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The Photograph
A young Greek man goes to Paris seeking help from a solitary and almost misanthropic distant relative who works as a furrier. With him, he takes nothing from his homeland but a photograph of a woman that he finds on the pavement. A misunderstanding regarding the photograph sets off a series of dramatic misunderstandings which trap him in a vicious circle of lies and fantasies.
| Release : | 1987 |
| Rating : | 7.3 |
| Studio : | Gaumont, Greek Film Centre, Ikones France (Paris), |
| Crew : | Production Design, Set Decoration, |
| Cast : | Christos Tsagas Aris Retsos Zozo Zarpa Despina Tomazani Hristos Valavanidis |
| Genre : | Drama |
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Reviews
Good films always raise compelling questions, whether the format is fiction or documentary fact.
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
I fotografia (The Photograph) is one of the most highly acclaimed Greek films but very few people have actually heard of the movie (even in its country of origin). What I enjoyed in Papatakis' film is the representation of the Greek society during the time when the Junta (Military dictatorship) was already governing the country (1971-1974). Except from the obvious focus on human obsessions and the psychological thriller turn of the film, we could clearly see the political comment on how hard it was to survive in Greek circles (within the country and abroad) if you were considered to be a communist.In Kastoria, the city where the story begins, all these banners in favour of the regime had "Greece of Greek Christians" or "Country, Religion, Family" written on them. These were the main slogans of the dictators. I found the storyline about the protagonist's (Yerasimos) love of an idea (a photograph)quite metaphorical and parallel to the Greek population's blindness towards the Junta.As Ilias characteristically says to his mother towards the end of the film "what we love about someone is their lie".
