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Powerful

Fantastic!

Admirable film.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Lamentably uneven film roughly paralleling the Kennedy killing. By the finish, it's hard to tell if the intent is to parody an assassination conspiracy or to offer up food for thought. Of course, the two can be combined, but if so, the results here are sloppy, more head-scratching than suggestive. Much time is spent with Nick (Bridges) chasing shadows, that amount to conspiracies behind conspiracies. Okay, shadows can make for fascinating progression, not knowing who's involved and who isn't. This sense of dislocation was probably best conveyed in 1974's chilling The Parallax View. But here, such suggestive moments are undercut by exaggerations, such as the incredible shooting of the three men in the car, or the ragged development of who Yvette actually is. To me, the only explanation for the frequent piling on of events is that someone was reaching for an element of parody, despite the seemingly dead serious parts.Now I can well understand why the production here wanted to raise questions about the Lone Assassin official theory. It certainly hasn't withstood the test of time, as even a few key frames of the Zapruder film show. Moreover, 1978's House Committee on Assassinations found upon reviewing the evidence that Kennedy "was probably assassinated as the result of a conspiracy". But then the whole matter was dropped without follow-up. Ironically, I can also understand why officials don't want to pursue the matter. After all, who knows where it might lead or what crises an honest investigation might produce.Anyway, Bridges turns in a riveting and energetic turn as the beleaguered president's brother. If spoof was the movie's intent, Bridges should have been informed since he plays it absolutely straight throughout. Also, veteran director and actor Huston towers as the shady and mysterious patriarch of the clan. Note too, how many veteran Hollywood names settle for brief appearances in an independent production, even super-star Elizabeth Taylor. Perhaps they too were unhappy with the Warren Commission Report and wanted to help boost critics who were gathering steam at that time. Of course, the movie debunkings would culminate in 1991's JFK.Though this 90-minutes has its moments, entertaining and suggestive, it's too uneven and inconsistent to really register as either parody or expose.

Winter Kills is one of the strangest films I've ever watched. But if you like to feast on ham acting than this is the film you've been waiting for all your life. The story has young Jeff Bridges hearing the deathbed confession of a man who says he was the unknown second gunman who killed Bridges's brother, the President of the United States 19 years earlier. Which would roughly be the gap in age between John F. Kennedy and Edward M. Kennedy in real life, a bit less for the Kennedys.But Bridges has never had any interest in politics, in fact hasn't had much interest in anything, but has enough money to indulge his idleness, courtesy of father John Huston. This confession does renew his interest and he pursues his own investigation with Huston's backing somewhat.After this as Bridges continues his quest you will see some of the best acting talent around all try to outdo the others. Huston tops them because he has more screen time, but Sterling Hayden as the crazed rightwing millionaire and Eli Wallach as the gay nightclub owner who shoots the arrested assassin like Jack Ruby in real life really earn some honorable mention. You usually have to see a horror film to find this much over the top thespianism.Winter Kills treads ever so gently into satire, but only tiptoeing because the film seems unsure of itself. It's like the director and writers didn't know what direction to take and decided to let the players figure it out for themselves. This is not a great film, but if not taken too seriously can be enjoyed on some levels.

Until recently that was. If you're a Jeff Bridges fan and look over his previous body of work on IMDb or netflix, you're soon to come across what looks like a small paranoid assassination/conspiracy thriller from the late 1970s- penned by Manchurian Candidate himself Richard Condon- Winter Kills. And then you'll realize until now you've never heard of the movie, unless you were around for the two weekends it was in release in 1979 or heard the minor blurbs how the picture went through ridiculous difficulty getting made. While one shouldn't group the making of the movie too closely with the final product itself, it's almost as crazy a story as in the film itself (one involving the mob, pornographers, marijuana money, and a re-shoot budgeted by *another* movie shot by the same director in-between in Germany).So, as a humble 'who-is-this-guy' movie-buff on this site, I humbly recommend this movie incredibly so. It's a mighty sleeper, a comedy with the intent so black that it's hard to see where the drama stops and the laughs begin. At times it's also weirdly over-the-top (an orgasm at one point is the loudest one has ever seen in a non-porn, and for no real reason except to have it in there, or as part of an "act" perhaps), and with a cast that is irreproachable. Jeff Bridges, John Huston, Anthony Perkins, Sterling Hayden, Eli Wallach, Toshiro Mifune, Elizabeth Taylor - and most of these actors are barely in one scene! Yet everybody leaves there mark so indelibly that one grins from ear to ear suddenly recognizing them (Hayden in particular is a hoot as he practically is like Jack D. Ripper as an old man with a huge beard and a private fleet of tanks)(Huston, too, chews up the scenes he's in without even trying).The plot... geez, I can't really say for certain. Let's just call a spade a spade and say it's a spoof on the Kennedy conspiracy (if there was one), and the power and influence of family and politics and the mob. It's a murder mystery, but it almost becomes moot who was the real killer as by the time its uncovered it's simply more fun seeing how one gets from point A to point B. Though Condon might have had a stronger plot for 'Candidate', and first time director Bill Reichert stumbles in a couple of spots in getting the comedy and suspense mixing just right, it's still amazing entertainment more often than not, and it's one of those nifty, strange treasures to be dug out from the video store or queued on a whim on netflix.

Winter Kills is a wild, breakneck ride, impossible not to enjoy if you can muster up a two hour attention. Dullards who like to browse or half-watch will be quickly mystified and thus bored, but this film rewards those who make the investment. An excellent, creepy movie--funny and insightful, particularly relevant in these strange and disturbing days. John Huston gives a great over-the-top performance that seems more like a cartoon version of himself than the Joe Kennedy caricature he is meant to be. Tony Perkins is the embodiment of everyone's paranoid suspicions about who really runs things. Karl Rove must have sat spellbound in the theater as a young homunculus, taking notes as he ate his popcorn. Bizarre cameos and way inside references provide the icing on the cake.