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Clever, believable, and super fun to watch. It totally has replay value.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

4/5 Insanely brilliant. Extremely poignant. True to life. These expressions spring up in my mind as I begin to write this review. You see, I am still recovering from the emotional, thrilling and dramatic sledgehammer which is Citylights. To put it plainly, this is the most consistently brilliant Hindi movie I have watched in all of 2014. I was hooked from the first frame and loved the unpredictable turns the script took. The worst and the best of human nature are vividly portrayed throughout the length of Citylights and it makes for some heart rendering and some truly uncomfortable moments. It casts light on the plight of the rural migrant who comes to the city with high hopes. The contrast between the humane behavior of the so called vulgar elements of the society and the coldness, aloofness and predatory nature of the venerated high society is masterfully displayed.The acting is as good as it gets. Raj Kumar is easily the best new actor in Hindi industry. He gives a superlative follow up performance to his class act in Shahid. The debutante Patralekha matches him and even manages to outshine him in some scenes. This has the best kind of music, which propels the story forward rather than acting as an impediment to the story telling. Hansal Mehta, the director, deserves the highest praise for acting on his vision and making his second path breaking film (after Shahid) in two years. This is one of those films which helped me reaffirm my faith in the present of Hindi cinema. I loved it.

In a film of such relentless intensity, the songs (although they aren't of the lip-synched variety) and the background score seem a tad excessive, if not entirely out of place.But CityLights is a Vishesh Films production, and hence the soundscape is anything but run of the mill. Jeet Ganguli's musical score is first- rate, but the lilt and the lyricism of the numbers appear to somewhat soften the blow that the film seeks to deliver. In the end, what lends CityLights the power to offset its rare weaker moments is its unwavering commitment to a realistic mode of storytelling.CityLights has its heart in the right place, and it is a heart that is backed by a ticking mind that is able to grasp the subtler shades of human behavior without tripping on over-sentimentalism.CityLights isn't a feel-good entertainer. It is a film that shocks, provokes and seeks to prick our collective complacency and apathy. That obviously adds up to infinitely more value than the price of a multiplex ticket.

City Lights will surprise with the intent it has in itself. It has composure and a severe amount of reality. The story is about Deepak Singh (Raj Kumar Rao) who is a farmer in Rajasthan. He has debt on him. The business doesn't pick up and he finds himself in crisis. He, thus, decides to move to Mumbai to earn money accompanied by his wife and his daughter. Once they reach the city of Mumbai, the movie starts telling its real aim. The kind of money bugs a city contains kind of immoral activities they are able to do without a tinge of shame and fear is what you will find in the movie which is true in real scenario.Starting with direction which is done by Hansal Mehta, the director of Shahid, has again tickled a chord which will echo deep into you. From the very first scene you will get to the very base of what he is trying to show in the movie. There is a certain amount of adhesiveness to the moments where he has shown his class in getting to the core of the feel, which is most of the times of pain, betrayal and helplessness. The simplicity with which he has carried out a sensitive yet common attributes of greed, dissatisfaction and immorality is simply a class of its own. The situations when you can't differentiate a right from a wrong are depicted just perfectly. Amidst all this, he had the courage to inject in few moments which were funny and yet sober. The timing and character of those moments is a tough nut to crack. Overall, he was brilliant again. Coming to characters, the first name is Raj Kumar Rao, who seems to be getting along really well with Hansal Mehta, is doing another seriously awesome work. There is not a single moment in the movie which can make you think that this guy is an actor and not the real character. The innocence of the character was the toughest thing to portray but he did it with so much honesty that you would not be able to hold yourself from applauding him. The fear, the belief, the helplessness and the desperation are just effortlessly portrayed by him. You will love him, feel for him and hope for him. Patralekha also played the role of his wife to a good degree of what was required. You can easily identify her as any common girl which was very important for the character. The character played by Manav Kaul of Vishnu Bhai is going to surprise you. He has done more than justice to the role and yet again after Kai Po Che he has shown the value of his acting skills.The music by Jeet Ganguly is fantastic and it will soothe you. The background score by Raju Singh is appreciable. The movie deals with the reality of people's desperation to earn money in order to survive in the cities. It depicts the actions which people are willing to take irrespective of those being immoral or disgraceful. The bitter truth that is present in the society and yet nothing can be done. It shows how money has become unpleasantly important. Though the movie scores really high on almost every part, I just felt that in two scenes it hasgone a bit too harsh and far. The reaction of Vishnu's wife after his death is not digestible. Her crave for that money box at that particular moment did not fit in. Also, the reaction of Deepak Singh's(Raj Kumar Rao's ) wife when he dies is not what I could connect to. A wife who loved her husband so much cannot have an urge for a box of money exactly when she got to know about his death. Apart from this,the movie is a must watch and it definitely paved a way for many upcoming Bollywood movies.

http://moviereviewsbybinduc.blogspot.in/2014/06/citilights.htmlCityLights is a film with intense human drama. Hansal Mehta (Director) and Rajkummar Rao (Actor), duo of Shahid fame, have once again collaborated together to contribute a brilliant piece of art to the Bollywood. It is so painful to see how the innocence of an ordinary villager and his family gets exploited in the citylights of metro. Hansal Mehta has wonderfully and very realistically encapsulated the challenges faced by a destitute family in the metro. Various adversities faced by the family viz. loss of business in the village, rural migration, extreme poverty, exploitation by the city etc. are well captured in the movie. The movie left me with tears in eyes, rather actually broke my heart. Kudos to Hansal Mehta for making this movie so realistic, profoundly moving, tangible and believable and at the same time 'minus melodrama'.Deepak Singh (Rajkummar Rao) moves to Mumbai after losing his Saree shop (in a village in Rajasthan) to the debtors along with wife Rakhi (Patralekha) and daughter Mahi. Great moments of family togetherness, love between Deepak and Rakhi are shown while in village, which probably gave them confidence to move to the unknown Mumbai and try for a better living. Deepak's friend Omkar, who was supposed to pick them up from the Mumbai railway station, did not turn up. Deepak is cheated and happens to lose whatever money he had. Life turns out to be really challenging for them with not having roof over their heads. Then starts their desperate efforts to survive. Deepak manages to get a job in Active Security Bureau, a group of security force, with his background as an ex-army driver, but his job is kind of life-threatening. Life takes a mysterious turn from there with his partner / boss in job Vishnu (Manav Kaul). It is difficult to understand his intentions. One kept wondering whether Vishnu is good or bad. Rakhi lands up as a bar-dancer, although very very reluctantly.Does life improve for Deepak and family? What all events unfold in their journey to survive in the metro Mumbai ? Who all partner with them in their journey of survival and how? Do Deepak and Rakhi lose their rustic innocence in the citylights? Are Deepak and family able to re-establish the once-happy-family image? Are they able to manage to keep going against the inimical forces that surround them? Is there any flash of light at the end of the tunnel?There are certain heart-wrenching scenes: the manner in which Deepak sits in front of the Saree shop in the village while realizing that he has lost the same; their migration to Mumbai with hope in the eyes, but losing the same the moment they land up in Mumbai; desperate attempts by Deepak and Rakhi to seek job / accommodation; helpless / embarrassed Rakhi standing in front of the Bar-Manager who tries to scan her whole body and the last one to mention is the tragic and shocking climax.Both Rajkummar Rao and Patralekha (his real-life girlfriend) have added so much value to the roles of Deepak and Rakhi through their effortless performances. Manav Kaul as Vishnu has also given an exceptionally well performance. The music by Jeet Ganguli is absolutely soulful and as per the genre of the movie. The songs 'Muskurane' and 'Ek Chirraiya' are very good.