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Far from Perfect, Far from Terrible

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It’s sentimental, ridiculously long and only occasionally funny

People are mistaking the subtle nature film allows with Shakespeare on state. There are no closeups, or music to convey emotion, it all must come from the actors. Like silent movies, it looks like overacting to the untrained eye, but like Noh Theater, the action must be conveyed in body movements akin to dance. Jeremy Brett meets this challenge with brilliant subtly one second and booming voice sure to be heard in the bleachers. The other actors however, are awful. Lady MacBeth is the worst. The rest seem to barely remember their lines, reciting them in a monotone barely worthy of a grade school production. Watch it for Jeremy, the rest (as Hamlet would say) SHOULD be silence.

I agree that it is one of the worst versions of Macbeth ever made. Perhaps the worst. Brett overacts and Laurie is just ludicrous. The one good feature is the choreography for the three Witches. I had to preview this for inclusion in a college curriculum. All of us in the small audience (admittedly of English teachers) were laughing hysterically by the middle of the film. I am a strong admirer of Jeremy Brett, though even as Sherlock Holmes, he sometimes was over the top. His performance here is embarrassing. The Trevor Nunn video with Dench and McKellan is by far the best Macbeth ever put on film. I first saw it in the 1980's and have never forgotten it. Now if only some producer would pay to have Patrick Stewart's recent Chichester Macbeth on DVD, we would have two great productions to enjoy.

With a high school student struggling through the text, we found two stageplay versions on film, this one with Jeremy Brett (RIP, Sherlock Holmes) and Piper Laurie, and the McKellen/Dench version. I have seen three ways to film a stageplay. (1) Put up a few cameras with an audience present (never works). (2) Take a cast used to performing before an audience and reblock for cameras and shoot with no audience (this version). (3) Forget audience, block and perform entirely for film (McKellen/Dench).So this Brett/Laurie version features actors who project as though they must entertain people 100 feet away, and they move through a paragraph of lines as one would truly read a paragraph. Well enough.But the McKellen/Dench is much more gripping, despite a minimalist set. Lines and characters were omitted for the sake of an overall vision. Characters stopped dead in mid-paragraph for effect. I'll never remember who Ross was in the Brett; I'll remember Ross/Porter in the McKellen. No spoiler here, but in the two versions one sees radically different Lady Macbeths -- not merely in execution but in conception. The Dench Macbeth being absolutely thrilling.This Brett/Laurie, however, tracks Shakespeare. So the high school student should begin here. Then move on to the McKellen/Dench.

Not only is this the worst interpretation ( OR LACK THEREOF ) of Shakespeare's classic , it also includes one of the worst performances by a great actor ever witnessed. The brilliant Jeremy Brett is so over the top its laughable. not since peter o'toole's henry higgin's has there been such a loud bellowing performance so devoid of human emotion. Piper Laurie is also awful as his Lady. it seems the production was put up in a matter of days for a "take the money and run.' pay check. UNINSPIRED WITH NO VISION IS THE BOTTOM LINE.