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This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

I'm sorry I had to give this movie 4/10. It started off very nice, with some background story of the main character told in a subtle way, some development, but as soon as I saw the scene where they get intimate for the first time, I knew it wasn't worth watching it. The first contact is very important, there should be a whole story of both characters leading to the intimate interaction - glances, sighs, movements, gestures etc. The whole story leading to that moment can be a lot more intriguing, beautiful and spectacular than the moment itself. Here it had no proper character development, one sided approach, all of a sudden one of them starts groping another one and after being groped he consents to being kissed! What!? This is very vulgar. It's like you give a female co-worker a pat on her butt-cheeks and then she doesn't resist kissing you. No matter how the movie evolves after that, the movie is lost to a more or less sober and mature viewer. If you want to know how to develop a character, how to build characters, the plot, the scene i.e. everything that leads to the first contact you should watch Jongens, Stadt Land Fluss, Freir Fall etc. Watch how it happens in Stadt Land Fluss from 51:00 to 55:00, how nicely it is done, it takes 4 minutes from the aha moment to the actual interaction, how nicely the actors played, how the scene is set up, it's just so wonderful.

I am not a dancer. I do not go to ballet. I approached this film as a film because I was intrigued by the concept of combining quiet dance scenes with a plot and characters. In fact, I did not know there was a gay theme before watching. I am glad I did not.Ryan Steele (Chip) has done an impressive job as the central character. He has managed to convey the purity of a frightened adolescent while not seeming stupid. He infuses his character with the confused depth of a child whose single parent clings and psychologically abuses. If he has managed to do this with technique, I am impressed even more. My guess is that he drew this from within.Reed Luplau (Theo) manages to play the seducer without the jaded harshness of a beautiful gay dancer who has already been involved with other gay men. He plays a likable character with implied issues of his own. The formation of his relationship with Chip rings true. It is not cheaply melodramatic.Katie, Cynthia and Anthony are excellent as supporting characters. Well acted in each case. Each has some degree of individual relationship to Chip and Theo. Good writing. They could have been flat characters just there as background.The staging, lighting and music were excellent. The simplicity stunning and quite moving at times. This doesn't happen for me often with uneven production values of some indie films. All said, I was pleasantly surprised by this film, and then deeply affected by it.

Five Dances is the beautiful story of a naive but very gifted 18-year-old dancer named Chip. He came to New York from his troubled home in Kansas for a summer dance workshop and managed to stay on into the new year, when the story takes place.The movie begins as he joins four older dancers (two each, male and female) rehearsing for an upcoming performance. He slowly gets past his social awkwardness and begins to develop relationships with the others - especially with Katie, who becomes like an older sister to him, and later with Theo.His opening up is the key theme of the movie, which takes place almost entirely in the studio as the dancers rehearse. It has no other cast but the five dancers. (All of them are professional dancers, not actors, but they do both jobs brilliantly in this movie.)The movie itself is like a dance, gracefully and deliberately paced and choreographed, the characters weaving in and out of each other's lives as they do in the dance they're rehearsing. Anyone who hates classical modern dance, or who hates slow character development with very little irrelevant action or drama, will not enjoy this movie.However, it does not require any particular knowledge of or interest in dance. Indifference to dance should not be a handicap, but the viewer must be able to watch dancers without irritation.And it definitely is a gay movie. It's a sort of coming-out story - really more an opening-out story, because Chip is coming out of his shell as a person even more than as a gay man. It's also a sexy and tender and gratifying love story.Although it has those conventional gay-movie elements, the grace and discipline of dance permeate everything and make this an entirely original and unique - and unusually beautiful - gay movie. Alan Brown's earlier movie Private Romeo (also highly original) was my favorite gay movie for a long time, but Five Dances is even better.

Ballet is typically a boring event to watch when viewed far away (as an audience member in a huge arts theater) but seeing it up close in a rehearsal studio setting; makes FIVE DANCES worth watching; especially because of the beautifully fit male bodies in action.FIVE DANCES is simple and slow with a few awkward moments but eventually you get used to it and just go along for the ride; curious to see what happens next. This film is also a subtle treat for gay men.There's no real plot or story to follow because this is one of those films that uses a few appealing elements to pull in especially gay viewers. Gay and straight viewers love cute guys with hot tight fit bodies. Seeing them move around in ballet style dance moves is forgettable but those few hot moments of intimacy between the two male leads towards the end makes this type of film moderately enjoyable and a little touching.