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It is a performances centric movie

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

In 1954, the U.S. Senate Permanent Subcommittee on Investigations under the temporary chairmanship of Senator Karl Mundt of South Dakota, held hearings to investigate conflicting accusations between the U.S. Army and Wisconsin Senator Joseph R. McCarthy. Televised live by ABC without analysis or narration, the hearings lasted 36 days and generated dramatic confrontations between Senator McCarthy and Senator Stuart Symington of Missouri, and especially the Army's counsel, Joseph N. Welch of Boston. The Army had charged that McCarthy and his staff, especially chief council Roy Cohn, had used undue influence to try and obtain special favors for Private G. David Schine, a member of his committee and friend of Cohn.McCarthy counter charged that the Army's charges were a smoke screen designed to thwart McCarthy's investigation of alleged subversives at the Army base at Fort Monmouth, New Jersey. The dramatic highlights of the hearings, the first government hearings to be televised live, are captured in Emile de Antonio's documentary Point of Order. While a one and a half hour film cannot do justice to a hearing that lasted more than two hundred hours, what is captured is great political theater that should be required viewing for anyone who does not fully understand the danger of an unprincipled demagogue.The key moment of the hearing, of course, was the final confrontation between Welch and McCarthy over whether or not a young attorney on Welch's staff, Fred Fisher, was a member of The Lawyer's Guild, an organization that had been labeled as a Communist front.The moment came and went and the hearings continued, yet it was patently clear for anyone with their eyes open, that McCarthy had been severely wounded by the exchange with Welch. He was destroyed not by threats or bombast but by a gentle man with a rapier wit and an active conscience who was not afraid to stand up to a bully when other shrank away. It was a moment of truth that stands as one of the seminal moments in American politics of the 20th Century.

Documentarian Emile De Antonio dug aging ABC TV film footage of the 1954 Army McCarthy Hearings from a warehouse. Kinescopes are created by recording live images from a TV monitor. Early TV heritage is preserved on this primitive film. De Antonio simply edited the film. The 93minute Point of Order was released in 1963. It is the watch phrase of an ambitious and drunken Joe McCarthy, bound for glory. Seeing these creaky black and white kinescopes from 1954, summons memories of American Politics back then. I was nine then, but the drama of the hearings would have been apparent to a six year old. Americans were innocents then about TV.It was the last year the GOP held control of both houses of Congress. The Army McCarthy hearings signaled the decline of the the Congressional GOP for the next four decades. Looking back the groundwork for undoing Joe McCarthy was laid before the hearings even began.Karl Mundt of S. Dakota (Rep) Chaired the Hearings in front of the Armed Services Committee. Joe and Chief Counsel Roy Cohn could abuse or amuse, at will, in Joe's subcommittee. But Eisenhower, the Press, Joe's own party, were colluding to stage the Hearings on a level playing field.ABC ran the McCarthy hearings live mornings and afternoons when the networks were dark and they had no programming to show. The TV network founded by Leonard Goldenson from the ashes of the NBC Blue Radio network, was the smallest of them.There were no commercials. The broadcast was run on a sustaining basis, without ads.CBS and NBC joined ABC the next day. The Hearings were gathering a substantial audience. The daily Army Hearings quickly became the first riveting live news event of the TV age.In 1954, there was almost no live TV news. Only two network newscasts, John Cameron Swayze's Camel Caravan on NBC and Douglas Edwards and the News on CBS ran for only 15 minutes.Joseph Welch, the Army Counsel, a Boston trial lawyer, cast himself as the fair-haired country boy of the Hearings. Welch wasn't going to play the rube though. Roy Cohn and Joe McCarthy would be the foils of this TV show.McCarthy would drone on in a deadening monolithic style, a manner whose subtext Welch quickly read. The Boston Barrister focused his disarming persona on the soft underbelly of the McCarthy style with devastating effect.Welch showed he could readily switch from hayseed to moralist on a dime. The lawyer had watched Henry Fonda's Abe Lincoln in John Ford's Young Mr. Lincoln too many times. Welch's homespun, Abe-like discourse would dominate the Hearings.Despite Welch's seeming lack of charisma, he was as spellbinding a figure on 1954 television as any pro working in the medium of Milton Berle, Bishop Sheen and Buffalo Bob Smith. Used to conducting hearings in the drab public affairs nether world of the newspaper-driven fifties, McCarthy didn't catch on to the Welch Style, understand it or try to adapt to it. Joseph Welch was eating McCarthy and Cohn alive any time he felt like it. Senators Scoop Jackson, Karl Mundt and others were at a loss for words amidst the dramatics of those 36 days. Only Missouri democrat Stuart Symington was able to capture some of the method of the balding Boston lawyer in the last sessions.When events presented themselves, Welch would virtually take over the Hearings, outwitting committee members, witnesses, undoing or green-lighting exhibit presentations, thwarting and disturbing the tired theatrics of McCarthy and Cohn. Point of Order is a dazzling TV spectacular with a single spellbinder at its center, a master of a medium he had no experience of.As the Hearings ground to a close, Cohn and McCarthy were resigned to their tragedy. Each exchange with Welch found the two men's noses bloodied once again. Joe and Roy belatedly recognized themselves as bit players in Welch's Great Political Soap Opera. The Two knew toward the end they were powerless to prevent impending doom. You could see the despair etched in their faces.The old tapes are now History. Welch seems an unlikely choice as Counsel for a stodgy Army. McCarthy and Cohn, charged with explaining why Private David Schine should be permanently furloughed from the Army to work with the Communist-Hunting McCarthy, were drunk with power. But it seems like a nobrainer that the Army should win. Fear of the Communist Menace turned common sense on its head during the four years Joe McCarthy rose and spectacularly fell. Maybe it is more like now than many today are willing to admit.The next year, two playwrights captured the essence of Counselor Welch in a new play. A Welch-like Clarence Darrow character was pitted against an orator and moralist modeled on William Jennings Bryan in Inherit the Wind, based on the 1927 Scopes Trial. The Darrow Spencer Tracy portrayed in the 1960 movie would incorporate both aspects of the Welch personaIn 1956 the first half hour nightly newscast with Chet Huntley and David Brinkley premiered on NBC and became a roaring success. In 1957 Joe McCarthy died of acute cirrhosis. Cohn would become a successful lawyer himself. He died of AIDs in the late eighties. McCarthy's other subcommittee counsel Bobby Kennedy and his brother Jack would learn from Welch. The brothers and their rogue father Joe Kennedy had been disciples of McCarthy the Witch Hunter. They were likely dismayed at the outcome of the Hearings but impressed by the Welch Performance. The Kennedys would find ways to bottle his magic and transform American Politics, Culture and Public Affairs after 1960. You could argue that the genie-in-a-bottle Welch uncorked in those grainy TV hearings long ago transformed American life.

I saw this in 1964 when it was originally released. I waited so long to see it again. Like most good documentaries it focuses on a small theme. The power of this movie comes mainly from its inherent defense against accusations of biased reporting of events, peoples' facial expressions and appearances, words taken out of context and revisionist history. This power was due entirely to the fact that there was no script, no actors, no makeup artists, no retakes and special effects. This movie was cinema veritae. Joe McCarthy, Roy Cohn, Ray Welsch and all the others shown were themselves speaking their thoughts and feelings without varnish.For those who wondered how Hitler ascended to power, between McCarthy and J. Edgar Hoover, it could have happened here, Those of us who understand this have a special obligation to protect this country for those who don't see, can't see or don't care. Freedom is very vulnerable. The movie demonstrated this.

Roy Cohn keeps popping up in American culture, from his fictionalized roles in "ANGELS IN America"-- as interpreted by Al Pacino (actor), Tony Kushner (playwrite), and Mike Nichols (director) --and Kurt Vonnegut's "JAILBIRD," to his actual deeds as documented by the likes of Emile de Antonio here in "POINT OF ORDER." Although there have been some attempts to put Cohn in perspective-- Frank Pierson's awful HBO film, "CITIZEN COHN," comes to mind (with James Woods' cartoon performance), I believe we've yet to see anything approaching a definitive look at him and his legacy.As for McCarthy and McCarthyism, "POINT OF ORDER" stands as an excellent non-fiction introduction to the beginning of their ends. It's great drama, and it's full of truth. And that is all. "POINT OF ORDER" is where one can start, yet not where one may find real answers.