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The Ghosts in Our Machine
Through the heart and photographic lens of international photographer Jo-Anne McArthur, we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, the U.S. and in Europe. Each story is a window into global animal industries: Food, Fashion, Entertainment and Research.
Release : | 2013 |
Rating : | 7.9 |
Studio : | Ghosts Media, |
Crew : | Director of Photography, Director of Photography, |
Cast : | Marcel Sabat |
Genre : | Documentary |
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Reviews
good back-story, and good acting
I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
I found out about animal activist and photographer Jo-Ann McArthur a few years ago after I became vegan. I loved the authenticity of this doc film, as it was reflective of Jo-Ann's raw agonizing experience photographing and witnessing face-to-face the animals in exploitative industries, watching the suffering and feeling totally helpless, knowing the only thing she could do was document the atrocities and make it known to the masses all the wrongs and suffering occurring among the most vulnerable and helpless. A must watch...may it open your mind and heart to not only opt out of the fur and other skin industries but to live vegan.
This is a beautifully done documentary. If you love animals' it is not to be missed. The four -leggeds, the winged ones, the ones who swim. They are all here, as Humans are here, to live out their lives to the best of their ability. Did you pay attention? Even after suffering, never being shown compassion,no "normal" living space,no care past being kept alive, either long enough to get fattened up for the kill, or long enough to suffer pain and mutation......EVEN THEN the rescued ones,bear no hatred of humans. They deserve LIFE. Life as Creator meant for them. I feel like I may be preaching to the choir... How do you get this movie in the living rooms of Corporate America?
This stunning film is unlike any other of its subject matter you've ever seen. Other animal-rights films often simply shock or desensitize with graphic, tragic imagery. While Ghosts In Our Machine does not altogether avoid footage of the disturbing realities that animals used for food, clothing and entertainment face, the filmmaker does an amazing job with balance and juxtaposition. TGIOM, through following the work of photographer Jo-Anne McArthur, exposes cruelty humans put animals through, but you will also meet rescued animals and their human caretakers who would not trade their work for anything in the world. The cinematography is astoundingly beautiful, and haunting, with a soundtrack to match. The truth that this film brings to the world is that non-human animals are just like us; they feel love, joy, curiosity, and happiness, have friendships, play games, love their family members, and deserve lives free from the abuse, captivity, fear, emotional suffering and physical pain necessitated by industries that use animals. And yet the film is still able to let you decide that for yourself.
Ghosts is one of the most, if not the most, beautifully filmed and constructed documentaries I've ever seen. And it is surely the most moving and powerful film I've ever seen regarding our complex, and frankly shameful and abhorrent, relationships with the sentient beings among us, hidden from us, that we call animals. To be able to look through director Liz Marshal's and protagonist Jo-Anne MacArthur's lenses into the eyes of beings whom we know to be fully present and to possess the senses and faculties to know and experience deeply the unfathomable suffering we impose on them for the most fleeting, trifling and unjustifiable purposes imaginable is an experience not soon to be forgotten and one which should be widely shared and experienced. The astonishingly beautiful sanctuary scenes are a source of great joy and hope for a future of compassion, empathy and liberation for the ghosts and for all beings.