Watch Hitler's Madman For Free

Very best movie i ever watch

Good story, Not enough for a whole film

Don't Believe the Hype

Exactly the movie you think it is, but not the movie you want it to be.

Dramatization regarding Lidice, Czechoslovakia and its fate following the death of Heydrich, Nazi-protector of the city.We find agricultural people, many of whom are apolitical and willing to lead their lives under Nazi rule.One man who had gone to England returns with others and their goals are for sabotage.John Carradine, as Heydrich, is the ruthless, outrageous leader who is willing to do anything to maintain strict order and control.One of the towns leading citizens shows his contempt when a priest is shot down during a town festival for violating group gatherings.Carradine, in his dying words, is not exactly flattering to the Nazi cause, but Himmler uses his assassination to speak of unspeakable horrors which befell the citizens of Lidice.The tension is constant as a people show their determination to show right from wrong in society.

As poetically dark as the poem recited throughout, this is a motion picture that should be studied and reflected upon for many generations to come. We must never forget. Lidice by Edna St. Vincent Millay is powerfully incorporated into the drama as the assassination of the brutal monster, Reinhard Heydrich is recounted and the subsequent murderous destruction of the town of Lidice exposed. The diabolical evilness of Heydrich is blood chillingly brought to the screen by director Douglas Sirk in his first Hollywood film after fleeing the Nazis himself. While the use of the stunning poem and the direction are superb, no film or actor could possibly convey what happened during this time and do justice to its under barbarous criminality and hellishness. This film is indeed a sincere and moving attempt to do so and while doomed to failure by the enormity of the horror it must bring to the screen, it succeeds in bringing the tragic story of Lidice's destruction to a wide audience. However, neither that terrible event nor the sickening, pure evil of Heydrich and the Nazis can ever be captured on celluloid.

An interesting movie that does not do much to inspire the viewer through its portrayal of the Czech resistance, though they face a grim ending, but definitely catches the interest in the portrayal of Nazi brutality through the part played by John Carradine as Reich Protector Heydrich, who routinely had people shot in order to maintain a level of fear and control. The characterizations of the townspeople are too quaint for this subject, but they (the townspeople) do catch on as Carradine's brutality increases, with the most memorable scene being when he and his men take over a philosophy class, in a scene that manages to get fairly intense. If it were just up to Alan Curtis to carry the film as Karel Vavra, the film would fall into a dark pit of boredom, since within any resistance movement there is always collaborators within families that need to be killed. Those characters are all left out, and so the drama quotient is not very intense. Nonetheless, Carradine's Heydrich is definitely worth watching.

Douglas Sirk's career is recalled for his wonderful colorful attacks on the "American Dream" in those films he made (usually with Rock Hudson, Jane Wyman, and Agnes Moorehead) in the 1950s. Never was the lusciousness of American prosperity used to show the underside of our wealth oriented culture. But Sirk had a long career in Europe and Hollywood before he made "Magnificent Obsession" and "Imitation of Life". His films in the middle forties included some superb costume films with George Sanders (like "Summer Storm")and this early one which really stars John Carridine as one of the most monstrous figures of World War II, Reinhard Heydrich the so-called "Protector" of Bohemia, who chaired the Wannsee Conference of 1941 that created the "Final Solution". Whatever degree of venom Carridine brings to the role is nothing like the effortless evil the original Heydrich dripped. Still it is a very effective performance.The film is based, by the way, on the poem "Lidice" by Edna St. Vincent Millay. Written shortly after that village was decimated in the reprisals following Heydrich's death, it is recited (in a woman's voice) in most of the film, but it's closing lines are recited by the male actors at it's conclusion - quite effectively as most of these actors (Edgar Kennedy, Jimmy Conlon, Ralph Morgan) have been slaughtered by the Nazis in front of us. As some of these actors (Kennedy and Conlon) usually were seen in comedies, their use as straight dramatic actors in this film is a revelation of what they might have done if they had not been used in comedy so much.To me the best moment of this film (aside the use of the poem) is when Carridine lies dying in a hospital, visited by Howard Freeman as his comrade and fellow S.S. bigwig, Heinrich Himmler. Freeman was an affective actor in comic and dramatic parts, and here shows the hideous Himmler as a banal Babbitt bureaucrat. Perhaps not quite correct historically (Himmler was stranger than George Babbitt) but in it's way quite effective. Carridine had (in his characterization) shown something of the intellectual pretensions of Heydrich, but as he is dying he suddenly realizes he is frightened of dying. He tries to explain this to Himmler who doesn't care (so much for being a fellow Nazi comrade) and only sees the mission of the dying Heydrich to become a martyr to stiffen German will to victory. As Carridine finally dies, Freeman only sees his duty to make a large enough retaliation on the local population so that people will realize that he is harder than the dead martyr ever was.Historically this is not accurate either. Heydrich had been in high level Nazi planning for several years, and frightened not only Himmler as a rival, but Bormann, Goebbels, and Hitler himself. Heydrich had a nasty "rumor" in his past: his father, a musician, may have been descended from Jews. This was never settled. However, due to this particular rumor, Heydrich's opponents felt they could control him. In actuality, it was easier to control an out of control Mercendes Benz. As soon as he could, Heydrich began collecting information on every one of his rivals about their family backgrounds (including Hitler's). It was his eventual determination that he would one day be the successor of "Der Fuhrer". Himmler, Hitler, and the others may have officially honored Heydrich as a national martyr, but in their own private moments they all were fully glad to see that he was dead and out of the way.Their real reason for the massive retaliation was the fear of copycat plans. The Czechs who killed Heydrich were trained in London, and had Churchill's assent on their plot. No doubt, had they gotten away with it, plots against other Nazi big-wigs would have been set in motion. The retaliation was to remind the local populations that the Germans would not hesitate to depopulate them if anymore assassinations occurred. It was also a reminder to the Allies that if they wanted to save lives they better not plan any further killings. As such it worked. Although several plans for an attack on Hitler were finally set up, none were ever put into operation (the 1944 bomb plot was by the German General staff, not by Churchill). Whether this was wise or not is a matter we cannot ever tell the answer to.Heydrich's actual death is nothing like the hideous death camps he set up for Jews, Gypsies, Slavs. etc. But it still is somewhat pleasant to think of the agony of his last days, his spine broken by the steel springs of his exploded car seat. The affection that his title "Protector" supposedly suggested is truly shown by a story of how a German soldier desperately tried to get passers by to assist to help move the "Protector" to a nearby hospital quickly. An unknown Czech citizen looked at the dying man in the ruins of his Mercedes, shrugged his shoulders, and said, "The hospital is around the corner. He could walk there." Then he left the flustered soldier.