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Lack of good storyline.

Am i the only one who thinks........Average?

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

This film is so real. It treats its characters with so much care and sensitivity.

And here we have yet another cheesy Italian knock-off of the spy film genre, trying to capitalize on the 60's popularity of the Bond films. Our super agent, one Bart Fargo by name, is a bland layabout loser, who'd rather be sleeping than out saving the world from bumbling super villains. Smart man, actually, but it doesn't make for very good cinema to watch Bart lounge around his various hotel rooms for at least half of the movie.Bart's boss is a morose, whiny guy with a thoroughly festive racist attitude and an extreme dislike for Bart(not surprising, really). He summons Bart from his perpetual snoozing and has him dragged to the office by two pretty girls(who rough him up a bit, but what female wouldn't want to?). There, he tells Bart his next assignment is to retrieve a scientist who's built a 'peaceful death ray'. Huh? The scientist was kidnapped at the opening of the film by several accountants in a huge car, set to a bouncy tune that gets on your nerves after about the first five minutes of endless repetition. The accountants haul the good doctor off to a toy helicopter stolen from a Godzilla set, then transfer him to a model submarine swiped from the Godzilla vs. the Sea Monster set. They then blow up the toy helicopter, like a five year old gleefully setting off a bottle rocket.So Bart's mission seems to be accomplished by his flying off to yet another vaguely European city and lounging in a different hotel room. the bad guy's thugs conveniently come to him, so there's a set of lame fight scenes in the hideous 60's hotel room. At one time Abe Lincoln uses a time machine to hunt down Bart and try to kill him, maybe because Bart resembles John Wilkes Boothe. There's an amazingly slow car chase, in which Bart shows what a useless super spy he is. I mean, did he really think that the thugs wouldn't notice the candy red sports car practically kissing their bumper? And then Bart demonstrates how incompetent he is, letting the thugs drive the car over the cliff. In an unforeseen tragedy, Bart was not in the car at the time.Bart saves one of the thug's lives, so the guy helps him find the lair of the super(or not so super, really)villain. It looks like a badly decorated bordello, with wall mounted machine guns. Wow, this madame REALLY likes to discourage bad customers. Like Bart, I'm sure. Anyhoo, the bad guy buddy gets fragged, and Bart rushes in to save the girl and the idiot scientist(I mean, a peaceful death ray?! come on, man!) and kills the tepid villain. The 'death ray' causes a lot of wallboard and plaster to fall on their heads, and then there's a scene in yet ANOTHER hotel room of Bart and the red-haired artist chick he saved from 'certain death'. There's a final scene where our hero chucks a talking watch out the window to avoid talking to yet another one of his girlfriends, his bosses' secretary. Was it a Timex? And did it signal the wasted hour and a half that we spent watching this dud? We'll never know.

AKA: Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray "for peaceful purposes only" but a vague group of bad guys want it instead, so he's kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he's the only American spy who looks good in womany sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo's and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There's also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.

Considering how many spy movies there are, "Danger! Death Ray"is the lousiest of them all! Gordon Scott plays Bart Fargo (FartBargo?), a machine gun-toting spy who has to save a scientistand his daughter who are being held hostage. Appearently, thebad guys had kidnapped the scientist because he invented somekind of laser ray gun, and the villians are hoping they can getone of their own if their captive would develop one for them.Since the plot is cliched (if you don't know what a mean, checkout "The Pink Panther Strikes Again!"), that alone would destroythe viewer's hopes of enjoying the movie. How could it? Theperformances are bland and unenthusiastic, the dubbing horrible,and lousy production values. And also, what the hell kind of asecret agent named is Bart Fargo?!! A suave spy needs a slick,dignified name like James Bond or even Austin Powers, not somedumb hickish name like Bart Fargo!! That kind of name wouldbetter suit somebody like a fat, smalltown r

IL RAGGIO INFERNALE is just another of the many European spy movies from the heyday of this genre. The tired plot has ex-Tarzan Gordon Scott seeking the kidnapped inventor of a deathray (yawn!) and fighting Alberto Dalbes as the villain. There are some nice technical gadgets, but in the end this movie gets stuck in mediocrity.