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Too many fans seem to be blown away

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

I think the fact that this movie embodies the feel of Israel in so many ways is what makes it a great movie. Faye Dunaway's character (Faye Milano) comes to Israel with preconceived notions about the Israeli/Palestinian conflict and sees the situation as many people who live outside Israel do--as 'poor Palestinians living under an Israeli occupation'; her time in Israel, however, proves otherwise. She realizes that the situation is so much more complicated then she had believed, and she witnesses firsthand the violence of the Palestinian people, even violence perpetrated by children. However, the movie also shows the human side of the Palestinians & their yearning for recognition. Faye Milano's preconceived views change drastically as she realizes the clear truth of it all--Israel is simply a small democratic state protecting its own while struggling to maintain it's dignity and values. Moreover, the story highlights the dangers of the media--how a lone reporter's error can be printed and poison the minds of the readers. We don't like to think of our media as propaganda, but often our reporters and photographers sensationalize stories and, in printing them in popular newspapers, send the masses a false image of reality. There is a story within the movie that highlights this point in an extraordinary fashion.I visited Israel in the past year & went to visit the children in a Jerusalem hospital, both Israeli and Palestinian children alike. The Israeli doctors & nurses were incredible--treating all children with love and devotion, regardless of their race or nationality. I was struck at the Israeli woman and Palestinian woman in the same room, communicating and wishing the other woman's child well. If you want to see the true face of Israel, it was in that hospital in downtown Jerusalem.

Double Edge is a view of life in the fast lane of Israel. Faye Dunaway arrives in Israel for a 3-week assignment as a photojournalist. She is sure that the Jews are the oppressors, while the Arabs are the victims.The movie has the confusing feel of Israel. Arabs can be polite one moment, but blood-thirsty the next. It brought back vivid scenes from when I was there for a vacation. It was a particularly rough month when I visited there.This is a 2-star movie with a 4-star subject. Everyone should watch this at least once in their life. People in the West cannot fathom what it is like in Israel. Enjoy it.

This movie could have been a victim of Amos Kollek's vanity since he wrote, directed and acts in it, and his father is the Mayor of Jerusalem. But fortunately, he also had the sense to cast Faye Dunaway as his lead. In spite of being unable to shake off elements of the gorgon Joan (as predicted by Pauline Kael in her review of Mommie Dearest in The New Yorker), Dunaway lends her considerable presence and technique to the part of a temp journalist in Israel, eager to make an impression. She even gets to take her own photos, a la Laura Mars. At first Dunaway doesn't quite know to respond to Kollek as a suitor (and his performance is so ineffectual that he can't even read a joke well) but soon we get taken away by her and become reliant on her reactions. This film is an improvement on Costa Gavras' Hanna K, since Kollek's focus is stronger, and because he provides a positively brilliant ending, we're probably willing to forgive his own throw-away performance. This film also features Hanna K's accused terrorist Mohammed Bakri in a similar role. (Talk about being typecast!) It also contains interviews with various partisan leaders, including Hanan Ashwari, Abba Egan, and Rabbi Meir Kahane (who was assassinated shortly after the film was made). What is interesting is that the interviews don't affect the tone of the film, since Kollek introduces each location in a similar way, and also because there is no attempt made to allegiance. In spite of Kollek's character being Jewish he is still able to visit a Palestinian household without being murdered. I got a laugh at how Dunaway is offered Moscow as her next assignment, but it's an assignment I'd sure like to follow up on, since seeing Dunaway in the lead of a film is so rare these days. That's of course, if she survives her time in Israel.