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In Free Fall
The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.
| Release : | 2010 |
| Rating : | 0 |
| Studio : | |
| Crew : | Director, |
| Cast : | |
| Genre : | Documentary |
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Reviews
n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
It's entirely possible that sending the audience out feeling lousy was intentional
One of the worst ways to make a cult movie is to set out to make a cult movie.
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
