Watch Evocateur: The Morton Downey Jr. Movie For Free

Highly Overrated But Still Good

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

The film may be flawed, but its message is not.

The Morton Downey Jr. Show blazed like an incendiary comet for about two years on television in the late 1980's only to crash and burn due to the all-too-human flaws and foibles of its exceptionally crude, rude, and abrasive host Morton Downey Jr. Notorious for the ruthless way he ferociously bullied and berated guests that he disagreed with, Downey Jr. played the role of the angry and abusive ultra-conservative right-wing wacko to the deliciously slimy hilt. Naturally, it was basically all a cunning and calculated act, but Downey Jr. still managed to achieve significant iconic status with a huge segment of the disenfranchised American public as a kind of say-it-like-you see it blue collar folk hero. Born to show business parents (his mother was a dancer and his father was a famous singer), Downey Jr. initially made an abortive attempt to become a singer like his much-despised father before going on to work for the Kennedy family as a liberal senator (!) in the 1960's prior to recreating himself as a hostile Republican loudmouth rabble rouser in the 1980's.Fortunately, this documentary neither glorifies nor vilifies Downey Jr; instead it presents him warts'n'all as an extremely angry and insecure man whose fragile ego and continual desire for acceptance caused him to self-destruct in the most excruciatingly painful manner possible (Downey Jr. infamously staged an incident claiming that he had been attacked and brutalized by skinheads in an airport bathroom, which this documentary states for the record was an outright hoax concocted by Downey Jr. to get one of his wives to feel sorry for him). The clips from The Morton Downey Jr. Show are every bit as outrageous and hilarious as one would expect -- obnoxious gadfly Al Sharpton was knocked flat on his then fat pompous keister on one legendary episode which made the news -- while the latter footage of habitual chain smoker Downey Jr. transforming into a staunch anti-smoking advocate in the wake of being diagnosed with lung cancer registers as remarkably poignant and heart-wrenching. Mort's daughter Kelli Downey Cornwell and his best friend Lloyd Schoonmaker offer touching insights into the more human side of Mort while Chris Elliot, Sally Jessy Raphael, and Pat Buchanan discuss Downey Jr.'s legacy as a true trash TV pioneer who kicked politeness and civility out the door and replaced it with roaring rage and fury. Moreover, producer Bob Pittman admits he feels guilty about providing Mort with an ideal forum in which to bring about his own ruination while writer Jim Langan and bodyguard David Giegold tell some colorful stories about their wild ride working for Downey Jr. Although not without its flaws (for example, this documentary completely ignores the fact that Mort was a gay baiter who had a homosexual brother with AIDS who appeared as a guest on his show as well as glosses over Mort's subsequent career as an actor after his show went down the tubes), this documentary still overall sizes up as a fascinating chronicle of a singular 80's icon.

"The Mouth" (Morton Downey Jr.), a Nickname that His Fans and Detractors Hung on the Controversial TV Personality, Aptly Described this Poser. A Self Proclaimed Spokesman for the "Little Guy", the Guy Without a Voice. His Right Wing Posing was Most Likely 90% Act and 10% Real.But What You Discover in this Documentary About the Two Year Rise and Fall of a "Personality" that Hosted a TV Talk Show that Went From Obscurity to a Highly Popular Syndication and then as Quickly as it Arrived was Snuffed Out by its Own Inertia.Downey, it Seems, was One of those Pop Culture Icons that Started to Believe His Own Hype and the Illusion Became the Man's Reality. His Off Screen Antics that were Absent Before He was On Magazine Covers and a Household Name, Became Part of the Man's Personality. He Embraced the On Air Shenanigans and Started Living His Life Like His "Character". The End, in Retrospect was Inevitable. After He was Discovered Hoaxing an Attack by Skinheads, it was All Over. His Sincerity was Now in Question and No One Could Take Him Seriously. Not Even His Devoted Audience Nicknamed "The Beast". The Show Devolved Into Circus Acts with Freaks and Strippers. He and the Show Never Recovered. It was a Two Year Pop Culture Comet that Crashed and Burned and Unlike it's Celestial Counterpart, was Not a Pretty Sight.He Must be Given Credit (if that is the term) for Unleashing a Television Format of Divisiveness. Political and Social TV Shows of Varying Personalities and Style that Remain with Us Today. From Reality Shows to Fox News, and Right Wing Talk Radio, it was Mort that Made it All OK. It Sells. Taking a Cue from Joe Pyne a TV Pundit that Came Before Downey, The Mouth just Amped it Up a Notch, Roamed the Studio Instead of Staying Seated, and Cursed, Spit, and Insulted His Guests Ad Nauseum.Overall, the Documentary is a Good Chronicle of the Man and His Show and its Influence and is a Necessary Distillation of a Pop Culture Zeitgeist. The Residue Remains and this is a Good Place to Find Out Where to Put the Thanks or the Blame.

I have to admit that ever since new of his death from lung cancer in 2001, I hadn't given much thought to Morton Downey, Jr. I'm not being mean, but truthfully, there wasn't much to think about. Downey's legacy in television history is so forgettable that the subsequent generation has no idea who he was. If you've ever seen "The Morton Downey, Jr. Show" you probably have an idea why.For 20 months from 1987 to 1989, Downey ran a self-titled TV talk show that was part-riot, part-circus, a little bit Jerry Springer, Rush Limbaugh and later Bill O'Reilly and Michael Moore. What would come of his show would be an example, not for others to follow, but for others to correct upon. His show was a loud, obnoxious and fairly monotonous platform of screaming and bullying. The format (he said) was to give a voice to the silent majority, but in reality it was a platform for propagating bad behavior. Downey screamed in the faces of a variety of guests from vegans to the gun nuts to the KKK and even celebrity guests like Ron Paul and Alan Dershowitz. Famously, he clashed with Al Sharpton. Downey's audience, comprised mostly of young college kids, behaved as if they were attending a hockey game.The new documentary "Évocateur: The Morton Downey, Jr. Movie" examines Downey's brief rise and quick demise from television. This is a professionally-made, talking-head documentary that features interviews with former colleagues, family and friends who try to help us get inside Downey's head to figure out what drew him to become the screaming meme of late-night television and what personal demons drew him to television and what led to his eventual downfall.We learn that he was a bitter man, the son of a celebrated Irish Tenor (whom his son loathed) who was a friend and neighbor of the Kennedys. The junior Downey grew up in the shadow of his old man, even attempting to launch a singing career of his own. His singing voice was competent but unremarkable. His looks weren't exactly top drawer either. He bore a strange resemblance to Don Knotts. Despite his familial legacy, Downey would become a walking irony. He would make his living destroying his voice, by screaming on television and chain-smoking four packs a day.Downey would prop himself up as the voice of the angry right-wing Republican, sort of an Archie Bunker with a lectern - even down to the smoking habit and the white collared shirts. His show wasn't exactly insightful. Fellow talk show host Sally Jesse Raphael remarks that his show was "that prurient excitement of not-nice people saying not-nice things." His show would turn talk shows on their heads. The common thread of talk shows in the mid-80s was the polite, conversational style of Phil Donahue, Merv Griffin and a newly minted Chicago-based neophyte named Oprah Winfrey.The difference between Downey and his contemporaries (even Springer) is that they stayed off-stage, letting the audience run the circus. Downey tried to play the role of the ringmaster, the lion-tamer and the lion, and so the show had nowhere to go. His singular quest was ratings and he got them, until the television audience grew tired of the act. The movie doesn't shy away from the facts of why the show – and Downey's career – came to an unflattering end.The movie finds some measure of pity for Downey, but it never backs down from the fact that he was the propagator of his own downfall, particularly with the infamous Tawana Brawly incident in 1988 in which a black woman claimed to have been raped by six white man - an incident that was later found to have been staged. Later Downey would try to become the propagator of his own headlines by claiming to have been beaten up by skinheads in an airport men's room, which he staged to get himself one more headline. The result of this documentary is the pitiful, but not unmoving, story of a man who build his house on sand and got caught in his own trap.*** (of four)

Morton Downey, Jr. was a kind of real-life Howard Beale (the mad-as-hell crazy anchorman from the 1976 classic "Network"), and his meteoric rise and fall parallels that of another fictional populist TV personality: "Lonesome" Rhodes, played by Andy Griffith in Elia Kazan's under-rated 1957 movie "A Face in the Crowd." But this story really happened, and Mort really existed.Downey's New Jersey-based talk show was only on the air for two years, from 1988 to 1989. So why is he important? Why watch a documentary about a talk show that ran for just two years, 25 years ago? Understanding this story can help us understand how we got the media we have today.Journalist William Greider called it Rancid Populism. This was the appeal of the Republican Party starting as far back as Nixon. The party posed as the voice of the "Silent Majority," the disaffected common man, while in reality it appealed to the angry, white working class who jumped ship from the Democratic Party following the Civil Rights movement.White working-class people felt "their" country was going down the tubes, and they were partly right. There was a lot to be unhappy about: de-industrialization leading to the decline of manufacturing and the rise of the Rust Belt (go watch "Detropia" for that); the decline of working peoples' wages and the rapid growth of inequality and creation of a new Gilded Age in America. Politicians like Nixon, Reagan, and Bush Sr. were all better at tapping into this anger than the Democrats, making Republicans seem like the party of Joe Sixpack and Joe the Plumber -- instead of the party of Big Business, Big Money, and Wall Street (which is ultimately what both major parties became).The Republicans also understood the marketing of this message better than the Democrats: tap into people's hatred of "the Government" and make the Dems synonymous with Big Government. (How many times already have we heard conservative politicians running for office who say they hate government? Then why run?)The early 90s was when the right-wing Big Media really started up in earnest (what former conservative pundit David Brock has called "The Republican Noise Machine"). Rush Limbaugh, for example, got his start during the Clinton presidency. The Fox News Channel itself also started during the Clinton years, in 1996. Both were part of a generalized conservative backlash against a Democrat in the White House.And this tactic of right-wing populism continues to work today (especially with another Democratic president to attack), and is bigger business than ever -- with billionaire Rupert Murdoch's Fox News channel going strong, the Koch brothers' successful Tea Party movement, and all those TV and radio hosts like Glenn Beck, Bill O'Reilly and Sean Hannity who are paid tens of millions of dollars to tell us they're speaking up for the "little guy."Morton Downey, Jr. helped lead the way to this kind of TV "news" or "journalism," even if his show appears obvious and amateurish compared to the slick format and presentation we see today. But a figure like Bill O'Reilly, in particular, owes a tremendous debt to Downey's confrontational, damn-the-torpedoes style of doing "news" and interviews. At the same time trash-talk-show hosts like Jerry Springer and Maury Povich also partly owe their style of crazed three-ring-circuses to Mort. Even the Reverend Al Sharpton, perpetual African-American leader and professional racial ambulance-chaser, owes a debt to Mort, appearing on his show frequently during its short run.The friendship between Sharpton and Downey (briefly shown in the film) offers a clue to the truth behind the image: Mort didn't really believe what he said on the air. Or maybe he did. Anyway, it really didn't matter: it was all just for ratings. Working the crowd into a frenzy, yelling at his guests, having a fight break out in the middle of the show -- Downey knew this was what made for great TV . . . or, at least, it got people's attention. (Most certainly, this is also the case of Bill O'Reilly today: he's a showman who stumbled onto a sure thing; about as authentic as a TV preacher.)At the time, Downey was hated and judged by the "respectable" media. But give 'em a few years, and they'll come around: trash-talk-shows, "reality" shows like "Jersey Shore," Rush, Billy-O, "To Catch a Predator," etc. It's the race to the bottom, the lowest-common denominator, anything in the name of ratings. Entertainment, Infotainment, "News." Who cares if we believe it? Who cares if it's true? He who yells the loudest wins.Mort's show was like an (un-)controlled experiment in pushing the TV talk-show format to its absolute limit, right up to the breaking point -- supposedly in the name of some Archie-Bunker, knee-jerk reactionary-conservative populism that Mort himself didn't even really believe in. Yet, people ate it up, it made him a star and a working-class "hero" almost overnight, and it set the stage for a lot what came later in TV "news" and opinion shows. That's why you should watch this movie.