Watch Leonie For Free

That was an excellent one.

Let's be realistic.

Good start, but then it gets ruined

One of the worst ways to make a cult movie is to set out to make a cult movie.

Very well directed, acted and a fascinating story of on of the 20th century's greatest sculptors who even has his own beautiful museum in New York City. A great place to visit to see 230 works from his own collection plus temporary exhibits..

This is a beautiful, haunting true story of a fascinating, independent- minded young woman at the turn of the 20th century. Her life ends up crossing boundaries, borders, and oceans. Though her name may be obscure, she created a legacy that lives on, and may live on for centuries.The film is beautifully crafted, artfully presented, enormously well written and well acted. I highly recommend it to anyone who loves true stories artfully presented, and beautiful, heartwarming, uplifting films.

Viewed on DVD. Score = eight (8) stars; lead acting = four (4) stars; editing = four (4) stars. Channeling BBC period dramas, Director Hisako Matsui manages to tease out a somewhat memorable film against the odds (some of which seem to be self imposed). In addition to the usual bilingual challenges that come with an English/Japanese co-production, Matsui is dealing with the miscasting of the two principal characters and impoverished editing (see below). The Director (who is credited as a co-author of the scenario) seems to be unwilling/ unable to fully leverage the notoriety of artist Isamu Noguchi (inserting some expository text at the end of the film is too little and much too late!) and the backdrop of epoch-changing events (emerging women rights movements, major wars, etc.) enveloping America and Japan during the late 1890s and early 1900s. Acting by most of the Japanese cast is excellent and easily captures (and holds) the viewer's interest. Not so much for the American cast. The leading actress (American) and actor (Japanese) underplay their roles; their often remote/wooden acting fails to reach out and engage the viewer. Lack of drama in the midst of dramatic events can be painful to watch. Cinematography (wide screen, color) and scene lighting are fine. Sound is OK. Score is excellent, but a little bit much when it comes to string instruments. Editing joins the majority of scenes with fades to white, a less than creative linking that quickly becomes boring. Lack of continuity editing toward the end of the film looks like a frantic maneuver to pad the movie and/or insert events that could not be fully developed or completed because the money ran out. (The film also ends rather abruptly.) Not all spoken Japanese is subtitled. WILLIAM FLANIGAN, PhD.

This is an EXCELLENT movie, the acting is incredible, Emily Mortimer is wonderful to watch as are all the other actors. This is set at the turn of the 20th Century, based on the TRUE STORY of Leonie, mother of sculptor and artist Isamu Noguchi. This film is a beautiful depiction of a richly varied life across borders, and how childhood shapes personality.The crew on this movie include many high profile names such as the Oscar winning composer Jan A. P. Kaczmarek (Finding Neverland) and Director of Photography Tetsuo Nagata from "La Vie en Rose".The original version that was released in Japan to rave reviews and ranked high in their top 10 box office during it's opening, is like a David Lean style epic. Set in the early 1900s, the production design and locations across the USA and Japan are nostalgically wonderful and the amount of effort put the production of this film shows clearly through the amazing footage and photography. Cinematographers take note. The American cut is unfortunately a subpar edited version of this really great Japanese original; they cut 40 mins of footage out for reasons such as "impatient US audiences" and difficulty getting a longer movie into art-house theatres under limited theatrical release. Ironically, the pacing and editing of the longer version far surpass the USA cut. In fact the longer cut seems to last less time because of the way the story is told through the editing. They sadly changed from a standard chronological movie to an unnecessary flashback style edit which makes it perhaps difficult to follow. Without further ado, I can only say if you can, watch the Japan original cut as this is how the director intended the movie to be made and with the additional 40 minutes of relevant footage, based on true events, this charming story is a beautiful film, full of life, philosophy and feeling.