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I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Very good, narration-free documentary that intercuts performance footage with interviews. This is a straight compilation film, using then-existing material. I don't think there was anything shot specifically for this film.For such an electric talent, it is especially good that the directors just stay out of the way, and not try to staple significance, meaning or whatever to their subject. They just let Janis Joplin sing and speak for herself.And, that's the best thing you could possibly do for a Janis Joplin doc!******* (7 Out of 10 Stars)

Amazing live performances captured on film are the reason to see to see this. The interviews with Janis don't reveal much, and there's no real sense of her history.Even the stage stuff is shot pretty straightforwardly, but, man-o-man could she sing! One wonderful thing is that a lot of the numbers are uncut, allowed to go their full length, which, with Janis in concert, could easily be 8 minutes or more. The power, the emotion, the energy, the sexiness, the sweet sense of fun she brought to the stage could only be hinted at on her albums. For those reasons it's more than worth sitting through the slightly homogenized off-stage material.

Though I am not a fan of the music of Janis Joplin, I found this to be a refreshing look at the brief life and times of the Texas-born wailer. Completely lacking in artifice, Joplin comes across as the archetypal high school outcast, a frumpy artistic type who found liberation living the life of a San Francisco hippy and singing the blues. Joplin comes across as extremely likable and is bluntly honest about her shortcomings as a singer: she pays tribute to Aretha Franklin, acknowledging her own lack of subtlety which, she hoped wistfully, might come in time. That time, of course, never came, and we are left with the extremely erratic results. Joplin is best remembered for her decent if clumsy takes on Ball and Chain and Piece of My Heart, and those tracks are represented here, but the versions of Tell Mama, Cry Baby, and Maybe are frankly embarrassing. Joplin also struggles with Gershwin's Summertime, but the results there are better, partly because the song is so mighty it defies all attempts to lessen its power, and partly because the Kozmic Blues Band wisely chose to arrange it in a raga rock style which still sounds quite fresh today. The film ends with a wistful photo montage set to the tune of Me and Bobby McGee, the posthumous 1971 hit that reunited Janis with the country music of her childhood. Regardless of how you rate Joplin's music, I defy anyone to watch this film and not come away deeply impressed by the humor, intelligence, and warmth of its subject.

This is one of the best movies I have ever seen. It documents Janis Joplin with her 3 bands: Big Brother and the Holding Company, Kosmic Blues Band, and the Full Tilt Boogie Band. It is a collection of her best songs, Ball & Chain (1969), Piece of My Heart (1969), and Maybe (1969, also). I personally think that the Kosmic Blues Band is the best, especially their rendition of "Summertime". This is a must-see for fans of Pearl.