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I like the storyline of this show,it attract me so much

Slow pace in the most part of the movie.

People are voting emotionally.

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Caballos Salvajes is about an older looking man who steals a large sum of money from the bank and then goes on the run with a bank worker who decides to help him out. Although the relationship between both men was very hostile right from the start, throughout their trip to the south of Argentina both men begin to talk through their problems and grow close. During the trip the men realize that they are involved in something bigger than just a bank robbery and they are faced with different circumstances which they resolve together. The movie includes serious circumstances surrounding the main characters, but is also filled with comedy in the way in which they handle their business and in the dialogue. Towards the end of the movie we are faced with the revealing of some facts and the mood of the movie switches to a much more tender and loving one. Overall the movie is very comical and exciting, and the acting very much entertaining.

There is a lot to admire in director's Marcelo Pineyro's 1995 film "Caballos salvajes". Mr. Pineyro, one of the best men in the business in Argentina, shows he had a lot to show with the material written by Aida Bortnik and the director.The film presents us two men, as different from day and night, from different backgrounds and ages. Jose, the older man, wants to take things into his own hands, making sure to get back the money the bank took away from him. Pedro, the young bank employee, is the innocent victim, being in the wrong place, at the wrong time. Imagine the men's surprise when they find $500,000.00 dollars in a place where neither knew about. Jose, who holds Pedro as hostage, evidently had a definite plan of what he is going to do with the money the bank stole from him. What he didn't count on was the power of television and how he and Pedro become sort of "folk heroes" for breaking into the bank, and getting away with it. As a young reporter and his assistant follow the two men, they manage to get away with it, enlisting friends along the way. Ana, a young woman they meet by chance, becomes a member of the fugitives working their way to Jose's intended destination. The film becomes a road film with surprising twists along the way. The main reason for watching this film the excellent work of both, Hector Alterio and Leonardo Sbaraglia. Both actors show an easy chemistry and compliment one another in ways probably Mr. Pineyro didn't envision. Mr. Alterio, one of the pillars of the modern Argentine cinema, is a joy to watch. Mr. Sberaglia also shows why he has become an actor in great demand in his own country, as well as in Spain. Cecilia Dopazo, who is seen in the pivotal role of Ana, makes a valid contribution. Federico Luppi and Cipe Linkovski, excellent actors, have small roles in the latter part of the film.While "Caballos salvajes" stays with its action on the road, it makes for a wonderful movie. The last section of the film shows both Mr. Pineyro and Ms. Bortnik running out of ideas as they turn to sentimentality to explain the wonderful film that preceded. Aside from this happy ending, "Caballos salvajes" surprises in every level because of the joyous teaming of two of intelligent actors who exceed what the director was trying to accomplish.

Sometimes it seems hard to find an Argentine movie released in the last 25 years with a plot that doesn't depend on corruption or economic crisis."Wild Horses" was made in 1995, a time of relative prosperity for Argentina, so it's corruption, not an economic crisis that leads old anarchist Jose (Hector Alterio) to threaten to shoot himself unless a large bank in Buenos Aires returns the $15,000 he lost years before because of the institution's shady practices.Pedro (Leonardo Sbaraglia) is the yuppie executive chosen by Jose to turn over the money. The two leave the bank with a far larger sum and soon find themselves together on the road bound for Patagonia, pursued by police and paid assassins, and cheered on by the poor and the media as modern-day Robin Hoods.Unlikely as this story sounds, it works well enough, thanks to great acting by Alterio. Director Marcelo Pineyro also keeps everything moving along fast enough so that we don't dwell on the occasional plot holes. Federico Luppi pops up at the end of the picture in a wonderful cameo. His performance alone is worth the price of admission.7/10

An idealist movie as there ever was, "caballos salvajes" (Wild horses), truly captures an specific feeling in argentinian cinema.Similar in spirit to the movies of Adolfo Aristaráin, it is the story about an old suicidal anarchist (Hector Alterio) who recovers his soul, and yes, it is a very soulful movie. Not a movie made to win festivals or to make well deserved cash, Caballos Salvajes is political at times, but also poignant and inspiring, nonetheless it's a road movie, with trepidant action and a heart of gold.A life affirming flick for anyone who feels a little lost (although not a septuagenarian myself, I can relate), but also a great portrait of Argentina in the 1990s. A must see, anyway.