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Fantastic!

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The best films of this genre always show a path and provide a takeaway for being a better person.

The music was so corny I almost abandoned the video immediately. It was extremely bad and amateurish. It almost makes the film unwatchable, like something in a high school video project.The video is broken into 10-minute segments, each with opening and closing credits and a recap of the previous segment. This is tedious.The science is pretty shaky, but at one point went completely off the rails. They decide some stones point up permanently aligned with a star in Ursa Major. Vertical stones in England would never align so far north. Further, no English stones would be permanently aligned anywhere because the earth rotates and revolves around the sun.In general, the science is utterly embarrassing. It would be too silly even for an Austin Powers movie.I think the writer went to a math library and grabbed snippets and formulae at random to include in the script. Given that there is so much of this and that it is central to the plot, I think they could have hired a real (or at least student) mathematician to compose some plausible dialogue.The movie is carried by Matthew, a scientist's ten-year-old son. He is unusually intelligent, curious and spunky. He is a considerably better actor than any of the adults in the movie. The acting, in general, has a stagy feel with lots of contrived exposition.They show you something strange, then let you sit with it for a long time before giving their explanation. It does a good job that way of building suspense. The way they build unease is by showing you very ordinary things, but that just should not happen, like a giant stone appearing in a different place. There is almost nothing that would count as a special effect, other than possibly a dissolve.Despite all the negative things I said about the movie, it was engaging. I cared about the characters. It was creepy. The very last reel was high camp. I expected the villain to play Toccata and Fugue on an organ.

A spooky supernatural children's tale from the 70's that transcends the age range it was aimed at, and is fascinating viewing for all.Adam Brake is an astrophysicist interested in a stone circle in a sleepy village in rural England called Milbury. He and his son pay a visit to the village in question, and soon begin to notice strange occurrences, not least the villagers odd behaviour and obsession with happiness. As the tale unfolds, we discover that the head resident has plans that are more malevolent than their worst nightmares, and the stone circle is somehow a direct link to a black hole that will unleash an ancient and terrifying force.Though the budget is limited, good use is made of the wonderful location, and the script is excellent.Some of the acting leaves a little to be desired, not least from Gareth Thomas of Blake's 7 fame.Still, that aside this is well worth tracking down for all lovers of cult TV

Many years ago, when ITV in the UK was an amalgamation of separate TV companies (like HTV, the makers of this show along with many other great series, serving the west of England and Wales), which used to make their own shows for local consumption, before submitting them to the network for a national screening, they used to come up with gems like this.It's a bizarre story of a kid and his dad entering a strange place in the west of england (the Dad is a Historian on a research trip, but his son finds out more than his Dad was expecting), only to find that everything is not as it seems. The locals are being drawn into a strange cult which revolves around an ancient stone monument in the locality (actually the ancient monument which still stands in Avebury, Wiltshire, UK)...I really couldn't tell you any more without spoiling things, but my description of this series would be: If that great cult movie "The Wicker Man" had been made as a children's programme, it might have looked something like this. It's a true hidden gem, which caught the imagination of kids across the UK upon its original transmission in the UK in early 1977.If any overseas viewers (who like something a bit out of the ordinary) want to check it out, then I certainly wouldn't hesitate to recommend the UK DVD release by "Second Sight" - and if you ever find yourself in the UK, take the time out to visit the location used in the series... It's a truly mystical place, with a truly strange atmosphere which will stick in your mind long after your trip...ITV in the UK these days is a very different operation, and they just don't make shows like this anymore. If ITV made a show called "Children Of The Stones" today, it would probably be a reality show starring Jade Jagger and Theodora Richards.... Watch and enjoy what once was, in the days when we Brits were truly proud of the programming we produced, as opposed to these days, when we are frankly embarrassed by 95% of it... :-(

(Some spoilers)Children Of The Stones has been called 'the children's Wicker Man' - one indication of the high regard with which this seven-part 1977 British television series is still held. Resemblances between Robin Hardy's 1973 cult classic are certainly strong, notably the pervasive strength of the pagan cult which threatens to overwhelm Adam Brake (Gareth Thomas) and his son Matthew (Peter Denim). Other influences include that of Nigel Kneale, whose work had been so prominent in British TV science fantasy. Thomas had already appeared playing a minor part in Kneale's Quatermass And The Pit (1967). The year after the present series was aired saw a last Quatermass, which concerns an unknown alien force 'harvesting' the youth by leading them to ancient ritual sites. The parallels between the fatal rapture of Ringstone Round, the 'happiness' of Millbury's own initiates, and the ominous role of megaliths in both shows, are striking. Filmed on location at Avebury, Children Of The Stones follows the usual technical format of 1970s' kids shows (video used for internal studio sequences, film for the atmospheric scenes shot outside). Sidney Sager provided an especially effective score, using a mainly wordless chorus for the credits and ghostly female soprano soloist. The series shares some of the weaknesses of the time (somewhat under-directed acting, and ripe performances, notably that of Freddie Jones, who plays Dai, the Welsh inebriate) and strengths, chief of which is a complex storyline, one completely different from the contemporary transatlantic product. Millbury, where the action takes place, is at the apex of numerous lay lines, a hub of psychic activity, a place of power into which it proves much easier to enter than leave. Hendrick's (Iain Cuthbertson) Millbury house is situated at the middle of the ancient stone circle which astrophysicist Brake arrives to study. More than just the defunct 'prehistoric Jodrell Bank' he envisages, this impressive monument marks the coming together of a number of still-active forces and traditions, offering physical and mental challenges to investigators. These combine in the figure of Hendrick, and Hendrick's home, the focus of events. It is here that the transformation of mind occurs, where the villagers chant and dance. "There are more things in heaven and earth than I have philosophised in my dreams," admits Brake to Margaret (Veronica Strong), expressing somewhat awkwardly the confusion he feels. In Millbury as he discovers, pure mathematics and modern science rub shoulders with the mysterious workings of age-old mysticism and rural legend. Balancing everything, creating a coherent world picture, is what gives the plot most of its interest. Brake and his precocious son are both intellectuals, empiricists by instinct, gradually brought round by circumstance to a necessary belief in 'the existence of that which exists'. (The words on the enigmatic picture which originally inspired Matthew's interest in the site.) Former scientist Hendrick, discoverer of the supernova at the heart of the mystery, is one who has already crossed that line. As Brake rightly identifies with some distaste at the end, Hendrick has since moved from professional astronomer to visionary 'magus', exchanging the certainties of science for the excesses of egocentricity. Brake and son have the problem of interpreting and adapting to events, while remaining intellectually independent, something which imminent brainwashing ultimately threatens to destroy. Away from external dangers, at the core of the narrative is the quartet of relationships between the Brakes, Margaret, and Sandra (Katherine Levy). The romantic interest between Adam and the female curator is, understandably muted, although enough feeling remains to ensure that the fate of the mother and daughter has some emotional drama at the climax. Alone out of the 50-odd villagers (the outsider Dai excepted) it is they who stand out in our mind, and exclusively they whom the Brakes struggle to rescue from amidst the doomed chanters. Particularly as played by stodgy Gareth Thomas, Professor Brake proves a dull fellow, whose son is far more interesting. Thomas (whose screen presence sometimes reminds one of the 1950s' British actor John Gregson) often has to work hard to convince us that his character is anything like as intellectually nimble as we might expect. (He later went on to star in another cult TV show, Blake's 7.) By contrast, Matthew Brake is exceptionally bright and much more dynamic, recognised by Hendrick early on as a worthy adversary. It is the son who triggers many of the key discoveries driving the plot. But even the younger Brake is somewhat daunted by the abilities of the happy pupils in the village school, whose mental prowess recalls the alien prodigies in The Village Of The Damned (1960). Iain Cuthbertson, on the other hand, who had earlier worked with Thomas on another UK TV series, Sutherland's Law, acts the genially threatening Hendrick very skilfully, and does a good job. The end of the series has been dismissed as a cop out, and certainly the abrupt interjection of a parallel time, circular chronology universe is unexpected. After the astro-psychic events just witnessed it is, frankly, one twist too far. Admittedly it is difficult to think of another way to end with a point of interest once the circle has been broken, and tension dispelled. Clearly a downbeat ending, such as concluded The Wicker Man, would have been difficult in a children's show, but the result of the Brake's final questioning of all events is to undermine the careful investigations and deductions made before. The miraculous restoration of friends and villagers is reassuring but, although such events may suggest a hallucination, the defusing of earlier tension is a let off. The re-introduction of Hendrick and his butler Link (as a fresh purchaser of the house, and estate agent, respectively) does nothing more than further muddy narrative waters, and the show really demands a more satisfying conclusion. Despite this disappointment, Children Of The Stones continues to hold the attention, primarily because of the audacious plot. If the concepts are far-fetched, they are never less than interesting, and worth revisiting.