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Elle: A Modern Cinderella Tale
Elle wants to be a singer/songwriter, but her dreams are cut short by the sudden death of her parents. She moves in with her adoptive uncle, who runs a small independent record label whose biggest act, Sensation, is also Elle's biggest pain.
Release : | 2010 |
Rating : | 4 |
Studio : | Frame Of Mind Entertainment, |
Crew : | Director of Photography, Director of Photography, |
Cast : | Ashlee Hewitt Juliette Hing-Lee Kiely Williams Sterling Knight Brandon Mychal Smith |
Genre : | Fantasy Drama Science Fiction Family |
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Reviews
The Worst Film Ever
Admirable film.
The best films of this genre always show a path and provide a takeaway for being a better person.
The film never slows down or bores, plunging from one harrowing sequence to the next.
I'll confess I like sweet movies. I'm not automatically alienated by predictability or lack of originality.Elle: A Modern Cinderella Tale is not an ambitious movie. The bad guys are painted broadly as self-absorbed celebrities. The good guys are sweet and deserving. Acting is uneven but some of it is clearly intentionally bad and meant as humor or parody. I can see how it would be annoying for many. It didn't bother me. I wasn't looking for Paul Newman in The Verdict or Daniel Day Lewis as Hawkeye. This is light Disney-esq or ABC Family style fare. I've seen far worse movies.For me, Ashley Hewitt's singing redeemed all. When Ashley's character Elle was singing she carried the story and lit up the stage or screen. The songs were both catchy and well-delivered. I found myself rewinding to the songs and replaying them. The movie ends on a musical performance high note, emphasizing that the Cinderella plot device and character development are not the focus of the movie. The music is the raison d'etre and Ashley Hewitt's voice and pretty face are enough to frame the music. It left me feeling the beat, lyrics repeating in my head, and with a smile. Not so bad. Yes, it is not the best example of film making nor a model for method acting. The producer's ambitions were low and many elements are cartoonish, but a few catchy songs sung by a pretty girl won me over. Unlike many technically better movies I'd watch it again.
Even though I am a sucker for the predictable story line and I love all the Cinderella movies, I didn't enjoy this one. This movie was D-Grade at best and wasn't at all the quality I was expecting.The acting was terrible and I didn't enjoy it.This movie definitely disappointed me as a viewer. I don't know whether it was the actors I had never heard of, that weren't really actors, or the fact that the songs were extremely cheesy, but this film lacked quality. I have been disappointed with the quality dropping a little more with each movie past the first, I liked the second movie, the third was all right but this one was the worst.I wouldn't recommend it.
Okay Netflix, do you have others worse than this? This movie is such a failure. First of all, I'm up for every movies with the fairy tale theme. But this is "beyond fairy tale".The actors suck, they could not act! The editing sucks too! A lot of unnecessary scenes. It felt like some people wanna be stars and they were all over the place! Failing amateur movie.The plot was okay though but seriously, even other Sterling Knight movies are even better than this.The only good about this movie is only the songs, they're just cool, not awesome, but Thank God at least there's something good.
Elle (Ashlee Hewitt) has undergone a life-change of great sadness. An aspiring country singer, her parents died in a plane crash on the way to hear perform at a school concert. Thus, Elle has moved in with her uncle Alan in Los Angeles and works as a "gopher" for his small recording label. This means fetching coffee and arranging schedules for the studio's main act, a three gal pop group called Sensation. Naturally, this trio of young ladies are budding prima donnas and they put Elle down at every opportunity, as well as making constant demands. Unhappily, Elle finds it difficult to talk to her uncle, both from her shyness and his work schedule. No one realizes that spectacle-wearing Elle may have musical dreams. One day, a Bieber-type singer, Ty Parker (Sterling Knight) comes to the office to talk with Alan. He is tired of recording the same old pop tunes and wants to sign with a label that will give him more creative freedom. Alan, having a shoestring budget, wants to sign the very popular Ty but he asks that he make a record with a British pop teen, Candy Cane, FIRST, and then they will discuss his future venture. Ty says he must think about it. In the meantime, Elle goes into the studio late one night, to record one of her compositions, on the sly. What she doesn't know is that Ty has had to come back to the office to retrieve his cell phone. When he sees and hears Elle's performance, he guesses that she is Miss Kane and wants to talk to her about their future duet. Stunned, Elle plays along but then vanishes after a night of coffee and conversation. Soon the real Candy arrives, confusing everyone. How will this tangle of webs get undone? Is there a future for Elle and Ty? This is quite a sweet little film, at times, one that its target audience of tween girls will like. Hewitt and Knight are quite gifted, musically, and also sport very natural acting abilities. The rest of the cast, mostly unknowns, do a fine job as well. Costumes are also very fetching, while sets, script and direction are above average. However, it would still behoove parents to watch with their gals and discuss issues presented. For example, not all young singers are arrogant folks like Sensation but, more importantly, the musical business is quite competitive and singers don't usually take off their glasses, put on cute outfits and make it easily. It would have been nice if the film had actually shown Sensation practicing and receiving advice from teachers and those with industry knowledge, too. In short, this modern fairy tale is enjoyable but parents will want to bring any daughters with singing ambitions back to reality at the finish.