic Church of Luxemburg convincing the Pope to support Hitler and the Nazi regime. The ambivalent Henri questions himself and the bishop what he shall do.Based on a true story, "Der Neunte Tag" is an awesome movie and another impressive example of the powerful German cinema, of which I am a great fan. The philosophical duel between the characters of Ulrich Matthes and August Diehl is simply fantastic, with magnificent silence and dialogs. Sometimes, silence associated to the expression of the face is more significant than words. The direction is stunning and very realistic, particularly in the concentration camp; the music score and the cinematography are very beautiful; and the performances are perfect, with the two lead actors deserving nominations to the Oscar. My vote is nine.Title (Brazil): "9o Dia" ("9th Day")
I have no great sympathy for the Catholic Church, but I found the movie quite moving while watching it. There were some rank-and-file Catholic (and Protestant) clergy who spoke up against Nazism. They paid a heavy price - in part because there wasn't an outcry on the part of the higher-ups in the church hierarchy. They were more interested in keeping their perks and playing nice with the powers-that-be. This silent betrayal is very well conveyed in the movie.Unfortunately some of the other dramatic elements don't work as well. I think the movie would have been stronger if Henri Kremer's relationship with his family -- his sister especially, who was willing to put her life on the life so he could flee to freedom -- had been more fleshed out. They don't even show their parting! So although I was interested throughout the movie, it was not quite satisfying.
I do not at all understand how someone can dismiss this film as a "Catholic propaganda movie". That's utter rubbish. I was raised catholic and have converted to paganism but this was still an excellent movie. It does not try to push the catholic faith onto anyone. What it is about is, simply, one man's principles. In an awful time, in the face of torture and abuse, when he is being confronted with the most persuasive arguments and when no one could blame him for taking the easy way out and saving himself, can he stand by what he believes? Will he save himself and then live the rest of his life hating himself for it? This movie was completely engrossing from beginning to end. It absolutely gripped my emotions and my mind and held me riveted. It also left me thinking about it and haunted by it long afterward. I cannot recommend this movie highly enough. Brilliant. I found myself both attracted to and repelled by the character of the Nazi sent to persuade him. Amazing subject matter beautifully executed.