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Very very predictable, including the post credit scene !!!

Too much of everything

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

I could hardly say I liked In Bloom. At first for its title: nothing is booming there. On the contrary, the main couple is in crisis. Another film showing gay lifestyle as aimless and linked with drugs. And more concerning: nobody does care that one of the main characters lives of this 'profession' as he goes getting High from one setting to another. The other person for the couple also lives a meaningless live, just working to pay the bills, as it seems. Nothing remotely romantic in the air. To complicate the things, there is a serial murder that is attacking young man, in a subplot never developed. The main characters also didn't convince me. They deliver their lines, for the most part of the flick. I couldn't see passion in their eyes, much less live. Ass a role, I found it a film hard to watch: no bloom, no love, no life.

It was hard for me to find this movie and now I understand why.First of all, the two protagonists are not good actors...well, "Paul" is not good and "Kurt" is terrible and the worst part is that I guess he's the one we should care about the most since he has more screen time (throwing glasses with a cliché closeup to the broken vase and shaking his shoulders while pretending to be crying).At the beginning it is stated that some months have past, however if you had not read that, you could never tell because there is no sense of urgency or a better editing (or characterization) to show it instead of saying it. (Even in the flashback to when they had their first kiss they look the same).I don't get what Kurt is supposed to be afraid of. Paul suggested going to Paris...OK? With what money? It didn't sound like a realistic proposal. Was it the "we do the same thing all the time"? Because Paul said he wanted more than drinking and smoking but they kept bumping into each at every party, so I guess he didn't mean that either. Was it "Kevin"? No, Kurt describes him as a not serious thing. So, why the hell did he want to break up so much to then go back to Paul even though nothing had changed and just a few days later (again, this could have happened many months later but how can I tell?). Another thing is the killer subplot. What a waste of time.The only redeemable thing was Eddie. That's a far more likable and interesting character in all his creepiness. The character is just weird and the actor playing it does a good job and it's engaging, unlike the leading players. You can feel how the rhythm changes because of him (in a similar way like Penelope Cruz lifting the whole Vicky Cristina Barcelona).It is not that long, but it feels like it will never end.

IN BLOOM, the debut feature from director/writer Chris Michael Birkmeier, a genre mixture tale in Chicago, recounts the ups-and-downs of a young couple Kurt (Wigent) and Paul (Rittenhouse), the former is a drug-dealer, but his clientèle are mostly hipster youngsters, so it is not a swearing, gun-crazy thriller one might expect for this sort of job; but Paul is a clerk in a supermarket, who scorns this line-of-work, yet as long as it pays for the bills, he can just condone it. A looming danger which quite inferiorly sets the suspenseful tone is a serial killer on the lam, whose victims are uniformly young males, which is haphazardly reminded from news flashes on TV and a random enactment. In the midstream, a stimulation to mislead us Kurt is going to be the next victim, until edging to the coda, a final victim would supposedly thrust a revelation for Kurt about the profundity of love, which frankly speaking, is quite a lame strategy to choose this particular object. Apparently, the central story is an ever-so-common relationship quandary, Kurt is the variant who is frustrated and scared to find out the sexual attraction has dwindled, which for any mature mind, it is a sign that their relationship eases into another critical phase, when passion turns into the form of a deeper love. But as a young blood, he clearly is not that smart, and incited by external temptation from one of his client Kevin (Fane), he breaks off the relationship, but the new lifestyle is not his messiah, when remorse overcomes, can he mend his mistake?Generally speaking, IN BLOOM looks rather cheap in appearance, especially the night time scenes, amateurish and uninspiring, the storyline awkwardly fatigues although the two leads strives to perk up the borderline insufferable narrative to some extent. By any criterion, it is difficult to pick anything singular for praise, on the whole, the film's sole plausible excuse of its existence is that it enters on a gay couple, otherwise, hopefully years later, when we look back from a time when sexuality will no longer be an irrelevant topic, the movie will be remissly regarded as one of the anachronism from a bygone era, that will be the best scenario ever!

But not an altogether bad movie!Here we have Kurt & Paul who seem to have developed a life together successfully but from the start the viewer is aware of a tension in the relationship. Kurt sells drugs and Paul seems distant and depressed. Things come to a head when Paul suspects Kurt is 'seeing another'! All the while the background story is there's a serial killer somewhere in the city.Paul wants a simpler domestic life while Kurt want to go party. You know the relationship is doomed. And at movies end you don't really know if these to actually get back together but a murder brings them back together - if only momentarily.It's a good story but some of the acting is lacking and the plot gets repetitious at one point.