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Station Six-Sahara

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Station Six-Sahara

A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.

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Release : 1963
Rating : 6.4
Studio : CCC-Filmkunst, 
Crew : Art Direction,  Set Decoration, 
Cast : Carroll Baker Peter van Eyck Ian Bannen Denholm Elliott Hansjörg Felmy
Genre : Drama

Cast List

Reviews

Ensofter
2018/08/30

Overrated and overhyped

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Moustroll
2018/08/30

Good movie but grossly overrated

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LouHomey
2018/08/30

From my favorite movies..

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Console
2018/08/30

best movie i've ever seen.

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mmunier
2018/03/06

I see 6 reviews here, let's not forget we're now in 2018! I can't imagine too many of younger generations bothering about such a film. But I am from that generation and in the 60's was a young man. It was just my lunch "course" served on a small TV screen with low sound quality. it was an ordinary day but as soon as the film started I found the story interesting and intriguing...Then the lady turned up and we had to believe things would change in this devilish remote desert station. Until then and we the arrival of a new worker there were five men all having very different characters, so living in close quarters you would expect some friction. Beside Peter Van...I did not know any of the other actors but I felt they all did a reasonable job. Yes a little over dramatic but we have to keep in mind the period. It pleasantly filled the duration of the feature.

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moonspinner55
2017/09/04

Five men of disparate nationalities work an oil station in the sweaty Sahara; just as tempers begin to boil over within the group, a sexy girl and her ex-husband invade their territory (or rather, crash it--seems this reckless dame harbors a death wish for herself and her former spouse). Brian Clemens and Bryan Forbes, adapting Jean Martet's play "Men Without a Past", invest the dialogue exchanges with interesting give-and-take, but their scenario isn't inventive or enlightening or even titillating (despite the ads). Certainly the basic thrust of the material--when will the men take advantage of their new arrival--is salacious, however the writers are more interested in probing the human condition and all its faults (although there is some sex involved). Director Seth Holt ably delineates the disintegration of morality and decency among the men, but this woman is something else: a willing pawn in their company, she's both tease and temptress. Actors Studio alum Carroll Baker seemed to get stuck in a revolving door of sexually-uninhibited characters after "Baby Doll", yet this role does call for an actual dramatic performance and she delivers. ** from ****

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JasparLamarCrabb
2014/02/18

A virtually forgotten potboiler directed by Seth Holt. A disparate group of men working an oil refinery in the Sahara get company in the form of foxy car crash victim Carroll Baker. Sexual tension ensues as Baker leads on at least two of the men, including group leader Peter van Eyck, who's desperate to get out of his miserable existence. Adding to the mix is Baker's possessive husband (Biff McGuire), who, though bedridden, refuses to let Baker go. Extremely well acted but perhaps a bit too melodramatic to really be taken seriously, there is nonetheless plenty to recommend...Baker is in peak form and Van Eyck is great. Ian Bannen steals the show as a crass bully and Denholm Elliott is his uptight foil. There's a great music score by Ron Grainer. The script was worked on by Bryan Forbes.

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jeancfisher
2013/04/18

One thing I noticed previous reviewers left out of their critiques of this film is that it was a cooperative venture utilizing German, Australian and American actors and crew. I first saw this film as a preteen on TV and fell in love with it. It was the first time I ever saw Peter Van Eyck (of "Rocky Horror Picture Show" fame) act. The truly great performance, however, is given by Ian Bannen (an Aussie) as a happy-go-lucky, crusty oil field worker. IMHO, this work holds the essence of "art film" in the palm of its hand. I also do not know anyone else who has ever seen it but feel, if you don't appreciate this film, you know nothing about "true art".

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