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Karambolage
Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.
| Release : | 1983 |
| Rating : | 6.2 |
| Studio : | Neue Studio Film, |
| Crew : | Art Direction, Director of Photography, |
| Cast : | Wilfried Baasner Robert Hunger-Bühler Susanne Czepl Beatrice Frey Lotte Loebenstein |
| Genre : | Drama |
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Pretty Good
One of the worst ways to make a cult movie is to set out to make a cult movie.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
One of the worst ways to make a cult movie is to set out to make a cult movie.
