Watch The Fairy For Free

everything you have heard about this movie is true.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Exactly the movie you think it is, but not the movie you want it to be.

Clearly not for everyone as the comments here prove. It you're prepared to suspend your disbelief, meet it half way, and accept it on its own terms, you will be enchanted, which is surely reward enough. We're talking labor of love here as the husband-and wife actor-director team set out to charm us with a willow-the-wisp soufflé' which has overtones of The Mad Woman of Chaillot, and whose 'message' is little more than 'love is where you find it'. A woman, with no baggage, arrives at a small hotel and explains to the new night-clerk that she is a fairy who has the power to grant him three wishes; rather than wealth beyond the dreams of avarice, he asks for a scooter and an unlimited supply of petrol, leaving the third wish on hold. Naturally the woman normally sleeps in a nearby mental hospital, to which she is soon returned, but by now the clerk is smitten and we are drawn in to this unconventional love story - or not, as the case may be. If you still have a child within you and take it along neither of you will be disappointed. If you have lost and/or abandoned the child within you, then don't go.

French-language comedy abounds with the sort of film that makes perfect sense while you're watching it, but cannot be recounted to anyone who hasn't seen it without realising that...um...it's totally mad. "La Fée" is one of these. Part of its success is the fact that while the situations are farcical in the extreme, the actors carry them out totally deadpan, in the style of Buster Keaton. It's "normal" in their world, so you accept it as normal. Once you can accept the basic premise (sad little night clerk encounters a fairy who offers him three wishes), you are drawn into their version of reality, and no matter how mad it gets you just keep going, wondering where it will all end up. The actors are excellent, sending up silent films, musical comedies and rom-coms in the most ludicrous way without telegraphing (as so many American and English actors would), "Okay, get ready to laugh, funny bit coming up!" No, they just do what they do, and you find yourself giggling with astonishment. The hospital system comes in for its share of sendups (from the "smoking area" to the staff-of-one who manages to keep everything under control...to a point), the national obsession with rugby, etc. You do have to be aware or many of the more obscure bits of "business" will be lost. I think Keaton and Lloyd would have enjoyed this film very much. If it had a weakness, it was in the non-end; the director simply stopped filming when he was done, without attempting to tie it all up in a nice, bland little package. "La Fée" reminded me strongly of "L'Iceberg". When I checked IMDb I realised it was made by the same people.

Once again the performing/writing and directing team of Abel, Gordon, and Romy deliver a sweet, gentle, charming comedy, that while having dialogue, is most akin to the silent comedy classics.As with their earlier films "L'iceberg" and "Rumba", the film is a hit and miss affair - but with many more hits than misses. A long string of silly sight gags, dances, absurd and surreal moments with a slim thread of a plot tying them together; A sad-sack hotel manager falls for a woman who may be an actual fairy. Or just a crazy person. Or maybe both.Along their way they encounter a host of mostly very funny characters, like the nearly blind-owner of their favorite café, who is always right at the edge of spilling everything. (One of those jokes that could fail badly, or get old quickly if it wasn't pulled off with such deft precision, and big heartedness.)There are a few inspired, laugh out loud comedy bits, many others that are sweetly enjoyable, and a few that just fall flat.But while this may be a bit inconsistent, how lovely to see a comedy that aspires to Chaplin and Keaton and not American Pie 5.

To tell the truth, I only saw the second half of this film. It was on cable TV and I flicked onto it. I almost turned it off straight away, but while my finger was hovering over the button I found, to my surprise, that I was smiling; and then, to my even greater surprise, I laughed out loud.I'm not generally a fan of French comedies. Far to many of them seem to think that it's funny to watch people shouting at each other as a result of some ridiculous misunderstanding. But occasionally there's one that's less aggressive, more subtle, and this is one of them. "Subtle" is probably not a word that would normally be used to describe the purely visual and physical humour of this film, but for me there was subtlety in the way the physical contortions of the two lead characters were performed without flamboyance or theatricality, and used to create situations that were totally unexpected.Although not generally a fan of French comedies, I am certainly a fan of French cinema in general. One of the reasons for that is its ability to produce the occasional offbeat gem, like this one. It's funny, it's innocent and it's warm-hearted. I liked it a lot.