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Führer Ex
Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.
Release : | 2002 |
Rating : | 6.6 |
Studio : | |
Crew : | Director of Photography, Director, |
Cast : | Christian Blümel Aaron Hildebrand Jule Flierl Harry Baer Dieter Laser |
Genre : | Drama |
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Reviews
Really Surprised!
As Good As It Gets
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
This is a well acted BUT not convincing tale of two late teen lads in East Berlin in 1986,there eventual arrest for trying to escape to the west,there time in prison and how they change, & the eventual tragic ending after the wall comes down in 1989.This should have been a much better movie, but sorry to say it is not.I for one have seen many (maybe too many) prison films with troubled youths in them. A few years back we had American HISTORY X which was far superior on every count. HBO had a 5 year program called OZ, where we had nearly the same type of story & people. It too was far superior. Even going much further back there haver been similar type storiesAnother problem I had was the editing,some changes in scenes were not very clear,maybe it was because we did not know who the various people were.The subtitles are clear & easy to read,ratings: **1/2 (out of 4) 69 points (out of 100) IMDb 6 (out of 10)
This may be an unfair comparison, but take the elements of male friendships and self- discovery from Trainspotting and add the pacing, violence, frustrations, and relationships from Romper Stomper, and you'll get a feel for what this excellent film is like visually and sensually. A worthy round of applause to Director Bonengel and Actors Blumel and Hildebrandt and crew. Especially noteworthy, from an American perspective, is how powerfully and unapologetically the frontal nudity scenes were done in the prison. (American directors and film stars are cowards in comparison when addressing themes of such violence, sexuality, pain and need.) The directing, filming, lighting, acting and editing perfectly highlight the powerful aggressiveness and absolute vulnerability of the characters in a way that does not betray the craftsmanship that went into the production. Kudos to the entire team of Fuhrer Ex. The film is emotionally charged: uncomfortable, painful, tender, funny, and exciting. Highly-recommended.
definitly the worst film i've seen in years. don't be impressed by the subject of the film. the audience at the preview was either in hysterics on the floor from the incredible bad acting, or they left beforehand in disgust at the shabby treatment of the story. imagine one of the best stories you ever heard - in this case a true story - and now imagine the worst tv treatment - then you're not halfway there. the worst acting, boring, totally unrealistic (how did they manage to do that i don't know), unbearable dialogs...i could go on. i beg you not to see it. it's an offense to any thinking person, and totally gives a wrong image of what and how east berlin really was. the saving grace is one of the leading actor he deserves better and is - hopefully - a star in the making, and no it's not the blonde...:-)
Do you want to make a film? A german film? Well, let´s take the old GDR, put some Neonazis in it, add some people who want to leave the GDR and get jailed. All in all take every prejudice you can find about these topics, mix it all up, and crochet a far-stretched story around it. Et voila! Still want to see the film? Take beer with you. Or wine. Or both. Lots of it. Then the film might be OK.