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22nd of May

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22nd of May

Sam wakes up, gets ready and goes to do his daily job. And then the unexpected happens. A bomb explodes in the center of the shopping mall where he works. He drags himself towards the entrance to save the victims. One by one he pulls them out, until something terrible takes place. In complete hysteria he runs off till he falls down from exhaustion. A woman's voice makes him raise his head. She's one of the victims he saved. She wants to know why the suicide bomber did it. This encounter projects him back in history and even in a surreal world. Thereafter he runs into everyone he saved and feels that their defeat shows many parallels with his own. Even his confrontation with the wrongdoer isn't that straightforward as he thought it would be and confronts him with the fact that guilt and innocence can be pretty much alike.

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Release : 2010
Rating : 5.8
Studio : IJswater Films BV,  Revolver Films,  Ryva, 
Crew : Director,  Writer, 
Cast : Sam Louwyck Titus De Voogdt Jan Hammenecker François Beukelaers Norman Baert
Genre : Fantasy Drama Thriller

Cast List

Reviews

Matialth
2018/08/30

Good concept, poorly executed.

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Chirphymium
2018/08/30

It's entirely possible that sending the audience out feeling lousy was intentional

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ThedevilChoose
2018/08/30

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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StyleSk8r
2018/08/30

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Un Zievereir
2017/04/21

Eager to see his follow up to Ex Drummer, I was far from disappointed. Although almost a polar opposite to Ex Drummer, it is also submerged in its own style, wonder and originality. The story is tragic, fascinating and yet there is something of a banal feel in contrast to its mystical style and heavy subject. Quiet and slow it is like a Flemish master's brush strokes unfolding before the eyes. The viewer can almost see how this creative force must have meticulously set up scenes with great skill. I hope Koen De Mortier can keep up this magic in his future works.

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Plueschdoktor
2011/08/19

It's not that I wouldn't appreciate slow-paced movies. As a huge fan of Asian esp. Japanese films I am used to watch people standing around for half an hour doing nothing (e.g. the wonderful 3 1/2 hours "Eureka" by Shinji Aoyama). But as "22nd of may" opened showing the boring start in a boring every-day life of a bored protagonist - a guard preparing for his work in a shopping-mall - I already feared for the rest of the movies runtime. Then the bomb exploded and I thought "OK. That explains why before we had to watch a boring guy doing boring things in every boring detail. Because there's nothing stronger to kick your ass than an exploding bomb." The guy then immediately came to rescue, panicked and scrammed which got my full compassion! But after that the victims started talking to him. And they talked. And talked. And talked. Well, what I can say. They talked me out of the cinema after 30 minutes. Mind me, the basic idea is great and deserves 8 stars for sounding philosophical, intriguing, and passionate so your mind may go Boom. 22nd of May unfortunately let only my patience go Boom and scattered my 8 stars to smithereens, leaving 3 for the good intention. Making boring things interesting is obviously not given to every director.

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Ruben Mooijman
2010/11/20

This film doesn't have a plot to speak of, it has very little dialogue, it switches from reality to dreamlike sequences of subconscious or imagined events. Most of the time I was wondering what exactly I was watching, how I should interpret the images and what the film maker was trying to tell me.The 'story' is about a security guard at a shopping center, who survives a bomb explosion and unravels the stories of the other witnesses and victims. The film starts off quite impressively: we see the guard leaving home for work, doing his job and panicking after the explosion. But after that the film slows down, becomes confusing and fails in engaging the viewer. I couldn't help thinking: where does all this nonsense lead us to? There are a few positive points. The locations are superb (we see mostly ugly and timeless cityscapes) and the cinematography is beautiful. And you could argue that this is an intriguing movie which invites the audience not to take everything immediately for granted. In this respect, some people might enjoy it. But I suspect this is a small group.

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svenverbeecke
2010/11/18

Koen Mortier, director of the great "ex-drummer" is back with a very different film. '22 mei' starts with a long traveling shot showing Sam, a security guard in shopping center, and his daily routine. It seems to be just another day like all the others, when suddenly an huge explosion changes the mall into hell. Sam at first tries to help, but confronted with the devastating consequences he runs away.It is at this point that 22 mei steps away from conventional narration and turns into a mental trip inside Sam's head. Soon he finds himself confronted with the victims of the terrible attack. Some blame him, some ask him why, but all of them have had their lives cut short.Forgoing easy symbolism or classical logic 22 mei takes you on a intensly cinematographical trip, a trip that in the ends seems to tell you to enjoy life; because you never now when it might end.

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