Watch All Watched Over by Machines of Loving Grace For Free

Terrible acting, screenplay and direction.

Good start, but then it gets ruined

Beautiful, moving film.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

I generally watch documentaries based upon the topic or theme e.g. nuclear issues, language studies, ancient history, climate change and so on. Rarely do I watch one based upon the title only.This three-part examination of the relationship of computers to society is an exception: I was so intrigued by the title, having come from career of forty years in computers prior to my escape from corporate life, that I just had to see it.I wasn't disappointed. The writer/director (Adam Curtis) combines stock footage of computers, city and urban scenes, moody or discordant music, crowd scenes, famous people and a clever, cogent argument in an attempt to show the extent to which humanity has become entrapped by the IT revolution since the 1950s. It's a three part series and definitely worth every minute of your time. But, it's not only about computers...For starters, in Part 1, I could easily relate to Curtis's slant on the link between the extreme socio-economic philosophy of Ayn Rand that helped to influence Alan Greenspan's view of the world before and after various financial calamities, and up to the catastrophe of 2008. All of which was only possible – a crucially important fact – by pervasive, global computer technology used by greedy and opportunistic bankers, speculators and investors, all acting in their own self-interest.I can vouch for that, having been an insider with the online IT divisions of various banks in the UK and North America for fifteen years in the 1970s and 1980s. The standing joke in banks: you can't trust bankers. Wink, wink, nudge, nudge...Part 2 debunks the idea that nature is in equilibrium or seeks to find equilibrium. Instead, nature is in a constant state of flux and change, chaotic and unpredictable – and hence dangerous. (And, like it or not, humanity is part of nature.) This should be obvious – think of daily weather patterns globally. Curtis here links the emerging social networks as analogous to the chaos of nature which, coupled with our cancerous over-dependency upon computer technology, can only result in more unpredictability, uncertainty and opportunity for disaster. It's more than likely, I think, that Curtis is correct. To what extent, ultimately, is obviously opaque.Part 3 finishes the job in a somewhat elliptical fashion: you must follow the logic closely as we are introduced to an eminent scientist, William D. Hamilton and a brilliant mathematical genius, George R. Price. They argued that the real culprit in our chaotic existence is The Selfish Gene, a description that is now the title of Richard Dawkins's book that made him famous globally (It's an interesting, persuasive book and worth reading.) Humanity is then characterized as "soft" computer driven automata, explicitly removing the possibility of any spiritual or divine influence in human affairs.I can live with that, having decided long ago that we are all but organic machines with brains far, far superior to those "brains" of digital computers – thankfully. And the conclusion that crystallizes the essence of altruism – Ayn Rand's mortal enemy – is a tour de force of ironic tragedy.Graphically horrific images from recent depravities in Africa are interwoven to illustrate and prove the case; but it would totally spoil the finale to say anymore.Perhaps the editing of the series and some jump cutting are a mite fast at times; and the sound appears to fade occasionally. Apart from that, I highly recommend investing the three hours.Is Curtis showing us heaven on earth? See the movie. You be the judge.November 2011.

Adam Curtis' recent documentary series disappointed some. Compared to his work on The Century Of The Self and The Power Of Nightmares, it seemed hodge podge, lacking a central framework idea and bouncing all over the place.After twenty minutes of the first episode, I may have been inclined to agree – the documentary seemed to lack focus and carried over the experimental mix of music and image that had been used so successfully for the interactive theatre piece "It Felt Like A Kiss".However, having seen the full piece, I now beg to differ. If anything, the series is a broader and more satisfying development of areas touched on in his previous pieces, particularly Century Of The Self.As with Curtis' other work, it explores the far reaching and (for the most part) unintended consequences of big ideas. In this case, the idea that nature can be explained and entertainingly presents a series of case studies to explore whether this idea is flawed or not. Unlike his previous pieces, the period under discussion is very recent and the ideas explored so varied that each episode does not really follow a linear timeline and the debates bounce from the 1950s to the 1990s to the 1960s to the present day.This is a powerful and thought provoking piece, Curtis never comes across to me as polemical and seems happier drawing your attention that things may not be quite as they seem rather than hitting you over the head as he proves everything you know is wrong.Everything you know isn't necessarily wrong but it may be that you aren't fully informed of all the facts. The opening sequence may be the the weakest of the series, linking Ayn Rand's ideas of Objectivism to the development of moden computing. However, clever dick that Curtis is, it only becomes apparent with the patience to sit through this that the central character isn't Rand at all but a member of her social circle, Alan Greenspan – who, as chairman of the US Federal Reserve became, through a series of unforeseen events, the most powerful man in the world for a brief period.The subsequent rattle through the economic crises in the Far East in the 90's and the knock on effect to the current economic crisis in the West (and China's part in it) is eye opening to say the least. And it goes on, finding short degrees of separation from a multitude of players on the world stage, linked by the rise and consequences of ideas relating to systems. The second episode then explores the theory of self organising networks through cybernetics, eco politics, the geodesic dome, the 60s counterculture, maximum population growth to the Facebook/Twitter revolutions of the 2000s.I was especially impressed with the final episode exploring the theory of the selfish gene, moving from the initial theory through Anglo- American intervention in the Congo, myths on the origins of the AIDS virus, the Belgians role in the genocide of Rwanda through Richard Dawkins and Dian Fossey.Fascinating stuff and well worth three hours of anyone's time.

An excellent series with important messages (including: an imagined potential for systems to liberate us, ended up controlling us). It's Wikipedia page is informative.Curtis brilliantly and laudably identifies grave problems. But humanity was so foolish to end up with those problems, the series left me wanting. Nothing I'll say impacts his sound theses, but it's Curtis' only series that moves me to other than praise.A primary theme of Curtis' filmography is the tragicomic consequences of ideologies imposed by elites; I love his films so I expect and embrace foolish targets. And identifying problems brings no responsibility to also solve them, particularly when identification is such an impressive contribution. But the fools gallery Curtis necessarily targets while developing the series' theses are so transparent and sterile that I believe more view through them, to depth and substance beyond, was called for. I'm so astonished that their beliefs attracted attention let alone gained currency, and the richly deserving targets are so much more delusional pushovers than in Curtis' other films, that I wanted more. (And I'm more mystified than before by how information processing enchants the analytically-challenged.) Curtis shows both the Internet and systems models fail to deliver things--that it was foolish for anyone to ever imagine they could.(Because I'm not as engaged by this series' topic as I am by Curtis' other best work, on first viewing I made large errors because it's complexity exceeded the attention I paid.) In episode one (e1) I thought Curtis drew a parallel between Ayn Rand and the Internet. On second viewing I found I was wrong. Rand and the Internet share the story in e1. And Curtis draws attention to that, such as when phrasing the belief some held that "computers would liberate us from all the old forms of political control, and we would become Randian heroes in control of our own destiny" (e1@58:17).Curtis shows the Internet couldn't do all the things some people believed it would. And he mentioned that the Internet can do some of those things, but he didn't note that those things it can do were the ones antithetical to Rand, which I think he should've given the attention he draws to Rand and the Internet in his story together, both failing fools.Curtis notes "the Internet had played a key role…brought millions of people together" (e2@52:05) for revolutions in former Soviet states last decade. As we again saw during 2011's Arab Spring, in contrast to Rand's non-embrace of community, online social media's ability to manifest a collective consciousness can play an encouraging role in enabling a revolutionary wave.So while Curtis is correct that machines have not liberated us from traditional political structures, they can galvanize the action necessary to start. Thereafter OF COURSE it's up to us to organize the realization of our vision (since, as Curtis points out, "the machines…offer…no ideas about what comes next" {e2@58:09}). (Incidentally, Curtis' "The Century of the Self" explained that politicians today cede power to the unconscious desires of swing voters, which also deliver no organized or coherent vision forward.) Curtis notes hippie "communes {failed because they} deliberately had no hierarchy of control or authority" (e2@20:33). I lived in a 250-person alternative community of "hippies", and it ran beautifully because like most hippies and non-hippies then and always, we weren't foolish enough to think organization wasn't necessary.(OTOH, while hierarchy is often necessary, marriages can work without one spouse having authority over the other. Had communes remained small enough, and bonding been very strong, people's hearts could've done at least some of what was lacked by, and thus doomed, communes. That might suggest a way forward globally; particularly if Carpenter's 1991 "Pong" experiment {e1@9:21} demonstrated collective connection. Changing people could change politics; the Dalai Lama received an uncommon {anti-Randian} education, and he turned out pretty well; humanity should commit to universally high psychological health/development.) Foolish targets abound. E1's computer visionaries were naïve fools, and Ayn Rand's philosophy is the product of a nearly peerless psychological/emotional infant.E2 brings more idiotic beliefs, such as that inherently lossy models can faithfully reflect reality, and that disturbed ecosystems "would always try to return to an original balanced state" via a purely imaginary "underlying mechanism" (e2@5:03). It's pathetic that Forrester's systems model for the planet's ecosystem "could not imagine a future where human beings, unlike machines, would behave in ways that they hadn't before" (e2@35:35).Regarding the ecosystem model, while Curtis correctly points out it's not true, neither does it have no truth at all. There are interactions between different things in the natural world; they influence each other positively and negatively. The existence of interactions can foster a degree of stability (relative to hypotheticals with minimal interactions), albeit to an essentially dynamic reality (at all scales). The reality of interaction--for example that human actions can cause great harm--makes that part of the ecosystem model of use in understanding, and of motivational use (towards achieving optimally vital results). I think Curtis should've acknowledged these values of the ecosystem model, since they were all anyone who wasn't foolish ever thought it was really right for.{Perhaps asserting that interactions can foster some stability needs no justification. But just in case, a simple hypothetical: a habitat containing grazing animals. Too many of which might cause dramatic population decline, for example from increased risk of epidemic or from stripping the habitat; later (after the epidemic ends or the habitat recovers) the grazers' population might soar. But add to this hypothetical a different animal that preys successfully enough upon the grazing animals to lower such risks, and both the habitat and grazing animal population could gain relative stability.} The series is so densely packed that little could've been added without requiring another part, but with another part I think it could've been substantially stronger. I can't fault Curtis, but I also can't say that all that it did prevented me from feeling more was called for.

I am a fan or Mr. Curtis' previous work but this documentary series was a disappointment for me.The thing I dislike the most is the biased and simple opinion on computers this documentary tries to promote. Apparently "computers" are powerful things that dehumanize our world, we put our faith in computers and they have failed us, completely ignoring the fact that computers are human made, human programmed and human controlled in every aspects. I expected a much more complex and realistic dissection of the topic.This idea is also poorly presented and motivated, for example when briefly talking about the internet, we are presented with the negative opinion of an early internet user, the scene is made in such a way as to suggest that indeed the internet is what that distressed user says. Similar to the cheap techniques a News program would use to influence the public opinion.Throughout the documentary I had the feeling that too much emphasis is put on the soundtrack and on the synchronizing of suggestive footage with music rather than actual relevant content and information.To summarize, "All Watched Over by Machines of Loving Grace" is tendentious, the idea presented is overly simplified and biased. It gave me the impression it was a bad propaganda movie against computers.