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Don't Believe the Hype

Although it has its amusing moments, in eneral the plot does not convince.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

first of all i have to state that yes, i believe that there is sex traffic of children and young adults of both sexes, not just girls. boys just probably are more capable in that situation. i had to state that because some people who might happen to read my review may find it callous or insensitive.i completely accept the facts here except for the omission that many males are kidnapped and are sex trafficked too. the problem one may have with my opinion is that i'm kind of apathetic toward that and every other cause. i'm not really into "causes". the world is full of misery and i've just kind of grown to accept it and just live with it. i also don't really like messages that are too alarmist. i also thought this film was too entertaining and sort of for kids to be too effective in conveying any kind of message. this message is too important and should probably be left up to a straight out documentary approach.this film should appeal to kids though. it appealed to me. and Heaven knows i'm pretty immature for my age. i watch horror movies and cult movies and cartoons. i thought it had a cool look to it. it was dark and scary. it owed a lot of it's look to the films of Tim Burton and David lynch. i thought it's satirical send up of movies like 'Willy Wonka' and 'Chitty Chitty Bang Bang' were hilarious and disturbing.this film is also a good example of independent filmmaking and distribution on a polished and successful level. it is a example of good marketing of a independent short film on the internet. i love short independent filmmaking. it is a great way for many independent filmmaker to get their start and get their voices heard. not everyone should have to rely on big studios and their greedy corporate executives to gain approval all the time.bravo and kudos to this little film on so many levels. not just for exposing a important topic, but for paving the way for a whole new era in filmmaking in general and in how we approach and view it. and if kids are going to get on the internet to enjoy movies and entertainment for God's sake, let's first and foremost keep them truly safe. Amen to that one.

Excellent video. Brings to the forefront the horrible problem we have in America of sex trafficking. Thanks to Whitestone for doing this. The music was great. the acting was superb. The story was hard to watch but told a story without being sexually explicit which made it tolerable for all viewers. We need wide distribution of this film for action from all parts of the country. I saw the inaugural viewing of this film in Atlanta with 4000 other people and it was a crowd pleaser as far as the professionalism it took to produce this film. I hope everyone in America has a chance to see it as soon as possible so they can initiate programs in their neighborhoods to stop this sorry crime that some sick people commit.

This film, The Candy Shop, is without a doubt a 10/10 film. It talks about child exploitation without diving into disturbing details. The story is touching, and impacting. The film has a brilliant cinematic look to it. The CG is top-notch and the acting was equally good. This film has no flaws. It has the look of a Hollywood film. It's great to see people raising awareness to slavery. It needs to be done, and these good people have done an incredible job. This film deserves a LOT more attention. Slavery is happening under our very noses and we don't even see it; films like this help raise awareness. God bless the filmmakers!

Last night I had the surreal opportunity to attend the premier of a short, beautiful and deeply disturbing independent film at the Fox Theater in downtown Atlanta. The Candy Shop is self-described as a fairytale about child sex exploitation and truly I can think of no better way to describe it.As a low-budget, independent film it is quite excellent and I suspect it will get noticed when it is taken to the film festivals. The imagery is darkly picturesque, reminiscent of Charlie and the Chocolate Factory, giving the viewer a sense of foreboding amidst an otherwise pleasant outlook. The characters are superbly portrayed by a fine cast of actors. Of course, the most notable performance came from Doug Jones who brought the creepy, demented, and hauntingly familiar Candyman to life – instantly he is hated, and yet one gets a sense that underneath this character has his own tragic story that is, perhaps, not so far distant from our own. Brandon McCormick, the director of this film, has created a story that is a bit transparent for an allegory – but I believe this was intentional. The title tells us it is a story about child sex exploitation – we are never given the opportunity to truly believe that this is just a harmless fairytale – and when we see the delicious looking lollipops and our mouths begin to water it creates a disquieting sense of wrongness as we are pulled into the story. In no way is this film gratuitous, explicit, or graphic, yet the true horror of the issue comes through. This film is a triumph of storytelling.It is tempting to say that this is a story about a bad man, who hurts children, and who ultimately gets his due. However, as I mulled it over, it became more and more apparent that this was not the Candyman's story; the idea is not simply to show us that evil exists. Rather, it is the story of the paperboy who first warily watches, and then with growing consternation realizes that something is wrong eventually being brought face-to-face with the reality of the issue and realizing that he no longer has the option of idly standing by. We, the viewer, take the same journey – so be warned! – I defy any sane-minded person to leave the theater without a sense of responsibility to take action.What makes the film so utterly horrific is the knowledge that child sex slavery is not fiction. Nor is it something that only happens overseas in third-world countries. It is happening everywhere in the United States. Atlanta, Georgia is one of the largest hubs for child sex trafficking. And nearly half of perpetrators come from my neck of the woods, the suburbs north of Atlanta. These are OUR children! This is OUR issue!Doug Jones said afterward that when he read the script he knew he wanted to be a part of the film, but that "the cause came with it." So it is with me, and so it will be, I truly hope, with you. Please support this film, as it is entered into the Atlanta Film Festival, and please become an abolitionist – you can visit stopthecandyshop.com or streetgrace.com for more information. Original Review found at: http://ebdean.com/archives/221