Watch The Order of Myths For Free

Very very predictable, including the post credit scene !!!

Memorable, crazy movie

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This film honestly looks at the accepted "segregation" of "America's oldest Mardi Gras celebration." Tradition runs deep in the 307-year-old port city of Mobile, and the residents like it that way.As a native Mobilian who happens to be black, no one could tell me anything different about the differences between the pageantry of the King Felix III's (the white king) court and King Elexis I's (the black king). It's an unspoken truth. However, someone not familiar with Mobile culture, may find this appalling and racist.There were parts of the film that seemed to only speak to the natives of Mobile. For example, "old society" Mobile prides itself in thinking it is more progressive than other southern cities. There are several incidents in the film that indicate this same "myth," such as the white queen declaring her liberal political stance, or the wide acceptance of Mobile's first black mayor, Sam Jones. The filmmaker even seems to carry this myth herself, since she, as a white society member, is sympathetic towards the black society. Her moves, however, are still seen as progressive. In Mobile, racism is something polite society does not discuss, white or black.The film displays so much emphasis on race, that it only occasionally touches on Mobile's true social problem, classism. Several of the white krewe members mention how "closed" the societies are to non-bluebloods, regardless of color. In both societies, you have to be the right kind of black or white person. Although the whites hold on to this idea more than the blacks, krewes are slow to open up to the idea of anyone joining, versus crossing color lines.As a coda, the film opens up to the idea that society in Mobile is slowly, but progressively changing for the better. Both sets of royalty get along fine, based on the love of Mardi Gras and tradition. And in the end, everyone has bons temps.

This near-perfect documentary explains the history of the oldest Mardi Gras in America, in Mobile, AL, as well as the current state of traditions in that Southern city. Mardi Gras balls and parade presentations are still almost exclusively segregated. The major strength of this film is that it seems like anyone (black, white, elderly, very young, official and amateur) will talk freely to director Margaret Brown. Compelling interviews, all-access footage, captivating cinematography, and a good score are the major highlights.This film is highly recommended. It will hold your interest and keep you talking about deep issues afterward. Congratulations to the crew, as this is one of those films that any trained filmmaker would have loved to have made this well.

This is currently a better synopsis of the film: "This film does a credible job of showing how Mardi Gras has progressed, or not progressed, in Mobile, Alabama which is the city where the first US celebrations started in 1703. Much is made of the segregated societies, both black and white, still wanting to keep their groups separate and it gives the wrong idea to a lot of people who have seen it. The Globe and Mail in Canada says: "A study of community ritual, pomp and camaraderie, 'The Order of Myths' also gradually unveils the startling connections between the two communities, where the great-grandchildren of slaves and the great-grandchildren of slave owners still live highly segregated lives." This is patently untrue of the city and it's citizens. True, Mardi Gras groups, all but a couple of them, are segregated by race but it is what each society wants for themselves. Freedom of Assembly is a basic tenet of our Constitution and both races, as private organizations, are free to admit whomever they please. Mobile has had a very diverse city and county government for decades and currently has a black mayor, Sam Jones, elected by a wide margin in the last balloting. He is well liked by most everyone in the city as far as I know and will be a shoo-in next time. The movie presents all the parades and balls as just silly merrymaking but with it's emphasis on racial segregation gives the impression of Mobile having separate water fountain, back of the bus, Old Time Southern Democrat forced segregation." - iPhone1954

another great documentary without narration, this one by Margaret brown. this deals with the still-segregated Mardi Gras celebrations in Mobile, Alabama. this is the birthplace of Mardi Gras in the u.s., with the first party happening 15 years before New Orleans was even a city.with equal coverage of both the MCA (the white group) and the MAMGA (the black group), brown guides us through the preparation, the racial tensions and the celebration of the 2007 Mardi Gras. absolutely everything is separate in the celebration, from two royal courts, to two dances to two parades. it feels like the Jim Crow laws have not left Mobile, Alabama.this year, however, the MCA court allowed (invited?) the MAMGA king and queen to attend their coronation, and the MCA king and queen attended the MAMGA's dance. it's up to the audience to decide whether the camera's presence influenced this new integration and whether or not it will continue, but for the most part it seemed natural.through a series of events, however, it is revealed that the MCA (remember, the white group) queen's relatives brought the last slave ship to the u.s. as a bet, because it was post-civil war. after he didn't come back to the ship, the first mate set fire to the ship. but the slaves escaped into the forest nearby and formed a small town called Africa town. turns out, the MAMGA (remember, the black group) queen is a direct descendant of one of those slaves. so, even more racial tension. also, the state of Alabama officially apologizes for its involvement in slavery shortly before Mardi Gras. more racial tension brought to the surface.then, several white people make the claim that nobody wants integration, even going so far as to say they want integration, and the black community are the ones who want segregation. however, according to the interviews, the black community are the ones making the effort for integration. the white people also make the claim that everything is already integrated, except for Mardi Gras.the dances are all segregated, the mystic clubs (oh yeah, did i mention the crazy, drunk off-their-ass, mystic clubs?) are all segregated. Mardi Gras in Mobile, Alabama, is completely segregated. in fact, at the white parade, black people aren't even allowed on the floats. they can only be in the band behind the floats. however, their is a vein of hope as one mystic group was recently formed. it's the first integrated group. it's mostly black, but it is integrated. it has ONE white member. unfortunately, as brown revealed in the q&a., he was shipped off to Iraq shortly after the parade and wasn't able to be interviewed.overall, it was a really great documentary as it tried to be balanced, interviewing both groups, the MCA and MAMGA, but overall, it just came over that most of the white people are ass-backwards in Mobile. not all, though. there are the few. unfortunately, they're in Iraq.