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ChickenHawk
Members of the controversial group NAMBLA (North American Man/Boy Love Association) discuss why their organization supports "boys and men who have or desire engagements in sexual or emotional relationships."
Release : | 1994 |
Rating : | 6.8 |
Studio : | Side Man, |
Crew : | Cinematography, Director, |
Cast : | Allen Ginsberg |
Genre : | Documentary |
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Reviews
Very very predictable, including the post credit scene !!!
Pretty Good
Powerful
In truth, there is barely enough story here to make a film.
Too soul destroying to even watch for more then 10 minutes followed by bits and pieces of the film...These men are interested in children, not just teenage boys as the person above says from Sweden where child porn ownership was legal.Still is? The film quality is semi poor and it is interesting to note gay men/women wish to have no association with these people.I know the damage childhood sexual abuse can do to a child and to paint this film in rainbow colors and say it is wonderful is bullshit. Hebophile is someone who lusts after 11-14 years old pubescent children.Read The Courage to Heal. And do not believe the tripe about kids wanting the experiences. A responsible adult would say no and tell the parents.The child needs therapy-not sex.
I was an unlucky kid and grew up in the 1960s in a small town where several boys fell prey to a pedophile.This film shows how easy it is for pedophiles to pick up naïve boys. I think this film should be shown to every school-age boy as self-defense training.One member of NAMBLA casually mentions how easy it is to pick up boys and the camera follows him into a mall where he leads boys out to the parking lot, aborting his plans just as the boys are about to climb into his van. Chilling!In 1994 I attended a Queer Symposium held during Gay Games in New York. The rules for the crowd were that anyone who identified as "queer" was invited to participate. When representatives from NAMBLA arrived, organizers of the symposium had to quiet the crowd from the stage and moderate the heated audience Q&A.When I went to see this film, I noticed that most of the sparse audience was sunk down in their chairs, wearing hats; it was easy to spot who was there out of morbid curiosity and who came out of livid interest."Chicken Hawk" is aptly titled and wickedly unabashed. Child molesters and pedophiles are complex in their desires, and if one can get past the initial repulsion, these are just men who have justified their aberrant behavior. They don't question it, they embrace it and have found a support system. That is scary.
Superficially at least, this film is as value-neutral a portrayal of its subject matter - homosexual ephebophile men who divert their interests into political lobbying, as you are going to get. Absent are the imposing, moralising commentary, off-target references to pedophiles and highly biased samples present in most treatments of pederasty. The producers present as interested parties who are willing to absorb a range of viewpoints without forcing any clear agenda, be it of the right-religious or femino-victimological persuasion. What we discover is a group of political outcasts who are now seen as increasingly out of favour, even among a gay movement that originally had written into its stonewall declaration - the abolition of all age of consent laws. As an organisation, NAMbLA is a political hot-potato, a historical and cultural curiosity and a whole load of baggage, already well past its effective lifespan when the film was made.Nevertheless, the documentary fails to go beyond interviewing those-who-shout-the-loudest in a way that - as already pointed out, involves somewhat editorially suspect subtleties. The use of music to infer emotional states, the exclusion of all but two or so contrarian anecdotes of man-boy sex (the bread and butter of most literature on gay youth and older men) and the bizarre over-focus on Leland Stevenson and his suicidally contrived romanticising of anal sex and intergenerational "flirtation" all pay testimony to that. Understandably, most organisations as severely ostracised and fringe in nature as NAMbLA attract their fair share of loose-screws. Maybe this was why "Chicken Hawk" left at least one battle-scarred queer and long-time mentor of gay-youth with a strong impression that the whole story had not quite been told. A closer focus on the group's more pragmatic members would have been at least a small improvement to a documentary that even left one reviewer under the illusion that - as demonstrated by the comments here on IMDb, a decidedly milquetoast teenboy-lover such as Renato was out "molesting" the local game.Nevertheless, don't let these rather personal complaints distract you from viewing this fascinating portrayal of politics and pederasty in the modern world - available, as I write, on YouTube.com. Things have moved on considerably since "Chicken Hawk" was shot, but the sheer rarity of the information on show makes it a must-watch for all appreciators of sexual politics and philosophy.
This is a really strange documentary that is literally about men who love boys, one of their major groups in NAMBLA, and it gives the men a chance to explain their side of the issue somewhat.This movie is in no way, shape or form anything other then neutral. We get experiences and defenses from the boy lovers, people who were molested by men as youngsters, psychologists, and members of the gay and lesbian community. If anything, the boy lovers get the most screen time, which allows them to convey their feelings, and also to show what disturbing people they are.Three scenes stand out; the first was one of the boy lovers talking with a young boy outside a shop, his eyes studying him, checking to see if he had a chance to bed him. The next was NAMBLA trying to march in a gay/lesbian parade, with other marchers telling them to get lost, and the last was of a boy lover receiving obscene messages on his phone, and a congregation of people outside his apartment shouting anti-NAMBLA slogans. The last scene mentioned almost makes you feel a little sorry for him, except on his walls are hand-painted pictures of boys with long penises, and the fact that he screws boys.Overall, I thought this was a well done documentary, who showed us for the first time what kind of filth these people are.8/10