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Thanks for the memories!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The acting in this movie is really good.

While it doesn't offer any answers, it both thrills and makes you think.

Methodically paced, psychological thriller with a riveting performance by Whitney Able. This is an existential, character driven piece, deeply layered with subtext which can't be fully appreciated upon first viewing. It's more experiential than plot driven. In that aspect it reminded me of many superb thrillers from the 60's like "Don't Look Now" and "Repulsion". Basile has a very distinct vision here and I hope this underrated film will find it's audience. Recommended for a film literate viewer.

Kate Naylor (Whitney Able) lives with her loving girlfriend (Alex Breckenridge) in NYC. It is clear Kate has all kind of issues and may be unstable. When NYC goes dark during the 2003 blackout, our authors spring into action and use this as symbolism as emotionally and mentally, Kate is in a dark place. Get it. It would be soooo Indie clever if it hadn't been done a gazillon times before.What we don't find out is Kate's real issues as she describes her life's problem in the abstract. We hear her say these clever Indie lines like, "I tried to be different" and my all time favorite, worth Indie extra bonus credit "I'm the real me." We have a long drawn out boring scene, not to be confused with the rest of the film outside of the opening lesbian sex scene, where our yoga instructor is smoking a cigarette while talking to a guy who may or may not be there. Here she is saying lines that don't match up with her lips, i.e. she has a cigarette in her mouth while we hear her speaking. That is fine, but I don't know is this by design, i.e. a clue that the guy is not there and she is crazy, or is this some bad over dubbing because they decided to write in some lines post production.If you like watching people buy paper towels and crazy people talking to themselves but not really saying anything, then this film is for you. I couldn't get past someone creating another artsy film and just going through the motions they learned the first day of film school.Guide: Swearing, F/F sex nudity (Whitney Able, Alex Breckenridge)

This film rather took me by surprise. I went into this with no preconceived notions other than it was about the North American blackout of 2003 and had Alexandra Breckenridge (The Walking Dead) in it. This film hit me on a deeper level than expected and stayed with me for quite a few days after seeing it. It's portrayal of a young woman with mental issues, suffering from a very deep depression played to perfection by Whitney Able (Monsters) related to me. Knowing someone personally who dealt with depression, I thought the movie captured that state of mind completely. The subtle depiction of the lead, Kate's, slowly devolving emotional state through to it's brutal ending was uneasy to watch. I can see why some people may find the movie slow but I was gripped throughout because of the lead character. The acting is superb as well as the "jump cut" editing style and the cinematography, naturalistic and beautiful. The sound design, particularly in the second half, was really well done, especially considering most indie films usually fail on sound. It makes NY seem like a very intimidating place, at least in the main character's mind. Even though the film is set in NYC, it feels very much like a European film. Having grown up in the UK and loving a lot of art house films, most European cinema has never been plot-focused. European directors usually focus on the accurate representation of internal states, rather than external drives. This film's goal can be described in the same way and pulls it off quite successfully. It's definitely a movie that will not please everyone. It's not "entertaining" in the traditional movie sense but rather a cathartic, intimate experience for 93 minutes. If you like arty cinema with dark subject matter, you'll absolutely appreciate this indie gem.

I give this film a 3 only because of Whitney Able's performance. Had this been a better written better executed film she may have won a Golden Globe or perhaps even gotten an Academy nod. Instead because of poor marketing coupled with boring as heck story telling this goes ignored; except by people like me who get taken in by the poster that makes it seem like a horror movie set during the 2003 NYC blackout.Do not be fooled by the IMDb categorization of this as a horror movie nor as a thriller. It is neither. It is a tale of a woman with some undisclosed and never talked about mental condition who, blackout or not, losing her grip on sanity as a single night passes.That is right. The blackout has nada to do with her fall from sanity. She is not afraid of the dark (she actually goes out to a bar during the event). She is not seeing dead people in the dark. The blackout featured in the packaging and promo has nothing to do with her state of mind.The film starts and stops. It seems to be going somewhere and then, no, we're back hanging out in the candle lit apartment. We're taken on a trip out a window and part way down a fire escape only to be, yes you guessed it, right back in the apartment again.The cherry on top is yet another NON ENDING. We are not quite exactly certain what happened as it is undefined. We are left to ASSUME Kate took a hammer and boom boxed (she smashes a boom box with the hammer) another character but... did she? Is she imagining it? Are we seeing what she is seeing or what she is imagining?? Before the camera can reveal the truth... the credits roll.Whatever happened to writers actually coming up with clever or decisive endings?? If you're looking for a psych tale of a young woman losing her mind over the course of an evening then this film is for you! If you want a thriller or horror film... stay away!