Watch Peaches For Free

To me, this movie is perfection.

Nice effects though.

As Good As It Gets

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Let me be the first non Australian to comment on this :) I got the movie for Hugo Weaving and I watched it to the end. It's one of those "drama of life" films, as my mother used to call a movie that depicts a real life story with no extraordinary events and that is mostly descriptive.I liked the light and the girls. The rest was without too much fault, but without too much merit either. I yearned for something like The Interview, or at least some matrix villain element here and there, but nothing out of the ordinary. The story does teach one about facing one's own destiny and break free from the environment others build for you, but this happens when the life giving peach factory in the area is about to close, so not much of an effort to change things is required.The "smart" American Beauty sound-alike song in the background could have been part of a larger soundtrack, but just that one playing over and over again became annoying after 100 minutes of film.In the end, I guess it did his job of presenting a part of Australian life, but to me it didn't seem specifically Australian (it could have been placed anywhere) and it didn't seem attractive as a story.I guess one must be in a certain mood to like the movie.

The Australian film industry is reputed to be in a mess, and this film gives a hint of why that might be. Set and filmed in the South Australian Riverland area, famous for its grapes and stonefruit, it attracted funding from the SA and Australian film commissions and the scenery is lovely. But you don't get much for $A5.5 million in movie production these days and despite some nice cinematography the production values are pretty modest – FAQ TV movie level. Most of the money probably went on food for the shoot. Hugo Weaving is in it (he must owe director Craig Monaghan a favour after the brilliant "Interview") and there is other fine acting from Jacqueline McKenzie and (especially) Emma Lung as Steph. Yet somehow it doesn't make it.Is it the script? This is by Sue Smith who has written many absorbing hours of TV drama ("Carson's Law", "Brides of Christ", "Bordertown"), and while her dialogue is a bit posh for a bunch of peach cannery workers it is at least coherent.Is it the plot? It is indeed a bit over-ripe. We have the melodramatic circumstances of Steph's birth, the love to hate relationship between her aunt and the cannery foreman, Steph's taking up with the said foreman and his brother, not to mention the brother's criminal record, and an arson attempt. But in the end nothing truly out of the ordinary occurs.Is it the theme? Life in rural Australia has never been easy and is not getting any easier. Canneries are closing, small towns are dying, and the drought is tightening its grip. The film reflects all that but somehow inadequately reflects the resulting personal malaise. "The Farm" (a mere TV movie) and "Three Dollars" did a much better job of combining the character's personal dilemmas with a more general view of their circumstances.As to the acting, there is little to complain about. Hugo is a very fine actor and both he and Jacqueline get away with being 20-year-olds in the flashback scenes. I'm not sure the part was a huge challenge to his resources but he handles the love scenes with Emma very well - his alleged ugliness (I like to think of him as lugubriously handsome) is only an issue for those who do not realise that attractive young girls can and do fall in love with ugly old men (remember Rasputin, and heck, Hugo was only 42 at the time of filming).Jacqueline McKenzie provides an interesting contrast between the party-loving girl of the flashbacks with the present-day overprotective aunt who uses Steph's mobile phone as an electronic leash. Emma Lung shows some real talent as the pretty, confused and dyslectic Steph, Craig Monaghan has put the story together quite artfully and tastefully with some nifty cutting but in some ways the whole is not quite the sum of its parts. The characters are interesting and sympathetic, but a bit dumb, somehow. Maybe that's the Australian condition! PS: warning to Peugeot lovers – at least one splendid 504 is destroyed during the movie. – a most unusual car for a seasonal fruit picker to be driving in the early 1980s, even if he was Vietnamese.PPS: "FAQ" is a wool classing term – it means a fleece of "Fair Average Quality".

Peaches is truly a marvelous film. I write this to refute a review from someone called 'Auscrit', that has appeared on this site. First of all the idea that either Monahans first film 'The Interview' is somehow TV is an extraordinary statement. Here is a film that has been significantly praised around the world as is simply one of the best Australian Films ever made. It fully deserved to win best picture. Peaches is a brave, bold and courageous departure. For me it works on every level and I have now seen it twice. Monahan is a filmmaker who is demonstrating great skill and incredible sensitivity. For 'Auscrit' to make the comment that it is another TV movie etc and that Hugo Weaving is no good simply does not 'get' the film. Or more particularly does not want to get it. Frankly it is the sort of comment that one expects from either another filmmaker who is jealous or bitter or both. Or someone from inside the industry either distribution, exhibition or bureaucracy. Your average punter, I have found just does not write comments like that. I have noticed other comments on the site and reference to the film Sommersault. One has to wonder what people think they are looking at. Unfortunately in Australia at the time SS was released the push was, if you did not like it then there was something wrong with you not the film. This manipulation of the media is pretty common down under. The reality is the only similarity between the two films are that they are rights of passage films. Unfortunately for me SS is a film about nothing, that could have been told in 15 minutes. I see it as a one dimensional film about anxiety. Peaches in comparison is a master piece. Personally I cannot wait to what Monahan does next as he is clearly way ahead of any of his contemporaries when it comes to cinema. In conclusion if the film does not win all at this years AFI's and IF awards, then it is a rigged game. As for Auscrit, please find something more constructive do with your time

In a climate of poorly performing Australian feature films this offering did not prove to be any different.At a writers conference the screenwriter, when asked what the premise of the movie was, couldn't clearly articulate it. She mumbled something about "moving on" and "accepting loss"...say no more. The ideas were great but the script lacked a powerful driving narrative line. There was no clear protag and no "big idea" which feature films seem to require to keep the audience awake for two hours.And as for the casting....if you want to get away with a 40 something man shagging a 16 year old girl then the actor needs to be ATTRACTIVE!! Hugo Weaving??...pulleeeeze!